The nature of abstraction: Analysis and the Webern myth

Music Analysis

Volumn 17, Issue 3, 1998, Pages 267-280

  Johnson, Julian ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949429011     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.2307/854416     Document Type: Review

References (11)

1. Theodor W. Adorno, Mahler: A Musical Physiognomy, trans. E. Jephcott (Chicago: University of Chicago Press, 1992), p. 44
2. Adorno, 'On the Problem of Musical Analysis', trans, M. Paddison, Music Analysis, 1/ii (1982), p. 177
3. Jean-Jacques Nattiez, 'Sur les relations entre sociologie et sémiologie musicales', International Review of the Aesthetics and Sociology of Music, 5/i (1974), p. 73
4. Adorno, Introduction to the Sociology of Music, trans. E. B. Ashton (New York: Continuum, 1989), p. 211
5. Adorno, Aesthetic Theory, trans. C. Lenhardt (London: Routledge and Kegan Paul, 1984), pp. 477-8
6. Adorno, Philosophy of Modern Music, trans. Anne G. Mitchell and Wesley V. Blomster (London, Sheed andWard, 1987), p. 26
7. 'Über einige Arbeiten Weberns', in Heinz-Klaus Metzger and Rainer Riehn (eds.), Musik-Konzepte. Sonderband. Anton Webern I (Munich: Edition Text+Kritik, 1983), pp. 272-89
8. Kathryn Bailey, The Twelve-Note Music of Anton Webern (Cambridge: Cambridge University Press, 1991), p. 3
9. Die Reihe, Vol. 2, 1955, Eng. trans. (Bryn Mawr, PA: Theodore Presser, 1958), p. 99
10. Anton Webern, Cello Sonata (1914) [from the composer's autograph manuscript in the Moldenhauer Archive] (New York: Carl Fischer, 1970)
11. Hans and Rosaleen Moldenhauer, Anton von Webern: A Chronicle of his Life and Work (New York: Knopf, 1979), p. 207