Segmentation and focus in set-generic analysis

Music Analysis

Volumn 17, Issue 2, 1998, Pages 127-159

  Kennett, Chris ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949322912     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.2307/854435     Document Type: Review

References (5)

1. Forte, Allen, 1973: The Structure of Atonal Music (New Haven: Yale University Press).
2. 1988: 'Pitch-Class Set Genera and the Origin of Modem Harmonic Species', Journal of Music Theory, 32/ii, pp. 187-271.
3. 1991: 'Debussy and the Octatonic', Music Analysis, 10/i-ii, pp. 125-69.
4. Kennett, Chris, 1995: 'The Harmonic Species of Frank Bridge: An Assessment of the Applicability of Pitch-Class Generic Theory to Analysis of a Corpus of Works by a Transitional Composer' (PhD diss., University of Reading).
5. Parks, Richard S., 1989: The Music of Claude Debussy (New Haven: Yale University Press).