The end of Die Feen and Wagner's beginnings: Multiple approaches to an early example of double-tonic complex, associative theme and Wagnerian form

Music Analysis

Volumn 25, Issue 3, 2006, Pages 315-340

  Bribitzer Stull, Matthew ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949290568     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.1468-2249.2006.00245.x     Document Type: Article

References (3)

1. Darcy, Warren, 2003: Wagner's Das Rhelngold (New York: Oxford University Press)
2. Lewin, David, 1992: 'Some Notes on Analyzing Wagner: The Ring and Parsifal', 19th-century Music, 16, pp. 49-58
3. Marvin, William, 2001: 'Tonality in Selected Set Pieces from Wagner's Die Meistersinger von Nürnburg: A Schenkerian Approach' (PhD diss., Eastman School of Music)