The mysteries of animation: History, analysis and musical subjectivity

Music Analysis

Volumn 20, Issue 2, 2001, Pages 153-178

  Kramer, Lawrence ^a  

^a Century Music   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949270714     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.1111/1468-2249.00134     Document Type: Article

References (41)

1. Abbate, Carolyn, 2000: 'Outside Ravel's Tomb', Journal of the American Musicological Society, 52/iii, pp. 465-530
2. Adorno, Theodor W., 1973: Philosophy of Modern Music, trans. Anne G. Mitchell and Wesley V. Blomster (New York: Seabury Press)
3. Althusser, Louis, 1970: 'Ideology and Ideological State Apparatuses (Notes Towards an Investigation)', trans. unattributed, in Žižek 1994, pp. 100-140
4. Armstrong, Louis, 1949: interview in Down Beat, 17 June 1949, quoted in Walser 1999, pp. 153-4
5. Auden, W. H., 1967: Collected Shorter Poems (New York: Random House)
6. Beach, David (ed.), 1983: Aspects of Schenkerian Theory (New Haven: Yale University Press)
7. Benjamin, Walter, 1921: 'The Critique of Violence' ['Zur Kritik der Gewalt'], in Walter Benjamin, Reflections: Essays, Aphorisms, Autobiographical Writings, ed. Peter Demetz, trans. Edmund Jephcott (New York: Schocken, 1986)
8. Butler, Judith, 1997: Excitable Speech: A Politics of the Performative (New York: Routledge)
9. Clayton, Martin, Herbert, Trevor and Middleton, Richard (eds.), forthcoming: The Cultural Study of Music (New York: Routledge)
10. Cook, Nicholas and Everist, Mark (eds.), 1999: Rethinking Music (Oxford: Oxford University Press)
11. Cornell, Drucilla, Rosenfeld, Michel and Carlson, David Gray (eds.), 1992: Deconstruction and the Possibility of Justice (New York: Routledge)
12. Derrida, Jacques, 1972: Margins of Philosophy, trans. Alan Bass (Chicago, University of Chicago Press)
13. -, 1976: Of Grammatology, trans. Gayatri Charavorty Spivak (Baltimore: Johns Hopkins)
14. Freud, Sigmund, 1962: The Ego and the Id, trans. James Strachey (New York: Norton)
15. Grimm, Jakob, 1851: 'On the Origin of Language', trans. Ralph R. Read III, in Willson 1982, pp. 257-92
16. Hegel, G. W. F., 1838: Vorlesungen Über die Aesthetik, ed. D. H. G. Hotho (Berlin: Dunker and Humblot), 3 vols
17. -, 1975: Aesthetics: Lectures on Fine Art, trans. T. M. Knox (Oxford: Oxford University Press), 2 vols
18. Kaes, Anton, Jay, Martin and Dimendberg, Edward (eds.), 1994: The Weimar Republic Sourcebook (Berkeley: University of California Press)
19. Kramer, Lawrence, 1995: Classical Music and Postmodern Knowledge (Berkeley: University of California Press)
20. -, 2001: Musical Meaning: Toward a Critical History (Berkeley: University of California Press)
21. -, forthcoming, 'Subjectivity Rampant! Music, Hermeneutics and History', in Clayton et al. (eds.), forthcoming
22. Lacan, Jacques, 1981: Four Fundamental Concepts of Psychoanalysis, ed. Jacques-Alain Miller, trans. Alan Sheridan (New York: Norton)
23. Maltin, Leonard, 1987: Of Mice and Magic: A History of American Animated Cartoons, rev. edn. (New York: New American Library)
24. Marek, George and Gordon-Smith, Maria, 1978: Chopin (New York: Harper and Row)
25. Metzner, Paul, 1998: Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris During the Age of Revolution (Berkeley: University of California Press)
26. Nagel, Ivan, 1991: Autonomy and Mercy (Cambridge, MA: Harvard University Press)
27. Tomlinson, Gary, 1999: 'Vico's Songs: Detours at the Origins of (Ethno)musicology', Musical Quarterly, 83/iii, pp. 344-77
28. Oster, Ernst, 1947: 'The Fantaisie-Impromptu: A Tribute to Beethoven', in Beach 1983, pp. 189-207
29. Richter, David (ed.), 1998: The Critical Tradition: Classic Texts and Contemporary Trends, 2nd edn. (Boston: Bedford)
30. Rousseau, Jean-Jacques, 1990: Essay on the Origin of Language, in The First and Second Discourses and Essay on the Origin of Languages, trans. Victor Gourevitch (New York: Harper and Row)
31. Schoenberg, Arnold, 1975: Style and Idea, ed. Leonard Stein, trans. Leo Black (Berkeley: University of California Press)
32. Tolstoy, Leo, 1897: 'What is Art?', trans. Aylmer Maude, in Richter 1998, pp. 472-80
33. van den Toorn, Pieter, 1995: Music, Politics, and the Academy (Berkeley: University of California Press)
34. Wagner, Richard, 1966: The Artwork of the Future, vol. 1 of Richard Wagner's Prose Works, trans. William Ashton Ellis (Broude: New York)
35. Walser, Robert (ed.), 1999: Keeping Time: Readings in Jazz History (New York: Oxford University Press)
36. Wilde, Oscar, 1891: 'The Critic as Artist', in The Artist as Critic: Critical Writings of Oscar Wilde, ed. Richard Ellmann (Chicago: University of Chicago Press, 1982)
37. Willson, Leslie (ed.), 1982: German Romantic Criticism (New York: Seabury Press)
38. Žižek, Slavoj, 1993a: Looking Awry: An Introduction to Jacques Lacan Through Popular Culture (Cambridge, MA: MIT Press)
39. -, 1993b: Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology (Durham, NC: Duke University Press)
40. - (ed.), 1994: Mapping Ideology (London: Verso)
41. -, 1997: The Plague of Fantasies (London: Verso)