Bruckner's Perger Prelude: A dramatic revue of Wagner?

Music Analysis

Volumn 18, Issue 1, 1999, Pages 101-124

  Swinden, Kevin J ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949200825     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.1111/1468-2249.00084     Document Type: Article

References (9)

1. Charles J. Smith, 'Musical Form and Fundamental Structure: An Investigation into Schenker's Formenlehre\ Music Analysis, 15/ii (1996), pp. 191-297.
2. Ernst Tittel, in 'Die Orgelwerke Anton Bruckners' (Singende Kirche 16. Jahrgang, vols. III and IV, 1969)
3. Hans Haselböck in Anton Bruckner, Orgelwerke, ed. Hans Haselböck (Vienna: Doblinger, 1970).
4. Charles J. Smith, 'The Functional Extravagance of Chromatic Chords', Music Theory Spectrum, 8 (1986), pp. 116-27.
5. 'Harmonic Tropes and Plagal Dominant Structures in the Music of Anton Bruckner' (State University of New York at Buffalo, 1997).
6. Heinrich Schenker, Free Composition [Der freie Satz], trans. and ed. E. Oster (New York: Longman, 1979).
7. David Neumeyer, 'The Ascending Urlinie', Journal of Music Theory, 31 (1987), pp. 275-303;
8. David Neumeyer, 'The Three-Part Ursatz', In Theory Only, 10/i-ii (1989), pp. 3-29;
9. David Neumeyer and Richard Littlefield, 'Rewriting Schenker: Narrative-His-tory-Ideology', Music Theory Spectrum, 14/i (1992), pp. 38-65;