Bruckner's way: The adagio of the ninth symphony

Music Analysis

Volumn 18, Issue 1, 1999, Pages 5-99

  Puffett, Derrick ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949191207     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.1111/1468-2249.00083     Document Type: Article

References (16)

1. Heinrich Schenker, Harmony, ed. and annot. Oswald Jonas, trans. Elisabeth Mann Borgese (Chicago: University of Chicago Press, 1954), p. 177 n. 2.
2. Edward Laufer, 'Some Aspects of Prolongation Procedures in the Ninth Symphony (Scherzo and Adagio)', in Bruckner Studies, ed. Paul Hawkshaw and Timothy L. Jackson (Cambridge: Cambridge University Press, [1997), pp. 209-55].
3. Schenker's Harmonielehre (Stuttgart: Cotta, 1906), p. 228 n. 2,
4. Arnold Schoenberg, Structural Functions of Harmony, ed. Leonard Stein (New York: Norton, 1954), pp. 4-5
5. Ernst Schwanzara (Vienna: Österreichischer Bundesverlag, 1950), p. 129.
6. Cheong Wai-Ling, 'Conference Report: Alternatives to Monotonality', Music Analysis, 8/iii (October 1989), p. 355.
7. The Second Practice of Nineteenth-Century Tonality, ed. William Kinderman and Harald Krebs (University of Nebraska Press, 1996).
8. 'A Graphic Analysis of Musorgsky's "Catacombs'", Music Analysis, 9/i (March 1990), p. 73.
9. Heinrich Schenker, Free Composition, ed. and trans. Ernst Oster (NewYork: Longman, 1981), in Music Theory Spectrum, 3 (1981), p. 161.
10. William Rothstein, 'On Implied Notes', Music Analysis, 10/iii (1991), pp. 289ff.
11. Leichtentritt, Musikalische Formenlehre (Leipzig, 1911),
12. Musical Form (Cambridge, MA: Harvard University Press, 1951).
13. Chopin in Meisterwerk, Vol. 2 (1926),
14. Schenker, The Masterwork in Music, ed. William Drabkin, Vol. 2 (Cambridge: Cambridge University Press, 1994), pp. 88-9 and 96-8.
15. Timothy L. Jackson, 'The Finale of Bruckner's Seventh Symphony and Tragic Reversed Sonata Form', in Bruckner Studies, pp. 140-208.
16. Mark DeVoto's 'Alban Berg and Creeping Chromaticism', in Alban Berg: Historical and Analytical Perspectives, ed. David Gable and Robert P. Morgan (Oxford: Clarendon Press, 1991), pp. 57-78;