Characterization of materials used in the execution of historic oil paintings by XRD, SEM-EDS, TGA and LIBS analysis

Materials Characterization

Volumn 60, Issue 4, 2009, Pages 303-311

  Şerifaki, Kerem ^a   Böke, Hasan ^a   Yalçin, Şerife ^a   Ipekoǧlu, Başak ^a  

^a IZMIR INSTITUTE OF TECHNOLOGY   (Turkey)

Author keywords

Anglesite; Oil; Pigments; Wall paintings; Zinc oxide

Indexed keywords

INFRARED SPECTROSCOPY; IRON OXIDES; LASER SPECTROSCOPY; LUBRICATING OILS; PAINT; SCANNING; SCANNING ELECTRON MICROSCOPY; SPECTROSCOPIC ANALYSIS; THERMOGRAVIMETRIC ANALYSIS; VEGETABLE OILS; ZINC; ZINC OXIDE;

19TH CENTURIES; ANALYSIS RESULTS; ANGLESITE; BINDING LAYERS; DIFFERENTIAL SCANNING CALORIMETERS; GREEN EARTHS; LASER INDUCED BREAKDOWN SPECTROSCOPIES; MATERIAL CHARACTERISTICS; MINERALOGICAL COMPOSITIONS; OIL; OIL PAINTINGS; SCANNING ELECTRON MICROSCOPES; SEM-EDS; THERMO-GRAVIMETRIC ANALYZERS; VEGETABLE OIL; WALL PAINTINGS; X- RAY DIFFRACTIONS; XRD;

PAINTING;

EID: 60949088768     PISSN: 10445803     EISSN: None     Source Type: Journal    
DOI: 10.1016/j.matchar.2008.09.016     Document Type: Article

References (20)

1. Mora P., Mora L., and Philippot P. Conservation of wall paintings (1984), Butterworths, London
2. Van den Berg JDJ. Analytical chemical studies on traditional linseed oil paints, Ph.D. Thesis, Institute for Atomic and Molecular Physics (AMOLF), Amsterdam, Holand; 2002.
3. Lang P.L., Keefer C.D., Juenemann J.C., Tran K.V., Peters S.M., Huth N.M., et al. The infrared microspectroscopic and energy dispersive X-ray analysis of paints removed from a painted, medieval sculpture of Saint Wolfgang. Microchem J 74 (2003) 33-46
4. Barnett J.R., Miller S., and Pearce E. Colour and art: a brief history of pigments. Optic & Laser Technology 38 (2005) 445-453
5. Surowiec I., Kaml I., and Kenndler E. Analysis of drying oils used as binding media for objects of art by capillary electrophoresis with indirect UV and conductivity detection. J Chromatog A 1-2 (2004) 245-254
6. Perardi A., Zoppi A., and Castellucci E. Micro-Raman spectroscopy for standard and in situ characterization of painting materials. J Cult Herit 1 1 (2000) 269-272
7. Edwards H.G.M., Brooke C.J., and Tait J.F.K. Fourier transform Raman spectroscopic study of pigments from English mediaeval wall paintings. J Raman Spectrosc 28 (1997) 95-98
8. Prati S., Chiavari G., and Cam D. DSC application in the conservation field. J Therm Anal Calorim 66 (2001) 315-327
9. Turri B., Vicini S., Margutti S., and Pedemonte E. Calorimetric analyses of the polymerization process of linseed oil. J Therm Anal Calorim 66 (2001) 343-348
10. Gimeno-Adelantado J.V., Mateo-Castro R., Doménech-Carbó M.T., Bosch-Reig F., Doménech-Carbó A., Casas-Catalán M.J., et al. Identification of lipid binders in paintings by gas chromatography influence of the pigments. J Chromatogr A 922 (2001) 385-390
11. Brysbaert A., Melessenaki K., and Anglos D. Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS). J Archaeol Sci 33 (2006) 1095-1104
12. Anglos D., Couris S., and Fotakis C. Laser Diagnostics of painted artworks: Laser Induced Breakdown Spectroscopy of pigments. Appl Spectrosc 51 (1997) 1025-1030
13. Anglos D. Laser Induced Breakdown Spectroscopy in art and archaeology. Appl Spectrosc 55 (2001) 186A-205A
14. Turgut AÖ. Ayvali{dotless}k kilise ve manasti{dotless}rlari{dotless}, B.A. Thesis, Ege University, İzmir, Turkey; 1996.
15. RILEM. Tests defining the structure. Mater Const 13 (1980) 73
16. Van der Weerd J. Microspectroscopic analysis of traditional oil paint, Ph.D. Thesis, Institute for Atomic and Molecular Physics (AMOLF), Amsterdam, Holand; 2002.
17. Harley R.D. Artists' pigments c.1600-1835 (2001), Archetype Publications, London
18. Clark R.J.H. Pigment identification by spectroscopic means: an arts/science interface. Acad Sci 5 (2002) 7-20
19. Bell I.M., Clark R.J.H., and Gibbs P.J. Raman spectroscopic library of natural and synthetic pigments. Spectrochim Acta Part A 53 (1997) 2159-2179
20. Hradil D., Grygar T., Hradilová J., and Bezdićka P. Clay and iron oxide pigments in the history of painting. Appl Clay Sci 22 (2003) 223-236