String bowing gestures at varying bow stroke frequencies: A case study

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 5085 LNAI, Issue , 2009, Pages 216-226

  Rasamimanana, Nicolas ^a   Bernardin, Delphine ^b   Wanderley, Marcelo ^b   Bevilacqua, Frédéric ^a  

^a Université Pierre et Marie Curie Paris 6   (France)

^b MCGILL UNIVERSITY   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; KNOWLEDGE MANAGEMENT; SUPERALLOYS; THREE DIMENSIONAL; VELOCITY;

ACCELERATION PROFILES; ARM MOVEMENTS; DIFFERENT FREQUENCIES; EXPLORATORY STUDIES; IN-PHASE; INVERSE-TIME; JOINT ANGLES; MUSIC PERFORMANCE; OPTICAL MOTION CAPTURES; OUT-OF-PHASE; RELATIVE PHASE; VELOCITY PROFILES;

HUMAN COMPUTER INTERACTION;

EID: 60349122595     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/978-3-540-92865-2_24     Document Type: Conference Paper

References (16)

1. I-MAESTRO, http://www.i-maestro.org
2. Bevilacqua, F., Rasamimanana, N.H., Fléty, E., Lemouton, S., Baschet, F.: The augmented violin project: research, composition and performance report. In: NIME Proceedings, pp. 402-406 (2006)
3. Rasamimanana, N.H., Flety, E., Bevilacqua, F.: Gesture analysis of violin bow strokes. In: Gibet, S., Courty, N., Kamp, J.-F. (eds.) GW 2005. LNCS (LNAI), vol. 3881, pp. 145-155. Springer, Heidelberg (2006)
4. Henrich, N.: Mirroring the voice from garcia to the present day: Some insights into singing voice registers. Logopedics Phoniatrics Vocology 31, 3-14 (2006)
5. Haken, H., Kelso, J.A.S., Bunz, H.: A theoretical model of phase transitions in human hand movements. Biological cybernetics 51(5), 347-356 (1985)
6. Fuchs, A., Jirsa, V.K., Haken, H., Kelso, J.A.S.: Extending the hkb model of coordinated movement to oscillators with different eigenfrequencies. Biological cybernetics 74(1), 21-30 (1996)
7. Palmer, C.: Movement amplitude and tempo change in piano performance. Acoustical Society of America Journal 115, 2590-2590 (2001)
8. Dalla Bella, S., Palmer, C.: Tempo and dynamics in piano performance: the role of movement amplitude. In: Lipscomb, S.D., Ashley, R., Gjerdingen, R.O., Webster, P. (eds.) Proceedings of the International Conference on Music Perception and Cognition, pp. 256-257 (2004)
9. Wanderley, M.M., Vines, B.W., Middleton, N., McKay, C., Hatch, W.: The musical significance of clarinetists' ancillary gestures: An exploration of the field. Journal of New Music Research 34(1), 97-113 (2005)
10. Dahl, S.: Playing the accent - comparing striking velocity and timing in an ostinato rhythm performed by four drummers. Acta Acustica united with Acustica 90(4), 762-776 (2004)
11. Shan, G.B., Visentin, P.: A quantitative three-dimensional analysis of arm kinematics in violin performance. Medical Problems of Performing Artists 18(1), 3-10 (2003)
12. Winold, H., Thelen, E., Ulrich, B.D.: Coordination and control in the bow arm movements of highly skilled cellists. Ecological Psychology 6(1), 1-31 (1994)
13. Baader, A.P., Kazennikov, O., Wiesendanger, M.: Coordination of bowing and fingering in violin playing. Cognitive brain research 23(2-3), 436-443 (2005)
14. Vicon Plug-in-gait, http://www.vicon.com/applications/gait analysis.html
15. Demoucron, M., Askenfelt, A., Caussé, R.: Mesure de la 'pression d'archet' des instruments à cordesfrottées: Application àlasynthèse sonore. In: Actes du VIIIème Congrès Français d'Acoustique, Tours (2006)
16. Guettler, K.: Looking at starting transients and tone coloring of the bowed string. In: Proceedings of Frontiers of Research on Speech and Music (2004)