LOCOMOTIVES AND STARGATES: Inner‐city studio complexes in Sydney, Melbourne and Toronto

International Journal of Cultural Policy

Volumn 10, Issue 1, 2004, Pages 29-45

  Goldsmith, Ben ^a   O’Regan, Tom ^b  

^a GRIFFITH UNIVERSITY   (Australia)

^b UNIVERSITY OF QUEENSLAND   (Australia)

Author keywords

city branding; cultural policy; film policy; film studios; screen production; urban regeneration

Indexed keywords

EID: 59849129856     PISSN: 10286632     EISSN: 14772833     Source Type: Journal    
DOI: 10.1080/1028663042000212319     Document Type: Article

References (32)

1. alomes, s., (2000). ‘ “Colonial” catastrophe: Football spectatorship and local business/political culture in a “globalising” era’. Journal of Australian Studies, vol. 66: pp. 148–157, 272–274
2. anonymous (1994) ‘Movie Mecca’ Telegraph‐Mirror (Sydney) 19 October p. 4
3. audit office of new south wales (1997) Performance Audit Report: Sydney Showground, Moore Park, Lease to Fox Studios Australia (December)
4. auditor‐general victoria (2003) Report on Public Sector Agencies (February)
5. australian film commission (1996) Get The Picture: Essential Data on Australian Film, Television, Video and New Media 4th edn, Australian Film Commission, Sydney
6. australian film commission (2002) Get the Picture Online Available online at: www.afc.gov.au/GTP/index.html, last updated January 2002, accessed 12 May 2003
7. centennial park and moore park trust act (1983) New South Wales Consolidated Acts Government of New South Wales, Sydney
8. evans g., (2001) Cultural Planning: An Urban Renaissance? An International Perspective on Planning for the Arts and Culture Routledge, London
9. goldsmith b., o’regan t., (2003) Cinema Cities, Media Cities: The Contemporary International Studio Complex Australian Film Commission, Sydney
10. hall, p., (1999). ‘The future of cities’. Computers, Environment and Urban Systems, vol. 23: pp. 173–185
11. hall p., (2002) Cities of Tomorrow 3rd edn, Blackwell, Oxford
12. hamnett s., (2000) ‘The late 1990s: Competitive versus sustainable cities’ in The Australian Metropolis: A Planning History eds S. Hamnett & R. Freestone, Allen & Unwin, Crows Nest (Sydney) pp. 168–218
13. hannigan j., (2002) ‘Cities as the physical site of the global entertainment economy’ in Global Media Policy in the New Millennium ed. M. Raboy, University of Luton Press, Luton pp. 181–195
14. harvey d., (2001) ‘From managerialism to entrepreneurialism: The transformation in urban ­governance in late capitalism’ in Spaces of Capital: Towards a Critical Geography Edinburgh University Press, Edinburgh pp. 345–368
15. johnson l., logan w. s., long c., (1998) ‘Jeff Kennett’s Melbourne: Postmodern city, planning and politics’ in The Twentieth Century Planning Experience ed. R. Freestone, University of New South Wales, Sydney pp. 436–441
16. judd d. r., (2002) ‘Promoting tourism in US cities’ in Readings in Urban Theory 2nd edn, eds S. S. Fainstein & S. Campbell, Blackwell, Oxford pp. 278–299
17. kalinowski, t., (2002). ‘Film studio brings star support’. Toronto Star, 7 (February): p. B04
18. keating p., (1994) Opening Address to the Australia/OECD Conference, Cities and New Global Economy, Melbourne, November Cited in Hamnett, S. (2000) ‘The late 1990s: Competitive versus sustainable cities’, in The Australian Metropolis: A Planning History eds S. Hamnett & R. Freestone, Allen & Unwin, Crows Nest (Sydney) p. 170
19. kitney g., (1994) ‘How Paul snared Rupert, the 20th Century Fox’ Sydney Morning Herald 20 October p. 1
20. krätke s., (2002a) ‘Global media cities in a worldwide urban network’, Globalization and World Cities Study Group and Network Research Bulletin 80 Available online at: www.lboro.ac.uk/gawc/rb/rb80.html, edited and posted on the web 15 March 2002, accessed 6 August 2003
21. krätke s., (2002b) ‘Network analysis of production clusters: The Potsdam/Babelsberg film ­industry as an example’ European Planning Studies vol. 10 no. 1 pp. 27–54
22. logan j. r., molotch h. l., (2002) ‘The city as growth machine’ in Readings in Urban Theory 2nd edn, eds S. S. Fainstein & S. Campbell, Blackwell, Oxford pp. 199–238
23. long c., (1998) ‘Of edifice complexes, credit card consumers, sports stadia and marinas: Melbourne’s Docklands as symbol of late twentieth century development’ in The Twentieth Century Planning Experience ed. R. Freestone, University of New South Wales, Sydney pp. 411–416
24. magder t., burston j., (2001) ‘Whose Hollywood? Changing forms and relations inside the North American entertainment economy’ in Continental Order: Integrating North America for Cybercapitalism eds V. Mosco & D. Schiller, Rowman & Littlefield, Lanham, MD pp. 207–234
25. miller t., govil n., mcmurria j., maxwell r., (2001) Global Hollywood British Film Institute, London
26. nickle d., (2002) ‘Toronto scores mega film studio’ Inside Toronto 10 February. Available online at: www.insidetoronto.ca/to/tbt/v‐printtoronto/story/112655p‐194359c.html, accessed 6 August 2003
27. scott a. j., (1988) New Industrial Spaces: Flexible Production Organization and Regional Development in North America and Western Europe Pion, London
28. scott a. j., (2000) The Creative Economy of Cities: Essays on the Geography of Image‐producing Industries Sage, London
29. toronto waterfront revitalization task force (2000) Our Toronto Waterfront (March)
30. united states international trade administration (2001) The Migration of US Film and Television Production (report to the Commerce Department, January)
31. Ben Goldsmith (author to whom correspondence should be addressed), Faculty of Arts Griffith University Nathan QLD 4111, Australia, +61 7 3875 3508, B.Goldsmith@griffith.edu.au.
32. Tom O’Regan, School of English, Media Studies and Art History University of Queensland St Lucia QLD 4072, Australia