'No passport necessary': Music, record covers and vicarious tourism in post-war Hawai'i

Journal of Pacific History

Volumn 43, Issue 1, 2008, Pages 51-75

  Connell, John ^a   Gibson, Chris ^b  

^a UNIVERSITY OF SYDNEY   (Australia)

^b UNIVERSITY OF WOLLONGONG   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 57749126070     PISSN: 00223344     EISSN: None     Source Type: Journal    
DOI: 10.1080/00223340802054628     Document Type: Review

References (62)

1. J. Goss, 'Placing the market and marketing place: tourist advertising of the Hawaiian Islands, 1972-1992', Environment and Planning D Society and Space, 11 (1993), 663-88
2. J. Connell and C. Gibson, Sound Tracks: popular music, identity and place (London 2003)
3. 'Vicarious journeys: travels in music', Tourism Geographies, 6:1 (2003), 2-25
4. C. Gibson and J. Connell, Music and Tourism (Clevedon 2005)
5. For example, C. Mamiya, 'Greetings from paradise: the representation of Hawaiian culture in postcards', Journal of Communication Inquiry, 16 (1992), 86-101
6. E. Edwards, 'Postcards: greetings from another world', in T. Selwyn (ed.), The Tourist Image (Chichester 1996), 197-221
7. G. Waitt, 'Selling paradise and adventure: representations of landscapes in the tourist advertisements of Australia', Australian Geographical Studies, 35 (1997), 47-60
8. After Mamiya, 'Greetings from paradise', the more important of these include M. Quanchi, 'Photography and history in the Pacific Islands', Journal of Pacific History, 41:2 (2006), 165-73, which itself provides an extensive bibliography
9. Others include J. Annear (ed.), Portraits of Oceania (Sydney 1997)
10. R. Boulay, Kannibals & Vahines: imagerie des Mers du Sud (Paris 2002)
11. and A. Stephen (ed.), Pirating the Pacific: images of trade, travel and tourism (Sydney 1993)
12. More detailed texts that mainly focus on photographs and art include E. Edwards (ed.), Anthropology and Photography 1860-1920 (New Haven 1992)
13. M. Kahn, 'Tahiti intertwined: ancestral land, tourist postcard, and nuclear test site', American Anthropologist, 102:1 (2000), 7-26
14. N. Thomas, Colonialism's Culture (Oxford 1994)
15. N. Thomas, In Oceania (Durham 1997)
16. and N. Thomas, Possessions: indigenous art/colonial culture (New York 1999). None of these refers to Hawai'i other than in passing
17. T. Bloomfield, 'Resisting songs: negative dialectics in pop', Popular Music, 12 (1993), 13-31
18. E. Edwards, Raw Histories: photographs, anthropology and museums (Oxford 2001)
19. J. Borgerson and J. Schroeder, 'The lure of paradise: marketing the retro-scape of Hawaii', in S. Brown and J. Sherry (eds.), Time, Space and the Market (New York 2003), 219-37
20. Gibson and Connell, Music and Tourism
21. J. Urry, The Tourist Gaze (London 1990)
22. See, e.g., Thomas, Colonialism's Culture, passim
23. D. MacCannell, The Tourist (New York 1976)
24. N. de Lille, Album: style and image in sleeve design (London 2003)
25. Cf. H. Huss, 'The "zinc-fence thing": when will reggae album covers be allowed out of the ghetto?' Black Music Research Journal, 20 (2000), 181-94
26. De Lille, Album, 13
27. Cf. G. Kanahele, Hawaiian Music and Musicians (Honolulu 1979)
28. E. Buck, Paradise Remade: the politics of culture and history in Hawai'i (Philadelphia 1993)
29. E. Tatar, Strains of Change: the impact of tourism on Hawaiian music (Honolulu 1987), 7
30. Buck, Paradise Remade, 104-20
31. Tatar, Strains of Change, passim
32. J. Hopkins, 'Hawaiian music and dance', in L. Lueras (ed.), Hawaii (Hong Kong 1980), 329-38
33. S. Hosokawa, 'East of Honolulu - Hawaiian music in Japan from the 1920s to the 1940s', Perfect Beat, 2:1 (1994), 51-67
34. Hopkins, 'Hawaiian music and dance', 333
35. J. Desmond, Staging Tourism (Chicago 1999), 133
36. Kanahele, Hawaiian Music and Musicians, xxv
37. B. Farrell, Hawaii: the legend that sells (Honolulu 1982), 266
38. J. Linnekin, 'Consuming cultures: tourism and the commoditization of cultural identity in the Island Pacific', in M. Picard and R.E. Wood (eds), Tourism, Ethnicity and the State in Asian and Pacific Societies (Honolulu 1997), 215-50
39. Linnekin, 'Consuming cultures', 224
40. Farrell, Hawaii, xiii
41. N. Kent, 'A New Kind of Sugar?', in B. Finney and K.A. Watson (eds), A New Kind of Sugar: tourism in the Pacific (Honolulu 1975), 169-98
42. Kent, 'A New Kind of Sugar?' 170
43. T. Wright, The Disenchanted Isles (New York 1972), 174
44. Desmond, Staging Tourism, 273
45. Buck, Paradise Remade; Desmond, Staging Tourism
46. Connell and Gibson, 'Vicarious journeys', 6
47. Quoted by R. Leydon, 'Utopias of the tropics: the exotic music of Les Baxter and Yma Sumac', in P. Hayward (ed.), Widening the Horizons: exoticism in post-war popular music (Sydney 1999), 53
48. J. Lanza, Elevator Music (London 1994), 123
49. S. Hosokawa, 'Martin Denny and the development of musical exotica', in Hayward, Widening the Horizons, 88
50. Borgerson and Schroeder, 'The lure of paradise', passim
51. R. Wilson, 'Goodbye paradise: global/localism in the American Pacific', in R. Wilson and W. Dissanayake (eds), Global/Local: cultural production and the transnational imaginary (Durham 1996), 318
52. J. Connell and C. Gibson, 'World music: deterritorialising place and identity', Progress in Human Geography, 28 (2004), 342-61
53. Leydon, 'Utopias of the tropics', 61
54. Connell and Gibson, Sound Tracks, 146-7
55. J. Linnekin, 'Tradition sells: identity merchandise in the Island Pacific', in V. Lockwood (ed.), Globalization and Culture Change in the Pacific Islands (New Jersey 2004), 324
56. Goss, 'Placing the market and marketing place', passim
57. T. Taylor, Global Pop: world music, world markets (New York 1997)
58. G. Lewis, 'Music, culture and the Hawaiian renaissance', Popular Music and Society, 10 (1986), 47-53
59. 'Don' go down Waikiki: social protest and popular music in Hawaii', in R. Garofalo (ed.), Rockin' the Boat: mass music and mass movements (Boston 1992), 171-83
60. A. Stillman, 'Hula hits, local music and local charts: some dynamics of popular Hawaiian music', in P. Hayward (ed.), Sound Alliances: indigenous peoples, cultural politics and popular music in the Pacific (London 1998), 89-103
61. A. Weintraub, 'Jawaiian music and local cultural identity in Hawai'i', in Hayward, Sound Alliances, 78-88
62. Gibson and Connell, Sound Tracks, passim