DIGITAL SOUND SYNTHESIS, ACOUSTICS, AND PERCEPTION: A RICH INTERSECTION

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2000, Pages

  Chowning, John M ^a  

^a STANFORD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

DIGITAL CONTROL SYSTEMS;

BELL TELEPHONE LABORATORIES; DIGITAL AUDIO; DIGITAL CONTROL; DIGITAL SOUND SYNTHESIS; DIGITAL SYNTHESIS; INITIAL CONDITIONS; LEVEL-OF-DETAIL; SIMPLE++; SOUND PERCEPTION;

PSYCHOACOUSTIC;

EID: 57549090665     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (5)

1. Mathews, M.V., “The Digital Computer as a Musical Instrument,” Science, Vol. 142, No. 3592, 553-557, 1963.
2. Risset, J-C, Mathews, M.V., “Analysis of Musical-Instrument Tones,” Physics Today, Vol. 22, No. 2, 23-30, 1969.
3. Chowning, J.M., “The Synthesis of Complex Audio Spectra by Means of Frequency Modulation,” J. Audio Eng. Soc., Vol. 21, 526-534, 1973.
4. Zwicker, E., Scharf, B., "A Model of Loudness Summation," Psychological Review, Vol. 72, 3-26, 1965.
5. Chowning, J.M., “Perceptual Fusion and Auditory Perspective,” Music, Cognition, and Computerized Sound, P.R. Cook ed., MIT Press, 261-275, 1999.