메뉴 건너뛰기




Volumn 14, Issue 4, 2008, Pages 865-885

'They may say tourist, may say truly painting': Aesthetic evaluation and meaning of bark paintings in western Arnhem Land, northern Australia 1

Author keywords

[No Author keywords available]

Indexed keywords


EID: 56049109764     PISSN: 13590987     EISSN: 14679655     Source Type: Journal    
DOI: 10.1111/j.1467-9655.2008.00535.x     Document Type: Article
Times cited : (10)

References (62)
  • 2
    • 34247603892 scopus 로고    scopus 로고
    • Brokering Kuninjku art: Artists, institutions and the market
    • In (ed.) H. Perkins, Sydney: Art Gallery of New South Wales
    • Altman, J. 2004. Brokering Kuninjku art: Artists, institutions and the market. In Crossing country; the alchemy of western Arnhem Land art (ed.) H. Perkins, 173-87. Sydney: Art Gallery of New South Wales.
    • (2004) Crossing Country; The Alchemy of Western Arnhem Land Art , pp. 173-187
    • Altman, J.1
  • 3
    • 56049123296 scopus 로고    scopus 로고
    • From Mumeka to Basel: John Mawurndjul's artistic odyssey
    • In (ed.) C. Kaufmann, Basel: Museum Tinguely
    • Altman, J. 2005. From Mumeka to Basel: John Mawurndjul's artistic odyssey. In "rarrk": John Mawurndjul, journey through time in northern Australia (ed.) C. Kaufmann, 30-9. Basel: Museum Tinguely.
    • (2005) "rarrk": John Mawurndjul, Journey Through Time in Northern Australia , pp. 30-39
    • Altman, J.1
  • 4
    • 33646335886 scopus 로고
    • Australian Government Publishing Service Canberra Report of the Review Committee, Department of Aboriginal Affairs
    • Altman, J., C. Mc Guigan & P. Yu 1989. The Aboriginal arts and crafts industry. Report of the Review Committee, Department of Aboriginal Affairs. Canberra: Australian Government Publishing Service.
    • (1989) The Aboriginal Arts and Crafts Industry
    • Altman, J.1    Mc Guigan, C.2    Yu, P.3
  • 5
    • 56049102490 scopus 로고    scopus 로고
    • A new modernist hero
    • In (ed.) M. Neale, Brisbane: Queensland Art Gallery/Macmillan
    • Benjamin, R. 1998. A new modernist hero. In Emily Kame Kngwarreye: Alhalkere, paintings from Utopia (ed.) M. Neale, 47-54. Brisbane: Queensland Art Gallery/Macmillan.
    • (1998) Emily Kame Kngwarreye: Alhalkere, Paintings from Utopia , pp. 47-54
    • Benjamin, R.1
  • 10
    • 56049099656 scopus 로고
    • The crafts advisers' role in the battle against headless crocodiles
    • In (eds) P. Cooke & P. Loveday, Darwin: Australian National University North Australia Research Unit
    • Cooke, P. 1983. The crafts advisers' role in the battle against headless crocodiles. In Aboriginal arts and crafts and the market (eds) P. Cooke & P. Loveday, 66-70. Darwin: Australian National University North Australia Research Unit.
    • (1983) Aboriginal Arts and Crafts and the Market , pp. 66-70
    • Cooke, P.1
  • 11
    • 33846699297 scopus 로고    scopus 로고
    • Aesthetics is a cross-cultural category: For the motion (2)
    • In (ed.) T. Ingold, London: Routledge
    • Coote, J. 1996. Aesthetics is a cross-cultural category: For the motion (2). In Key debates in anthropology (ed.) T. Ingold, 266-71. London: Routledge.
    • (1996) Key Debates in Anthropology , pp. 266-271
    • Coote, J.1
  • 16
    • 56049125417 scopus 로고
    • Quality is not a smooth straight line
    • In (eds) P. Cooke & P. Loveday, Darwin: Australian National University North Australia Research Unit
    • Fox, S. 1983. Quality is not a smooth straight line. In Aboriginal arts and crafts and the market (eds) P. Cooke & P. Loveday, 71-3. Darwin: Australian National University North Australia Research Unit.
    • (1983) Aboriginal Arts and Crafts and the Market , pp. 71-73
    • Fox, S.1
  • 17
    • 56049091629 scopus 로고    scopus 로고
    • Ngalyod in my head': The art of John Mawurndjul
    • In (ed.) B. Gregory, n.p. Sydney: Annandale Galleries
    • Garde, M. 1997. 'Ngalyod in my head': The art of John Mawurndjul. In John Mawurndjul: John Bulunbulun (ed.) B. Gregory, n.p. Sydney: Annandale Galleries.
    • (1997) John Mawurndjul: John Bulunbulun
    • Garde, M.1
  • 19
    • 33846699297 scopus 로고    scopus 로고
    • Aesthetics is a cross-cultural category: Against the motion (2)
    • In (ed.) T. Ingold, London: Routledge
    • Gow, P. 1996. Aesthetics is a cross-cultural category: Against the motion (2). In Key debates in anthropology (ed.) T. Ingold, 271-5. London: Routledge.
    • (1996) Key Debates in Anthropology , pp. 271-275
    • Gow, P.1
  • 23
    • 34247647916 scopus 로고    scopus 로고
    • Kuninjku women and the power of making art
    • In (ed.) H. Perkins, Sydney: Art Gallery of New South Wales
    • Kohen, A. 2004. Kuninjku women and the power of making art. In Crossing country; the alchemy of western Arnhem Land art (ed.) H. Perkins, 161-9. Sydney: Art Gallery of New South Wales.
    • (2004) Crossing Country; The Alchemy of Western Arnhem Land Art , pp. 161-169
    • Kohen, A.1
  • 24
    • 56049121095 scopus 로고    scopus 로고
    • A new generation of artists and the freedom to paint
    • In (ed.) J. Altman, Canberra: Drill Hall Gallery, Australian National University
    • Kohen, A. 2006. A new generation of artists and the freedom to paint. In Mumeka to Milmilngkan: Innovation in Kurulk art (ed.) J. Altman, 49-58. Canberra: Drill Hall Gallery, Australian National University.
    • (2006) Mumeka to Milmilngkan: Innovation in Kurulk Art , pp. 49-58
    • Kohen, A.1
  • 27
    • 34250634954 scopus 로고    scopus 로고
    • I'm a chemist man myself
    • In (ed.) H. Perkins, Sydney: Art Gallery of New South Wales
    • Mawurndjul, J. 2004. 'I'm a chemist man myself '. In Crossing country: the alchemy of western Arnhem Land art (ed.) H. Perkins, 135-9. Sydney: Art Gallery of New South Wales.
    • (2004) Crossing Country: The Alchemy of Western Arnhem Land Art , pp. 135-139
    • Mawurndjul, J.1
  • 28
    • 56049093327 scopus 로고    scopus 로고
    • About painting
    • In (ed.) J. Altman, Canberra: Drill Hall Gallery, the Australian National University
    • Mawurndjul, J. 2006. About painting. In Mumeka to Milmilngkan: innovation in Kurulk art (ed.) J. Altman, 13. Canberra: Drill Hall Gallery, the Australian National University.
    • (2006) Mumeka to Milmilngkan: Innovation in Kurulk Art , pp. 13
    • Mawurndjul, J.1
  • 29
    • 2442581279 scopus 로고    scopus 로고
    • Aboriginal cultural production into art: The complexity of redress
    • In (eds) C. Pinney & N. Thomas, Oxford: Berg
    • Merlan, F. 2001. Aboriginal cultural production into art: The complexity of redress. In Beyond aesthetics: Art and the technologies of enchantment (eds) C. Pinney & N. Thomas, 201-34. Oxford: Berg.
    • (2001) Beyond Aesthetics: Art and the Technologies of Enchantment , pp. 201-234
    • Merlan, F.1
  • 30
    • 27844454363 scopus 로고    scopus 로고
    • Explorations towards intercultural accounts of socio-cultural reproduction and change
    • Merlan, F. 2005. Explorations towards intercultural accounts of socio-cultural reproduction and change. Oceania 75, 167-83.
    • (2005) Oceania , vol.75 , pp. 167-183
    • Merlan, F.1
  • 31
    • 56049119517 scopus 로고
    • Postmodernism, appropriation and Western Desert acrylics
    • In (ed.) H. Fourmile, Brisbane: Institute of Modern Art
    • Michaels, E. 1989. Postmodernism, appropriation and Western Desert acrylics. In Postmodernism: A consideration of appropriation of Aboriginal imagery (ed.) H. Fourmile, 26-35. Brisbane: Institute of Modern Art.
    • (1989) Postmodernism: A Consideration of Appropriation of Aboriginal Imagery , pp. 26-35
    • Michaels, E.1
  • 34
    • 56049083885 scopus 로고
    • Aboriginal fine art, the creation of audiences and the marketing of art
    • In (eds) P. Cooke & P. Loveday, Darwin: Australian National University, North Australia Research Unit
    • Morphy, H. 1983 a. Aboriginal fine art, the creation of audiences and the marketing of art. In Aboriginal arts and crafts and the market (eds) P. Cooke & P. Loveday, 37-43. Darwin: Australian National University, North Australia Research Unit.
    • (1983) Aboriginal Arts and Crafts and the Market , pp. 37-43
    • Morphy, H.1
  • 35
    • 0039153850 scopus 로고
    • 'Now you understand': An analysis of the way Yolngu have used sacred knowledge to retain their autonomy
    • In (eds) N. Peterson & M. Langton, Canberra: Australian Institute of Aboriginal Studies
    • Morphy, H. 1983 b. 'Now you understand': An analysis of the way Yolngu have used sacred knowledge to retain their autonomy. In Aborigines, land and land rights (eds) N. Peterson & M. Langton, 110-33. Canberra: Australian Institute of Aboriginal Studies.
    • (1983) Aborigines, Land and Land Rights , pp. 110-133
    • Morphy, H.1
  • 36
    • 84889490318 scopus 로고
    • From dull to brilliant: The aesthetics of spiritual power among the Yolngu
    • Morphy, H. 1989. From dull to brilliant: The aesthetics of spiritual power among the Yolngu. Man (N.S) 24, 21-40.
    • (1989) Man (N.S) , vol.24 , pp. 21-40
    • Morphy, H.1
  • 38
    • 33846699297 scopus 로고    scopus 로고
    • Aesthetics is a cross-cultural category: For the motion (1)
    • In (ed.) T. Ingold, London: Routledge
    • Morphy, H. 1996. Aesthetics is a cross-cultural category: For the motion (1). In Key debates in anthropology (ed.) T. Ingold, 255-60. London: Routledge.
    • (1996) Key Debates in Anthropology , pp. 255-260
    • Morphy, H.1
  • 41
    • 84987168410 scopus 로고
    • Beyond the intentional fallacy: Art criticism and ethnography of Aboriginal acrylic painting
    • Myers, F. 1994 a. Beyond the intentional fallacy: Art criticism and ethnography of Aboriginal acrylic painting. Visual Anthropology Review 10, 10-43.
    • (1994) Visual Anthropology Review , vol.10 , pp. 10-43
    • Myers, F.1
  • 42
    • 84981925017 scopus 로고
    • Culture making: Performing Aboriginality at the Asia Society Gallery
    • Myers, F. 1994 b. Culture making: Performing Aboriginality at the Asia Society Gallery. American Ethnologist 21, 679-99.
    • (1994) American Ethnologist , vol.21 , pp. 679-699
    • Myers, F.1
  • 43
    • 84933478152 scopus 로고    scopus 로고
    • Uncertain regard: An exhibition of Aboriginal art in France
    • Myers, F. 1998. Uncertain regard: An exhibition of Aboriginal art in France. Ethnos 63, 7-47.
    • (1998) Ethnos , vol.63 , pp. 7-47
    • Myers, F.1
  • 45
    • 33846699297 scopus 로고    scopus 로고
    • Aesthetics is a cross-cultural category: Against the motion (1)
    • In (ed.) T. Ingold, London: Routledge
    • Overing, J. 1996. Aesthetics is a cross-cultural category: Against the motion (1). In Key debates in anthropology (ed.) T. Ingold, 260-6. London: Routledge.
    • (1996) Key Debates in Anthropology , pp. 260-266
    • Overing, J.1
  • 50
    • 56049090690 scopus 로고
    • The morphology of feeling
    • In (ed.) P. Sutton, Ringwood, Vic.: Viking
    • Sutton, P. 1988. The morphology of feeling. In Dreamings: The art of Aboriginal Australia (ed.) P. Sutton, 59-88. Ringwood, Vic.: Viking.
    • (1988) Dreamings: The Art of Aboriginal Australia , pp. 59-88
    • Sutton, P.1
  • 51
    • 85065797781 scopus 로고
    • Art and the essence of being: Symbolic and economic aspects of fish among the peoples of western Arnhem Land, Australia
    • In (ed.) H. Morphy, London: Unwin Hyman
    • Taçon, P. 1989. Art and the essence of being: Symbolic and economic aspects of fish among the peoples of western Arnhem Land, Australia. In Animals into art (ed.) H. Morphy, 236-50. London: Unwin Hyman.
    • (1989) Animals Into Art , pp. 236-250
    • Taçon, P.1
  • 52
    • 51249130088 scopus 로고    scopus 로고
    • The responsibility of performance: The interweaving of politics and aesthetics in intercultural contexts
    • Tamisari, F. 2005. The responsibility of performance: The interweaving of politics and aesthetics in intercultural contexts. Visual Anthropology Review 21: 1-2, 47-62.
    • (2005) Visual Anthropology Review , vol.21 , Issue.1-2 , pp. 47-62
    • Tamisari, F.1
  • 54
    • 33646248191 scopus 로고
    • The aesthetics of toas: A cross-cultural conundrum
    • Taylor, L. 1988. The aesthetics of toas: A cross-cultural conundrum. Canberra Anthropology 11: 1, 86-99.
    • (1988) Canberra Anthropology , vol.11 , Issue.1 , pp. 86-99
    • Taylor, L.1
  • 55
    • 56049093123 scopus 로고
    • The rainbow serpent as visual metaphor in western Arnhem Land
    • Taylor, L. 1990. The rainbow serpent as visual metaphor in western Arnhem Land. Oceania 60, 329-44.
    • (1990) Oceania , vol.60 , pp. 329-344
    • Taylor, L.1
  • 57
    • 56049120215 scopus 로고    scopus 로고
    • Fire in the water: Inspiration from country
    • In (ed.) H. Perkins, Sydney: Art Gallery of New South Wales
    • Taylor, L. 2004. Fire in the water: Inspiration from country. In Crossing country: The alchemy of western Arnhem Land art (ed.) H. Perkins, 115-30. Sydney: Art Gallery of New South Wales.
    • (2004) Crossing Country: The Alchemy of Western Arnhem Land Art , pp. 115-130
    • Taylor, L.1
  • 59
    • 56049104797 scopus 로고    scopus 로고
    • Romanticism: From Foi site poetry to Schubert's Winterreise
    • In (eds) C. Pinney & N. Thomas, Oxford: Berg
    • Weiner, J. 2001. Romanticism: From Foi site poetry to Schubert's Winterreise. In Beyond aesthetics: Art and the technologies of enchantment (eds) C. Pinney & N. Thomas, 13-30. Oxford: Berg.
    • (2001) Beyond Aesthetics: Art and the Technologies of Enchantment , pp. 13-30
    • Weiner, J.1
  • 61
    • 85204178138 scopus 로고
    • Australian Aboriginal art at Yirrkala: Introduction and development of marketing
    • In (ed.) N.H.H. Graburn, Berkeley: University of California Press
    • Williams, N. 1976. Australian Aboriginal art at Yirrkala: Introduction and development of marketing. In Ethnic and tourist arts: Cultural expressions from the Fourth World (ed.) N.H.H. Graburn, 266-84. Berkeley: University of California Press.
    • (1976) Ethnic and Tourist Arts: Cultural Expressions from the Fourth World , pp. 266-284
    • Williams, N.1
  • 62
    • 0038223491 scopus 로고    scopus 로고
    • Canberra: Aboriginal and Torres Strait Islander Commission
    • Wright, F. 1999. The art and craft centre story. Canberra: Aboriginal and Torres Strait Islander Commission.
    • (1999) The Art and Craft Centre Story
    • Wright, F.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.