Evaluation of appearance and fading of daylight fluorescent watercolors

Journal of The American Institute for Conservation

Volumn 44, Issue 2, 2005, Pages 75-94

  Connors Rowe, Sandra A ^a   Morris, Hannah R ^a   Whitmore, Paul M ^a  

^a CARNEGIE MELLON UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 55349114965     PISSN: 01971360     EISSN: None     Source Type: Journal    
DOI: 10.1179/019713605806082338     Document Type: Review

References (18)

1. Baer, N. S., A. Joel, R. L. Feller, and N. Indictor. 1986. Indian yellow. In Artists' pigments: A handbook of their history and characteristics. Vol. 1, ed. R. L. Feller. Washington, D.C.: National Gallery of Art. 17-36
2. Baxter, E. 2003. Personal communication. Carnegie Museum of Art, Pittsburgh, Pa
3. Berns, R. S. 2000. Billmeyer and Saltzman's principles of color technology. 3rd ed. New York: John Wiley and Sons
4. Billmeyer, F. W., and L. B. Hepfinger. 1983. Energy transfer between fluorescent organic pigments. Color Research and Application 8(1):12-16
5. Christie, R. M. 1993. Fluorescent dyes. Review of Progress in Coloration 23:1-18
6. Dane, C. 1977. Fluorescent colourants and their use in printing inks. British Ink Maker 20(1):11-13
7. de la Rie, R. 1982a. Fluorescence of paint and varnish layers. Part 1. Studies in Conservation 27:1-7
8. Ellis, M. H., C. W. McGlinchey, and E. Chao. 2002. Daylight fluorescent colors as artistic media. In The broad spectrum: Studies in the materials, techniques, and conservation of color on paper, ed. H. K. Stratis and B. Salvesen. London: Archetype Publications. 160-66
9. Johnston-Feller, R. 2001. Color science in the examination of museum objects: Nondestructive procedures. Los Angeles: Getty Conservation Institute
10. Johnston-Feller, R., and C. Bailie. 1982. An analysis of the optics of paint glazes: Fading. In Science and technology in the service of conservation, ed. N. S. Brommelle and C. Thomson. London: IIC. 180-85
11. Meadows, W. 1974. Formulating with fluorescent pigments. Paint and Varnish Production 64(9):31-37
12. Smith, T. 1982. Luminescent and fluorescent pigments for printing inks. Polymers Paint and Colour Journal 172(4077):542, 545-46
13. Tsang, J., S. E. Pinchin, K. Almond, and C. S.Tumosa. 2004. Conservation of murals in the Alameda theatre: Reviving former cutting-edge fluorescent paint and black-light technology. In Modern art, new museums, ed. A. Roy and P. Smith. London: IIC. 185-88
14. Voedisch, R. W 1973. Luminescent pigments, organic. In Pigment handbook, Vol. 1, Properties and economics, ed T. C. Patton. New York: John Wiley and Sons. 891-903
15. Whitmore, P. M., and C. Bailie. 1997. Further studies on transparent glaze fading: Chemical and appearance kinetics. Journal of the American Institute for Conservation 36:207-30
16. Lakowizc, J. R. 1999. Principles in fluorescence spectroscopy. 2nd ed. New York: Kluwer Academic/Plenum
17. Lower, E. S. 1996. Fluorescent paints and pigments. Pigment and Resin Technology 25(3):15-18
18. Yoshizawa, A. 2000. Daylight fluorescent pigments in works of art: Properties, history and fading. Master of Art Conservation thesis, Queen's University, Kingston, Ontario