The essence of cinema?

Philosophical Studies

Volumn 89, Issue 2-3, 1998, Pages 323-330

  Carroll, Noël ^a  

^a UNIVERSITY OF WISCONSIN MADISON   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 54749094344     PISSN: 00318116     EISSN: 15730883     Source Type: Journal    
DOI: 10.1023/a:1004297315734     Document Type: Article

References (4)

1. Gregory Currie, Image and Mind: Film, Philosophy and Cognitive Science (Cambridge: Cambridge University Press, 1996). Relevant page references are noted parenthetically above.
2. For further discussion of this issue, see Noël Carroll, "Denning the Moving Image", in my Theorizing the Moving Image (Cambridge: Cambridge University Press, 1996).
3. Also, the filmmaker Alain Resnais has said that he has always dreamt of making a film comprised only of a sound track.
4. Derek Jarman's film Blue is just that - the screen is blue, with no images, throughout its duration, accompanied by a soundtrack. What I am imagining is a film like Jarman's, only all black.