Inventing new instruments based on a computational "hack" to make an out-of-tune or unpitched instrument play in perfect harmony

International Computer Music Conference, ICMC 2007

Volumn , Issue , 2007, Pages 105-112

  Mann, Steve ^a   Janzen, Ryan ^a   Lo, Raymond ^a   Aimone, Chris ^a  

^a UNIVERSITY OF TORONTO   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; COMPUTER VISION; PICKUPS;

ACOUSTIC FEEDBACK; ACOUSTIC PROCESS; ART INSTALLATION; GASEOUS STATE; LIQUID STATE; MUSICAL EXPRESSIVITY; UNDERGROUND VAULTS; WIND INSTRUMENTS;

INSTRUMENT ERRORS;

EID: 54049126696     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (4)

1. Kartomi, M. J. (1990). On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology (CSE). University of Chicago Press.
2. Machover, T. (1991). Hyperinstruments: A composer's approach to the evolution of intelligent musical instruments. In Freeman, W., editor, Cyberarts. Spartan Books, San Francisco.
3. Mann, S., Janzen, R., and Post, M. (2006). Hydraulophone design considerations: Absement, displacement, and velocity-sensitive music keyboard in which each key is a water jet. In Proceedings of the 14th annual ACM international conference on Mu ltimedia, October 23-27, Santa Barbara, USA., pages 519-528.
4. Sachs, C. (1940). The History of Musical Instruments. Norton, New York.