Public art: The problems and potential of multiple meanings

International Journal of Art and Design Education

Volumn 16, Issue 2, 1997, Pages 127-135

  Holman, Valerie ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 53249109944     PISSN: 14768062     EISSN: 14768070     Source Type: Journal    
DOI: 10.1111/1468-5949.00065     Document Type: Article

References (26)

1. Sennett, R. The Conscience of the Eye: The Design and Social Life of Cities, Faber, 1991 (1990), p. xi
2. Senie, H. Contemporary Public Sculpture. Tradition, Transformation and Controversy, Open University Press, 1992, pp. 224-31
3. Phillips, P. Keynote Address for Public Art-The New Agenda, transcript of a one-day conference held at the Institute of Education, London, on 18.11.1993, p. 9
4. North, M. The Public as Sculpture, in Mitchell, W. J. T. Art and the Public Sphere, University of Chicago Press 1992, (1990), p. 26
5. Mitchell, W. J. T. Utopia and Critique, in Mitchell, Art and the Public Sphere, Op cit, p. 3
6. Mitchell, W. J. T. Idem. The Violence of Public Art: Do the Right Thing, in Mitchell, Art and the Public Sphere, Ibid, p. 37. Images of The Vietnam Veterans' Memorial may be found in Mitchell (1992) and Senie (1992)
7. Graves, D. Representing the Race: Detroit's Monument to Joe Louis, in Senie, H. and Webster, S. (Eds), Critical Issues in Public Art: Content, Context, and Controversy, Harper Collins, 1992, p. 215
8. Graves, D. Critical Issues in Public Art: Content, Context, and Controversy, Ibid. p. 222. Images of the Robert Graham Monument to Joe Louis may be found in Senie and Webster (1992)
9. For three very different explorations of this issue, see Hayden, D. The Power of Place: Urban Landscapes as Public History, MIT Press, 1995;
10. Lacey, S. (Ed), Mapping the Terrain: New Genre Public Art, Seattle: Bay Press, 1995;
11. and Winter, J. Sites of Memory, Sites of Mourning. The Great War in European Cultural History, Cambridge University Press, 1995
12. Quoted by Hoffman, B. Law for Art's Sake, in Mitchell, Sites of Memory, Sites of Mourning. The Great War in European Cultural History, Op cit p. 123
13. Phéline, J-M. Commande Publique et Réception, in Art et Espace Publics, OMAC, 1992, pp. 99-104
14. Lefebvre, H. The Production of Space. (Trans Nicholson-Smith, D.), Blackwell, 1991 (1974), p. 142
15. Lefebvre, H. The Production of Space. Ibid, p. 131
16. Lefebvre, H. The Production of Space. Ibid, p. 142
17. Lefebvre, H. The Production of Space. Ibid, p. 143
18. Lefebvre, H. The Production of Space. Ibid, p. 222
19. Iser, W. The Act of Reading: A Theory of Aesthetic Response, The John Hopkins University Press, 1988 (1976) p. 65
20. Etablissement Public d'Aménagement publicity brochure
21. Karavan, D. quoted in Les Commandes Publiques 1992, published by the Ministere de la Culture et de la Francophonie
22. Restany, P. Modern Nature and Post-Industrial Sensibility, in Art and the City, Designs on Space, Skira, 1990, p. 38
23. Deutsche, R. Urban Development: Public Art in New York City, in Out of Site: A Social Criticism of Architecture, (Ed) Ghirardo, D. Seattle: Bay Press, 1991, p. 167
24. Deutsche, R. Out of Site: A Social Criticism of Architecture, Ibid, p. 169
25. Leicester, A. (1987) quoted by Doss, E. in Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Cities, Smithsonian Institution Press, 1995, p. 220
26. Jones, S. (Ed) Art in Public (Artists Handbook series), AN Publications, 1992, p. 43