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Volumn 76, Issue 3, 2004, Pages 467-494

Romantic electricity, or the materiality of aesthetics

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EID: 51349163663     PISSN: 00029831     EISSN: None     Source Type: Journal    
DOI: 10.1215/00029831-76-3-467     Document Type: Review
Times cited : (18)

References (47)
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    • As Isobel Armstrong contends, Eagleton's theme is thus in the end [n]othing less than the impossibility of the category of the aesthetic
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    • As Isobel Armstrong contends, Eagleton's theme is thus in the end "[n]othing less than the impossibility of the category of the aesthetic" (The Radical Aesthetic [Oxford, Eng.: Basil Blackwell, 2000], 16)
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    • There are, of course, plenty of idealist defenses of the aesthetic that reject the need to treat aesthetic experience as the product of particular sociohistorical conditions; see, Boston: Beacon Press
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    • On Shelley's interest in science, especially in electricity as a central principle in his attempt to negotiate between his materialist and idealist tendencies, see Kipperman, "Coleridge, Shelley, Davy"; Carl Grabo, A Newton among Poets: Shelley's Use of Science in "Prometheus Unbound" (Chapel Hill: Univ. of North Carolina Press, 1930)
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    • New York: St. Martin'_rfsti
    • Eric Wilson's work on Emerson's engagement with electromagnetic science exemplifies this tendency to read American romanticism as following in Coleridge's footsteps at the same time that it broke from that lineage; see Emerson's Sublime Science (New York: St. Martin's, 1999), 11
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