Resonating sound art and the aesthetics of room resonance

Convergence

Volumn 3, Issue 4, 1997, Pages 108-137

  Cabrera, Densil ^a  

^a UNIVERSITY OF SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 51349143664     PISSN: 13548565     EISSN: 17487382     Source Type: Journal    
DOI: 10.1177/135485659700300409     Document Type: Article

References (56)

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2. Densil Cabrera, Sound Space and Edgard Varèse's Poème Electronique (Unpublished MA thesis: University of Technology, Sydney, 1994).
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4. Rebecca Coyle, 'Sound in Space: a Curatorial Perspective', Sound in Space: Adventures in Australian Sound Art (Sydney: Museum of Contemporary Art, 1995), pp. 4-16 .
5. For example, Pauline Oliveros, Stuart Dempster and Panaiotis, Deep Listening (New Albion Records, 1989);
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9. Lucier, Reflections, pp. 60-71.
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11. and Alvin Lucier and Sol LeWitt, Chambers (Kiel: Stadtgalerie, 1995).
12. Alvin Lucier, I am Sitting in a Room (Lovely Music, 1990).
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14. E. Zwicker and H. Fastl, Psychoacoustics: Facts and Models (Heidelberg: Springer-Verlag, 1990).
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17. and 'Staggered Stasis', Aerial #3: A Journal in Sound (Aerial, 1991);
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55. S. S. Stevens, 'Procedure for Calculating Loudness: Mark VI', Journal of the Acoustical Society of America, 33, no. 11 (1961), pp. 1577-1585.
56. E. Terhardt, G. Stoll and M. Seewann, 'Algorithm for Extraction of Pitch and Pitch Salience from Complex Tonal Signals', Journal of the Acoustical Society of America, 71, no. 3 (1982), pp. 679-688;