Reality and fiction in contemporary theatre

Theatre Research International

Volumn 33, Issue 1, 2008, Pages 84-96

  Fischer Lichte, Erika ^a  

^a FREIE UNIVERSITÄT BERLIN   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 51249139516     PISSN: 03078833     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0307883307003410     Document Type: Review

References (7)

1. Johann Jakob Engel, Mimik (Berlin: Mylius, 1804), Schaubühne (1801-1806) 11 Vol., VII, p. 60
2. With regard to such an explanations see Michael Stadler/Peter Kruse, 'Zur Emergenz psychischer Qualitäten. Das psychophysische Problem im Lichte der Selbstorganisationstheorie', in Wolfgang Krohn and Günter Küppers, eds., Emergenz. Die Entstehung von Ordnung, Organisation und Bedeutung (Frankfurt-am-Main: Suhrkamp 1992), pp. 134-60
3. See also Erika Fischer-Lichte, The Transformative Power of Performance A New Aesthetics Performance (London and New York: Routledge 2009)
4. Cp. Victor Turner, The Ritual Process: Structure and Anti-Structure (London: Routledge and Kegan Paul, 1969)
5. Today, the foyer, the Palm Courtyard, the Breakfast Hall and the Imperial Hall can be visited in the Sony-Center at the Potsdamer Platz, where in 1996 they were transferred by applying rather complicated technical devices
6. Tony Bennett, The Birth of the Museum: History, Theory, Politics (London: Routledge, 1995), p. 181
7. Turner, The Ritual Process, p. 95