Reimagining the Flâneur: The hero of the novel in Lukács, Bakhtin, and Girard

Modernism - Modernity

Volumn 13, Issue 1, 2006, Pages 747-764

  Gluck, Mary ^a  

^a BROWN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 51249091559     PISSN: 10716068     EISSN: 10806601     Source Type: Journal    
DOI: 10.1353/mod.2006.0005     Document Type: Review

References (41)

1. Paris as the site of modernity has a very large literature, most of which is directly or indirectly indebted to Walter Benjamin's seminal work. See, Walter Benjamin, The Arcades Project, trans. Howard Eiland and Kevin McLaughlin, (Cambridge, Massachusetts, and London, England: The Belknap Press of Harvard University Press, 1999)
2. Christopher Prendergast, Paris and the Nineteenth Century (Oxford, U.K. and Cambridge, USA: Blackwell, 1992)
3. John Rignall, Realist Fiction and the Strolling Spectator (London and New York: Routledge, 1992)
4. Priscilla Parkhurst Ferguson, Paris as Revolution: Writing the 19th-century City (Berkeley: University of California Press, 1997)
5. Vanessa R. Schwartz, Spectacular Realities: Early Mass Culture in Fin-de-Siecle Paris (Berkeley: University of California Press, 1998)
6. Patrice Higonnet, Paris: Capital of the World trans. Arthur Goldhammer (Cambridge, Mass.: Belknap Press of Harvard University Press, 2002)
7. David Harvey, Paris, Capital of Modernity (New York and London: Routledge, 2003)
8. Scott Lash and Jonathan Friedman eds. Modernity and Identity (Oxford: Blackwell, 1992), 2
9. Charles Baudelaire, "The Salon of 1859" Arts in Paris 1845-1862, 154
10. Charles Baudelaire, "The Painter of Modern Life," in The Painter of Modern Life and Other Essays trans. and ed. Jonathan Mayne (New York: A Da Capo Paperback, 1964), 13
11. Jürgen Habermas, The Philosophic Discourse of Modernity trans. Frederick G. Lawrence, (Cambridge, MA: The MIT Press, 1990), 5
12. For a discussion of the ways the avant-garde was connected to popular cultural forms, see Mary Gluck, Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris (Cambridge, Massachusetts: Harvard University Press, 2005)
13. Quoted in Peter Brooks, "The Text as the City," Oppositions Special Issue: Paris and the Academy: City and Ideology (Spring, 1977:78), 7
14. See Mary Gluck, "The Flâneur and the Aesthetic Appropriation of Urban Culture in Mid Nineteenth-Century Paris," Theory, Culture and Society Vol. 20, No. 5, (October 2003), 53-80
15. Charles Baudelaire, "The Painter of Modern Life," 4
16. Wilhelm Dilthey, Poetry and Experience: Selected Works, Vol. V, ed. and intro. Rudolf A. Makkreel and Frithjof Rodi, (Princeton, New Jersey: Princeton University Press, 1985), 30-31
17. Georg Lukács, The Theory of the Novel trans. Anna Bostock (Cambridge, Massachusetts: The MIT Press, 1971), 12
18. Lucien Goldmann, Toward a Sociology of the Novel (London: Tavistock Publications, 1975), 1
19. Michael McKeon, "Generic Transformation and Social Change: Rethinking the Rise of the Novel," in Theory of the Novel: A Historical Approach Michael McKeon ed., (Baltimore, MD: Johns Hopkins University Pres, 2000)
20. Nancy Glazer, "Dialogic Subversion: Bakhtin, the Novel and Gertrude Stein," in Ken Hirschkop and David Shepard eds., Bakhtin and Cultural Theory (Manchester and New York: Manchester University Press, 1989), 117
21. Lucien Goldmann, Toward a Sociology of the Novel, 1
22. Georg Lukács, The Theory of the Novel, 93
23. Mikhail Bakhtin, "Epic and Novel: Toward a Methodology for the Study of the Novel," in Michael Holquist ed., The Dialogic Imagination: Four Essays by M.M. Bakhtin (Austin: University of Texas Press, 1981), 7
24. José Ortega y Gasset, Meditations on Quixote trans. Julián Mariás (New York: W.W. Norton & Co., 1961), 160
25. Mikhail Bakhtin, "Epic and Novel," 17
26. Mikhail Bakhtin, "Epic and Novel," 14
27. Ortega y Gasset, Meditations on Quixote, 118
28. Mikhail Bakhtin, "Epic and Novel," 20
29. Susan Buck-Morss, "The Flâneur, the Sandwichman and the Whore: The Politics of Loitering" in New German Critique (No. 39, Fall 1986), 105
30. For a more elaborate version of this argument, see Priscilla Ferguson, Paris as Revolution
31. and T.J. Clark, The Painting of Modern Life
32. Charles Baudelaire, "The Painter of Modern Life," 29
33. Mikhail Bakhtin, "Epic and Novel," 37
34. René Girard, Deceit, Desire, and the Novel, 1-2
35. Mikhail Bakhtin, "Epic and Novel," 6
36. Marthe Robert, "Origins of the Novel," in McKeon, ed. Theory of the Novel, 57
37. Sainte-Beuve, "De la littérature industrielle," Revue des deux mondes IV, no. 19, 1839
38. See Mary Gluck, Georg Lukács and His Generation, 1900-1918 (Cambridge, MA: Harvard University Press, 1986)
39. Georg Lukács, "Wilhelm Dilthey, 1833-1911," Szellem Vol. 1, No. 2, (December 1911), 253
40. Georg Lukács, Pester Lloyd, (2 October, 1918), 748
41. Mikhail Bakhtin, "Epic and Novel," 4