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Experimental Evaluation of the Accuracy of the Sabine and Eyring Theories in the Case of Non-Low Surface Absorption
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Exact Effect of Surface Roughness on the Reverberation Time of a Uniformly Absorbing Spherical Enclosure
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Reverberation Time, Mean Tree Path, and Sound Absorplion in Concert Halls
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Madrid, Spain, Sept. 4, paper 06-013
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T. Hidaka and N. Nishihara, "Reverberation Time, Mean Tree Path, and Sound Absorplion in Concert Halls," in Proc. 19th Int. Congr. on Acoustics, (Madrid, Spain, 2007 Sept. 4), paper 06-013.
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A Study of Design Methods for the Variable Reverberation Units in Auditoria
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Measurements of the Absorption by Auditorium Seating
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Effects of Frequency Characteristics of Reverberation Time on Listener Envelopment
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10
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50249123045
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Spatial Perception of Distance, Azimuth, and Envelopment when the Direct to Reverberant ratio (DIR) Is below -6 dB
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Madrid, Spain, Sept. 3, paper 13-001
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D. Griesinger. "Spatial Perception of Distance, Azimuth, and Envelopment when the Direct to Reverberant ratio (DIR) Is below -6 dB," in Proc. 19th Int. Congr. on Acoustics (Madrid, Spain, 2007 Sept. 3), paper 13-001.
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Spatrial Impression Due to Early Lateral Reflections in Concert Halls: The Derivation of a Physical Measure
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Auditory Spaciousness: Some Further Psychoacoustic Analyses
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Effects of Low Frequency Components on Auditory Spaciousness
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Report on the 3rd Round Robin on Room Acoustical Computer Simulation - Part 1: Measurements
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L. Bork, "Report on the 3rd Round Robin on Room Acoustical Computer Simulation - Part 1: Measurements," Acta Acustica, vol. 91, pp. 740-752 (2005).
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R. P. Stebbins, The Making of Symphony Hall, (Boston Symphony Orchestra, Boston, MA, 2000).
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L. L. Beranek, Collateral Observations, in The Making of Symphony Hall, R. P. Stcbbins, Ed, (Boston Symphony Orchestra, Boston, MA, 2000), app. B, pp. 201-205,
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L. L. Beranek, "Collateral Observations," in The Making of Symphony Hall, R. P. Stcbbins, Ed, (Boston Symphony Orchestra, Boston, MA, 2000), app. B, pp. 201-205,
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0035155357
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Loudness Constancy with Varying Sound Source Distance
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P. Zahorik and F, L. Wightman, "Loudness Constancy with Varying Sound Source Distance," Nature Neuroscl., vol. 4, pp. 78-83 (2001).
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50249090341
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When Is a Concert Hall too Quiet?
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Madrid, Spain, Sept. 4, paper 06-006
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M. Barron, "When Is a Concert Hall too Quiet?" in Proc. 19th Int. Congr. on Acoustics (Madrid, Spain, 2007 Sept. 4), paper 06-006.
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Objective Evaluation of Chamber-Music Halls in Europe and Japan
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0041361955
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Objective Measures of Listener Envelopment in Multichannel Surround Systems
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The Influence of Total and Directional Energy of Late Sound on Listener Envelopment
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50249091994
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A Comparison between Shoebox and Non-Shoebox Halls Based on Objective Measurements in Actual Halls
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A
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T. Hidaka, L. Beranek, and N. Nishihara, "A Comparison between Shoebox and Non-Shoebox Halls Based on Objective Measurements in Actual Halls," J. Acoust. Soc. Am., vol. 123, p. 2973(A) (2008).
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