Spectromorphology Hits Hollywood: Black Hawk Down-A Case Study

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Rudy, Paul ^a  

^a UMKC Conservatory of Music   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

PSYCHOACOUSTIC;

AMPLITUDE CHARACTERISTICS; CASE-STUDIES; HELICOPTER SOUNDS; HOLLYWOOD; MORPHOLOGICAL STRUCTURES; SCIENTIFIC EVIDENCE; SOUND DESIGNS; SOUND EFFECTS; SPECTRAL CHARACTERISTICS; VISUAL ANALYSIS;

HELICOPTERS;

EID: 49549106929     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

1. Boulez, Pierre, “Technology and the Composer” in The Language of Electroacoustic Music, Simon Emmerson, ed. (New York: Harwood, 1986): 5-16.
2. Chion, Michele, Audio Vision: Sound on Screen (New York: Columbia University Press, 1994).
3. Emmerson, Simon, “The Releationship of Language to Materials” in The Language of Electroacoustic Music, Simon Emmerson, ed. (New York: Harwood, 1986): 17-40.
4. Gorbman, Glaudia, Unheard Melodies: Narrative Film Music. London: BFI, 1987.
5. Rudy, Paul, “Spectro-morphological Diatonicism: Unlocking Style and Tonality in the Works of Denis Smalley Through Aural Analysis.” Journal SEAMUS, Spring 2003, and in eContact!, “Analyse Électroacoustique (Analyses of Electroacoustics)” in Vol. 6.4: http://cec.concordia.ca/econtact/Analyses/index.html
6. Smalley, Denis, “Spectro-Morphology and Structuring Processes” in The Language of Electroacoustic Music, Simon Emmerson, ed. (New York: Harwood, 1986): 17-40.
7. Wishart, Trevor, On Sonic Art, (York: Imagineering Press, 1985).