Redesigning literature: The cinematic poetics of American sign language poetry

Sign Language Studies

Volumn 4, Issue 1, 2003, Pages

  Bauman, H Dirksen L ^a  

^a GALLAUDET UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 49349105892     PISSN: 03021475     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (12)

1. Arijon, D. 1976. Grammar of the Film Language. Los Angeles: Silman-James
2. Bahan, B., and S. Supalla. 1992. American Sign Language Literature Series. San Diego: DawnSign. Videocassette and workbook
3. Bauman, H.-D. L., J. Nelson, and H. Rose. 2004. Signing the Body Poetic: Essays in ASL Literature. Berkeley: University of California Press. Forthcoming
4. Bragg, B. 1999. Personal correspondence with the author, March 25
5. Eisenstein, S. 1969. The Film Sense. Trans. J. Leyda. New York: Harcourt
6. Forster, E. M. 1985. Aspects of the Novel. New York: Harcourt
7. Merleau-Ponty, M. 1989. Phenomenology of Perception. Trans. Colin Smith. London: Routledge
8. Metz, C. 1974. Film Language: A Semiotics of the Cinema. Trans. M. Taylor. New York: Oxford University Press
9. Nilsen, V. 1973. Cinema as a Graphic Art. New York: Hill
10. Sacks, O. 1990. Seeing Voices: A Journey into the World of the Deaf. New York: HarperPerennial
11. Sharff, S. 1982. The Elements of Cinema: Toward a Theory of Cinesthetic Impact. New York: Columbia University Press
12. Valli, C. 1990a. The Nature of the Line in ASL Poetry. Papers from the 1987 Fourth International Symposium on Sign Language Research. Ed. W. H. Edmondson and F. Karlsson. Hamburg: Signum