메뉴 건너뛰기




Volumn 7, Issue 2, 2008, Pages 199-213

Citizenship and belonging in suburban France: The music of Zebda

Author keywords

[No Author keywords available]

Indexed keywords


EID: 48249155463     PISSN: None     EISSN: 14929732     Source Type: Journal    
DOI: None     Document Type: Conference Paper
Times cited : (12)

References (31)
  • 2
    • 48249099545 scopus 로고    scopus 로고
    • La Beurgoisie d'origine algérienne, ou les débuts d'une intégration à marche forc6e.
    • Aït-Hamadouche, Rabah. 2004. La « Beurgoisie » d'origine algérienne, ou les débuts d'une intégration à marche forc6e. Hommes et Migrations 1244, 47-53.
    • (2004) Hommes et Migrations , vol.1244 , pp. 47-53
    • Aït-Hamadouche, R.1
  • 3
  • 5
    • 4043110033 scopus 로고    scopus 로고
    • Bennett, Andy and Richard Peterson eds, Nashville: Vanderbilt University Press
    • Bennett, Andy and Richard Peterson (eds.) 2004. Musical Scenes: Local, Translocal and Virtual. Nashville: Vanderbilt University Press.
    • (2004) Musical Scenes: Local, Translocal and Virtual
  • 6
    • 33645390862 scopus 로고
    • Bennett, Tony, Simon Frith, Lawrence Grossberg, John Shepherd and Graeme Turner eds, London: Routledge
    • Bennett, Tony, Simon Frith, Lawrence Grossberg, John Shepherd and Graeme Turner (eds.) 1993. Rock and Popular Music: Politics, Policies and Insitutions. London: Routledge.
    • (1993) Rock and Popular Music: Politics, Policies and Insitutions
  • 10
    • 85073843576 scopus 로고    scopus 로고
    • Paname City Rapping: B-Boys in the Banlieues and Beyond
    • and, eds, London: Routledge, pp
    • Cannon, Steve. 1997. Paname City Rapping: B-Boys in the Banlieues and Beyond. In, Alec Hargreaves and Mark McKinney (eds.), Postcolonial Cultures in France. London: Routledge, pp. 150-166.
    • (1997) Postcolonial Cultures in France , pp. 150-166
    • Cannon1    Steve2
  • 14
    • 48249106088 scopus 로고    scopus 로고
    • The contribution of north and sub-Saharan African immigrant minorities to the redefinition of contemporary french culture
    • Forsdick, Charles and David Murphy eds, London: Arnold, pp
    • Hargreaves, Alec. 2003. The contribution of north and sub-Saharan African immigrant minorities to the redefinition of contemporary french culture. In, Forsdick, Charles and David Murphy (eds.), Francophone Postcolonial Studies: A Critical Introduction. London: Arnold, pp. 145-154.
    • (2003) Francophone Postcolonial Studies: A Critical Introduction , pp. 145-154
    • Hargreaves, A.1
  • 15
    • 0010944753 scopus 로고    scopus 로고
    • A Deviant Construction: The French Media and the 'Banlieues'
    • Hargreaves, Alec G. 1996. A Deviant Construction: The French Media and the 'Banlieues'. New Community 22(4), 607-618.
    • (1996) New Community , vol.22 , Issue.4 , pp. 607-618
    • Hargreaves, A.G.1
  • 22
    • 9144253728 scopus 로고    scopus 로고
    • Mitchell, Tony ed, Middleton, Connecticut: Wesleyan University Press
    • Mitchell, Tony (ed.) 2001. Global Noise: Rap and Hip-hop Outside the USA. Middleton, Connecticut: Wesleyan University Press.
    • (2001) Global Noise: Rap and Hip-hop Outside the USA
  • 23
    • 48249108977 scopus 로고    scopus 로고
    • Pop goes the Banlieue: Musical métissage and the articulation of a multiculturalist vision
    • Oscherwitz, Dayna L. 2004. Pop goes the Banlieue: Musical métissage and the articulation of a multiculturalist vision. Contemporary French and Francophone Cultural Studies 8(1), 43-50.
    • (2004) Contemporary French and Francophone Cultural Studies , vol.8 , Issue.1 , pp. 43-50
    • Oscherwitz, D.L.1
  • 24
    • 48249087535 scopus 로고    scopus 로고
    • Postcolonial popular music in France: Rap, music and hip-hop culture in the 1980s and the 1990s
    • ed, Middleton, Connecticut: Wesleyan University Press, pp
    • Prévos, André J. M. 2001. Postcolonial popular music in France: Rap, music and hip-hop culture in the 1980s and the 1990s. In, Tony Mitchell (ed.), Global Noise: Rap and Hip-hop Outside the USA. Middleton, Connecticut: Wesleyan University Press, pp. 39-56.
    • (2001) Global Noise: Rap and Hip-hop Outside the USA , pp. 39-56
    • Prévos, A.J.M.1
  • 28
    • 48249140482 scopus 로고    scopus 로고
    • Stora, Benjamin. 2004. 1999-2003, guerre d'Algérie, les accélération.s de la mémoire. In, Benjamin Stora and Mohammed Harbi (eds.), La Guerre d'Algérie: 1954-2004, la Fin de l'Amnésie. Paris: Robert Laffont.
    • Stora, Benjamin. 2004. 1999-2003, guerre d'Algérie, les accélération.s de la mémoire. In, Benjamin Stora and Mohammed Harbi (eds.), La Guerre d'Algérie: 1954-2004, la Fin de l'Amnésie. Paris: Robert Laffont.
  • 30
    • 9944255231 scopus 로고
    • From State Monopoly to Commercial Oligopoly: European Broadcasting Policies and Popular Music Output Over the Airwales
    • Tony Bennett, Simon Frith, Lawrence Grossberg, John Shepherd and Graeme Turner eds, London: Routledge, pp
    • Wallis, Roger and Krister Malm. 1993. From State Monopoly to Commercial Oligopoly: European Broadcasting Policies and Popular Music Output Over the Airwales. In, Tony Bennett, Simon Frith, Lawrence Grossberg, John Shepherd and Graeme Turner (eds.), Rock and Popular Music: Politics, Policies and Institutions. London: Routledge, pp. 156-168.
    • (1993) Rock and Popular Music: Politics, Policies and Institutions , pp. 156-168
    • Wallis, R.1    Malm, K.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.