Knowledge organization in the domain of art studies - History, transition and conceptual changes

Knowledge Organization

Volumn 30, Issue 3-4, 2003, Pages 128-143

  Ørom, Anders ^a  

^a ROYAL SCHOOL OF LIBRARY AND INFORMATION SCIENCE   (Denmark)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 4744360675     PISSN: 09437444     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Review

References (40)

1. Aagesen, D., Abildgaard, H., Zetland, M. & Warming, R. (2002). The avant-garde in Danish and European Art 1909-1919: Exhibition Guide. Copenhagen: Statens Museum for Kunst.
2. Art & Architecture Thesaurus. (No date). [Online]. Available: [www.getty.edu/research/tools/ vocabulary] [Accessed 24 September 2003]. (Also published as: Petersen, T. (1994). Art & architecture thesaurus. 2nd ed. New York: Oxford University Press. 5 vols.):
3. Art & Architecture Thesaurus. (No date). [Online]. Available: [www.getty.edu/research/tools/ vocabulary] [Accessed 24 September 2003]. (Also published as: Petersen, T. (1994). Art & architecture thesaurus. 2nd ed. New York: Oxford University Press. 5 vols.):
4. Bacon, F. (1605/1965). The Advancement of Learning. London: Dent Everyman's Library. (Originally published 1605).
5. Bal, M. (1991). Reading "Rembrandt"; beyond the word-image opposition: the Northrop Frye lectures in literary theory. New York: Cambridge University Press
6. Bal, M. (1999). Quoting Caravaggio: contemporary art, preposterous history. Chicago and London: The University of Chicago Press.
7. Bibliothekarisch-bibliographische Klassifikation: Einführung. (1978). Vol. 1. Berlin: Methodisches Zentrum für wissenschaftliche Bibliotheken.
8. Bibliothekarisch-bibliographische Klassifikation: Šč Kunst. Kunstwissenschaft. (1968). Vol. 21.
9. Berlin: Methodisches Zentrum für wissenschaftliche Bibliotheken.
10. Bostick, C.H. & Mandel, C.(1976). Classification and the Art Library User: Some Theoretical Considerations. ARLIS/NA Newletter4(4/5), 1-3.
11. Clarke, S. (1976). Library Classification in the Arts. ARLIS/NA Newletter4(4/5), 3-4.
12. D'Alembert, J. Le Rond (1751/1995). Preliminary discourse to the Encyclopedia of Diderot. Chicago and London: The University of Chicago Press. (Original appeared 1751).
13. Dewey, M. (1876). A Classification and subject Index for Cataloguing and Arranging the Books and Pamphlets of a Library. Amherst, Mass.
14. Abridged Dewey Decimal Classification and Relative Index. (1990). Edition 12. Albany, New York: Forest Press.
15. Fernie, E. (1995). Art history and its methods: A critical anthology. London: Phaidon Press.
16. Ferrari, R.C. (1999) the Art of Classification: Alternate Classification Systems in Art Libraries. Cataloguing & Classification Quarterly, 28(2), 73-98.
17. Hansson, J. (1999). Klassifikation, bibliotek och samhäll: En kritisk hermeneutisk Studie av "Klassifika tionssystem for svenska bibliotek" (Classification, Library and Society: A Critical Hermeneutic Study of "The Swedish Classification System"). Göteborg: Valfrid.
18. Hauser, A. (1968) The social history of art. Vol. 1-4. London: Routledge & Kegan Paul. (English original appeared 1951)
19. Heidmann, A. (2003). Organiseringens kunst - en analyze af vidensorganization inden for kunstinstitutionen. (The Art of Organizing - an Analysis of the Knowledge Organization within the Art Institution). Aalborg: Danmarks Biblioteksskole. (Unpublished thesis).
20. Hjørland, B. (2002). Domain analysis and information science: Eleven approaches - traditional as well as innovative. Journal of Documentation, 58(4) 422-462.
21. Hjørland, B. (2003). Fundamentals of Knowledge Organization. Tendencias de investigation en organization del conocimiento: Trends in Knowledge Organization Research/ José Antonio Frías, Críspulo Travieso (eds.). Salamanca: Ediciones Universidad de Salamanca, 83-116. [Modified version to be published in Knowledge Organization 2003, 30(1)]
22. Hjørland, B. (2003). Fundamentals of Knowledge Organization. Tendencias de investigation en organization del conocimiento: Trends in Knowledge Organization Research/ José Antonio Frías, Críspulo Travieso (eds.). Salamanca: Ediciones Universidad de Salamanca, 83-116. [Modified version to be published in Knowledge Organization 2003, 30(1)]
23. Janson, H.W. (1995). History of Art. Fifth edition. Revised and expanded by Anthony F. Janson. New York: Harry N. Abrams.
24. Korenic, L. (1997). Inside The Discipline, outside the Paradigm: Keeping Track of the New Art History. Art Libraries Journal 22 (3) 12-18.
25. Lévi-Strauss, C. (1969). Totemism. With an introduction by Roger C. Poole. Harmondswoth: Penguin. (French original appeared 1962)
26. Læssøe, R. Billedets liv: Syv kapitler om det moderne ikon. Fra Ingres til Bacon. (2000). (The life of the image. Seven chapters on the modern icon. From Ingres to Bacon.) Copenhagen: Multivers.
27. Molholt, P. & Petersen, T. (1993). The Role of the "Art and Architecture Thesaurus" in Communicating about Visual Art. Knowledge Organization 20(1), 30-34.
28. Muñiz, G. G. (2003). La clasificación de la filosofía: el sistema decimal de Dewey a la luz de los sistemas de clasificación de F. Bacon y l'Encyclopedie. Tendencias de investigation en organización del conotimiento: Trends in Knowledge Organization Research/ José Antonio Frías, Críspulo Travieso (eds.). Salamanca: Ediciones Universidad de Salamanca, p. 183-210.
29. Nørgaard Larsen, E (2000). Symbolism in Danish and European painting 1870-1910. Copenhagen: Statens Museum for Kunst.
30. Paludan-Müller, C. (no date) Museet i tiden: Erindringsrum og verdensspejl; Museerne ved årtusindskiftet. (The museum in the time: Space of memory and mirror of the world at the turn of the millennium). Available: [www.kulturnet.dk/ homes/smn/mustid.htm] [Accessed 5 May 2003]
31. Polster, J.F. (1976). The Crafts and Dewey's Decimals. ARLIS/NA Newletter4(4/5), 8-11.
32. Rafferty, E (2001). The Representation of Knowledge in Library Classification Systems. Knowledge Organization 28 (4), 180-191.
33. San Segundo Manuel, R. (1996). Sistemas de organización del conocimiento. Madrid: Universidad Carlos III de Madrid. Boletín Oficial del estado.
34. Schimansky,D.D. (1976). The Metropolitan Museum of Art Library Classification System: How it works. ARLIS/NA Newletter4(4/5), 4-6.
35. SuperLCCS (1998). Gale's Library of Congress Classification Schedules combined with Additions and Changes Through 1998: Classification: Class N, Fine Arts. Washington: Library of Congress.
36. Universal Decimal Classification: International Medium Edition, Part 1. Systematic tables. (1993) London: BSi Standards.
37. Vasari, G (1943-49). Le vite dei piú eccellenti pittori, sctiltori e architetti, I-IV (Lives of the most Excellent Painters, Sculptors and Architects). Rome: Rizzoli. (Italien original appeared 1550-68)
38. Wyngaard, S. (1993). Fine Arts. The Humanities and the Library. Nena Couch and Nancy Alien (eds.). Chicago and London: American Library association, p. 1-44.
39. Ørom, A. (2003a). Kunsten at organisere viden om kunsten (The Art of Organizing Knowledge on the Art). Aalborg: Biblioteksarbejde 65, 61-76.
40. Ørom, A. (2003b). Paradigmas y visiones del mundo en la organización del conocimiento dentro del campo del arte. Tendencias de investigation en organization del conocimiento: Trends in Knowledge Organization Research/ José Antonio Frías, Críspulo Travieso (eds.). Salamanca: Ediciones Universidad de Salamanca, 233-241.