Neurological caricatures since the 15th century

Journal of the History of the Neurosciences

Volumn 17, Issue 3, 2008, Pages 314-334

  Lorusso, Lorenzo ^a  

^a Mellino Mellini Hospital Trust   (Italy)

Author keywords

Artist; Caricature; Neurological illustration; Neurology; Physiognomy

Indexed keywords

ART; EUROPE; FRANCE; HUMAN; LANGUAGE; MEDICAL ILLUSTRATION; MEDICAL PROFESSION; NEUROSCIENCE; REVIEW; SPAIN;

ANATOMY, ARTISTIC; CARICATURES AS TOPIC; EUROPE; HISTORY, 15TH CENTURY; HISTORY, 16TH CENTURY; HISTORY, 17TH CENTURY; HISTORY, 18TH CENTURY; HUMANS; MEDICINE IN ART; NEUROANATOMY; PHYSIOGNOMY; PORTRAITS AS TOPIC;

EID: 47349101046     PISSN: 0964704X     EISSN: 17445213     Source Type: Journal    
DOI: 10.1080/09647040802132023     Document Type: Review

References (55)

1. Alberti LB (1972): On painting and on sculpture. (Translated by C. Grayson). London, Pahidon.
2. Aubert G (2005): Charcot revisited: The case of Bruegel's corea. Arch Neurol 62: 155-161.
3. Baldinucci F (1681): Vocabolario toscano dell'arte del disegno. Firenze, Per Santi Franchi Al Segno della Passione.
4. Baldinucci F (1681-1728): Notizie de' professori del disegno da Cimabue in qua. Firenze, Santi Franchi.
5. Bell C (1806): Essay on the anatomy of expression in painting. London, Longmann, Hurst, Rees, and Orme, Paternoster-Row.
6. Bell C (1844): The anatomy and philosophy of expression, as connected with the fine arts. London, John Murray.
7. Berger A (1981): An equilibrium of idiocies: Cartoons as instant communication. Publ Commun Review 1: 42-46.
8. Bogousslavsky J (2004): Charcot and art: From hobby to science. Eur Neurol 51: 78-83.
9. Butterfield WC (1973): The medical caricatures of Thomas Rowlandson. JAMA 224: 113-117.
10. Caroli F (1991): Leonardo. Studi di Fisiognomica. Milano, Leonardo Arte.
11. Caroli F (1998): Storia della Fisiognomica. Milano, Leonardo Arte.
12. Cèbe J-P (1966): La caricature et la parodie dans le monde romain antique des origines à Juvenale. Paris, Éditions É. de Boccard.
13. Clayton M (2002): Leonardo da Vinci: The divine and the grotesque. London, Royal Collection.
14. Cummings F (1964): Charles Bell and the anatomy of expression. The Art Bulletin 2: 191-203.
15. Darwin C (1872): The expression of the emotion in man and animals. London, John Murray.
16. Dorothy MG (1967): Hogarth to Cruikshank: Social change in graphic satire. New York, Walker Company.
17. Emery AEH, Emery MHE (2003): Medicine and art. London, Royal Society of Medicine Press.
18. Finger S (2000): Minds behind the brain. Oxford, Oxford University Press.
19. Fleury J (1865): Histoire de la caricature antique. Paris, F. Dentu Editeur.
20. Fleury J (1871): Histoire de la caricature au moyen-âge et sous renaissance. Paris, F. Dentu Editeur.
21. Gardner-Thorpe C (2004): The art of Sir Charles Bell. In: Rose FC, ed., Neurology of the arts: Painting, music, literature. London: Imperial College Press.
22. Goetz CG (1991): Visual art in the neurologic career of Jean-Martin Charcot. Arch Neurol 48: 421-425.
23. Gombrich E, Kris E (1952): The principles of caricatures. In: Kris E, ed., Psychoanalytical explorations in art. New York: International Universities Press Inc.
24. Hartley L (2001): Physiognomy and the meaning of expression in nineteenth-century culture. Cambridge, Cambridge University Press.
25. Haslam F (1996): From Hogarth to Rowlandson. Medicine in art in eighteenth century Britain. Liverpool, Liverpool University Press.
26. Hoffmann E (1939): Caricatures at the British Museum. The Burlington Magazine for Connoisseurs 436: 38-41.
27. Hogarth W (1753): The analysis of beauty. Written with a view of fixing the fluctuating Ideas of Taste. London, J. Reeves.
28. Hyman T, Malbert R (2000): Carnivalesque. London, Hayward Gallery Publishing.
29. Kemp M (1976): Ogni dipintore dipinge sè: A neoplatonic echo in Leonardo's art theory. In: Clough CH, ed., Cultural aspect of the Italian Renaissance. Essay in honour of Paul Oskar Kristeller. Manchester: Manchester University Press.
30. Kris E, Gombrich E (1938): The principles of caricatures. Br J Med Psychol 16: 319-342.
31. Lavater JK (1772): Von der Physiognomik. Leipzig, Weidmann, Georg Moritz Erben & Reich, Philipp Erasmus.
32. Le Brun C (1696): Caractères des passions gravés sur lei dessins de l'Illustre Mons. Le Brun. Paris, S. le Clerc.
33. Le Brun C (1994): Le Brun's lecture on expression. In: Montagy J, eds., The expression of the passion. New Haven: Yale University (text and translation of Le Brun, c. 1668, Conference sul l'expression générale et particulière, delivered to the Académie Royale d Peinture et Sculture; first published 1698, variously title Traité de Passion).
34. Lorusso L (2005): Neurological caricatures by Honoré Daumier (1808-1879). 18th World Congress of Neurology, Sydney, Australia 5-11 November 2005. J Neurol Sci 238: S50.
35. Malvasia CC (1678): Felsina pittrice. Vite de' pittori bolognesi. Bologna, Barbieri.
36. th Congress of the European Federation of Neurological Societies. Athens, Greece 17-20 September 2005. Eur J Neurol 12: S296.
37. McMahon AP (1956): Treatise on painting by Leonardo da Vinci. New York, Princeton.
38. Meige H (1898): Charcot - Artiste. Nouv Iconogr Salpè trière 2: 489-516.
39. Milesi G (2004): I maestri della caricatura: dal cinquecento al novecento. Castel Maggiore Bologna, Book Editore.
40. Moffitt JF (1994): Puer and Senex. In: Didactic Contropositum: two rhetorical contexts for Leonardo's grotesque heads. Achademia Leonardi Vinci.
41. Mondor H, Adhémar J (1966): Les gens de Médecine dans l'oeuvre de Daumier. Paris, Éditons Vilo.
42. Mosini GA (1646): Diverse Figure, al numero di ottanta, disegnate di penna nel'hore di ricreatione da Annibale Carracci, intagliate in rame e cavate dagli originale da Simone Guidino Parigino. Roma, Lodovico Grignani.
43. Moyne LR (2004): An imagological survey of Britain and the British and Germany and the Germans in German and British cartoons and caricatures, 1945-2000. Thesis Universität Osnabrück.
44. Pedretti C (2005): L'anatomia di Leonardo da Vinci fra Mondino e Berengario. Firenze, Cartei & Becagli Editori.
45. Pevsner J (2002): Leonardo da Vinci's contributions to neuroscience. Trends in Neurosci 25: 217-220.
46. Robinson DM (1917): Caricature in ancient art. The Bulletin of the College Art Association of America 3: 65-68.
47. Rose FC (2004): The neurology of art: An overview. In: Rose CF, ed., Neurology of the art. London: Imperial College Press.
48. Saffron MH (1971): Thomas Rowlandson: Medical caricatures. New York, Editions Medicina Rara Ltd.
49. Salomone G, Arnone R (1994): Charcot and his drawings: Images from "les leçons du mardi à la Salpêtrière 1887-1888". Ital J Neurol Sci 15: 203-211.
50. Summers D (1981): Michelangelo and the language of art. New York, Princeton.
51. Thérenty M-E (2005): L'esprit de la petite presse satirique: épigramme et caricature. Revue de la BNF 19: 15-20.
52. Vincent LM (2005): The Anatomist by Thomas Rowlandson (1756-1827): The play's the thing. Med Hist 49: 213-218.
53. Widmer DAJ (2006): Neuroanatomy in art: Leonardo da Vinci's senso comune. J Hist Neurosci 15: 17-20.
54. Wright T (1865): A history of caricature and grotesque in literature and art. London, Virtue Brothers & C.
55. Zigrosser C (1970): Medicine and the artist. New York, Dover Publications Inc.