Visuality, Dromology and Time Compression: Paul Virilio's New Ocularcentrism

Time & Society

Volumn 13, Issue 3, 2004, Pages 285-300

  Bartram, Rob ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

Author keywords

dromology; Paul Virilio; time compression; visuality

Indexed keywords

EID: 4644372068     PISSN: 0961463X     EISSN: None     Source Type: Journal    
DOI: 10.1177/0961463X04044577     Document Type: Article

References (65)

1. Adam, B. (1990) Time and Social Theory. Cambridge: Polity.
2. Adam, B. (1995) Timewatch: The Social Analysis of Time. Cambridge: Polity.
3. Adam, B. (1998) Timescapes of Modernity: The Environmental and Invisible Hazards. London: Routledge.
4. Adam, B. (2003) ‘Reflexive Modernization Temporalized’, Theory, Culture and Society 20(2): 59-78.
5. J., Armitage, Paul Virilio: From Modernism to Hypermodernism and Beyond, (ed.), London: Sage, (2000)
6. Armitage, J. (2000b) ‘Beyond Postmodernism? Paul Virilio's Hypermodern Cultural Theory’ (Part One), CTheory, Technology and Culture 23(3).
7. Armitage, J. (2000c) ‘Beyond Postmodernism? Paul Virilio's Hypermodern Cultural Theory’ (Part Two), CTheory, Technology and Culture 23(3).
8. Baudrillard, J. (1993) Symbolic Exchange and Death. London: Sage.
9. J., Baudrillard, Simulacra and Simulation, The Body, in Theory: Histories of Cultural Materialism, Ann Arbor: University of Michigan Press, (1994)
10. Baudrillard, J. (1994b) The Illusion of the End. Cambridge: Polity Press.
11. Benjamin, W. (1969) ‘The Work of Art in the Age of Mechanical Reproduction’, in H. Arendt (ed.) Illuminations, pp. 241-242. New York: Schocken.
12. Bryson, N., Holly, M. A. and Moxey, K. (eds) (1994) Visual Culture: Images and Interpretations. London: Wesleyan University Press.
13. Castells, M. (1996) The Rise of the Network Society. Oxford: Blackwell.
14. J., Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, London: Massachusetts Institute of Technology, (1992)
15. Crary, J. (1999) Suspensions of Perception: Attention, Spectacle, and Modern Culture. London: Massachusetts Institute of Technology.
16. Cubitt, S. (2000) ‘Virilio and New Media’, in J. Armitage (ed.) Paul Virilio: From Modernism to Hypermodernism and Beyond,pp. 127-142. London. Sage.
17. Debord, G. (1983) Society of the Spectacle. Detroit, MI: Black and Red.
18. Der Derian, J. (1992) Antidiplomacy: Spies, Terror, Speed and War. Oxford: Blackwell.
19. Der Derian, J. (ed.) (1998) Virilio, Paul: The Virilio Reader. Oxford: Blackwell.
20. Der Derian, J. (2000) ‘The Conceptual Cosmology of Paul Virilio’, in J. Armitage (ed.) Paul Virilio: From Modernism to Hypermodernism and Beyond,pp. 215-228. London. Sage.
21. Doel, M. A. and Clarke, D. B. (1999) ‘Dark Panopticon. Or, Attack of the Killer Tomatoes’, Environment and Planning D: Society and Space 17(3): 427-445.
22. Foster, H. (1988) Vision and Visuality. Seattle: Bay Press.
23. Foucault, M. (1977) Discipline and Punish: The Birth of the Prison. London: Allen Lane.
24. Gane, M. (2000) ‘Paul Virilio's Bunker Theorizing’, in J. Armitage (ed.) Paul Virilio: From Modernism to Hypermodernism and Beyond,pp.85-102. London: Sage.
25. D., Haraway, Simians, Cyborgs, and Women: The Reinvention of Nature, London: Free Association of Books, (1991)
26. Harvey, D. (1989) The Condition of Postmodernity. Oxford: Blackwell.
27. Heidegger, M. (1977) The Question Concerning Technology and Other Essays(Trans. by Wliiam Lovitt). New York: Harper & Row.
28. Huyssen, A. (2000) ‘Present Pasts: Media, Politics, Amnesia’, Public Culture 12(1): 21-38.
29. Jackson, T. (1998) ‘Towards a New Media Aesthetic’, Undercurrent6, Spring. http://www.uoregon.edu/%7Eucurrent/uc6/6-jackson.html.
30. Jameson, F. (1992) Signatures of the Visible. London: Routledge.
31. M., Jay, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought, London: University of California Press, (1993)
32. Jenks, C. (ed.) (1995) Visual Culture. London: Routledge.
33. Kellner, D. (2000) ‘Virilio, War and Technology’, in J. Armitage (ed.) Paul Virilio: From Modernism to Hypermodernism and Beyond,pp.103-126. London: Sage.
34. Kraus, R. (1988) ‘The Im/Pulse to See–,in H. Foster (ed.) Vision and Visuality, pp. 51-78. Seattle, WA: Bay Press.
35. Kroker, A. (1992) The Possessed Individual: Technology and Postmodernity. Basingstoke: Macmillan.
36. Kroker, A. and Kroker, M. (eds) (1997) Digital Delirium. Montreal: New World Perspectives.
37. Luke, T. and O Tuathail, G. (2000) ‘Thinking Geopolitical Space: The Spatiality of War, Speed and Vision in the Work of Paul Virilio’, in M. Crang and N. Thrift. (eds) Thinking Space, pp. 360-379. London: Routledge.
38. S., McQuire, Blinded by the Speed of Light, Paul Virilio: From Modernism to Hypermodernism and Beyond, in, J. Armitage, (ed.), pp., London: Sage, (2000), 143-160
39. Merleau-Ponty, M. (1962) Phenomenology of Perception(Trans. C. Smith). London: Routledge.
40. Mitchell, W. J. T. (1994) Picture Theory: Essays on Verbal and Visual Representation. Chicago: Chicago University Press.
41. Nowotny, H. (1994) Time: The Modern and Postmodern Experience. Cambridge: Polity.
42. C., Parent, The Function of the Oblique: The Architecture of Claude Parent and Paul Virilio, and, Virilio P., London: AA Publications, (1996)
43. Robertson, G., Tickner, L. and Mash, M. (eds) (1996) The Block Reader on Visual Culture. London: Routledge.
44. K., Robins, Into The Image: Culture and Politics in the Field of Vision, London: Routledge, (1996)
45. Virilio, P. (1986a) Speed and Politics: An Essay on Dromology. New York: Semiotext(e).
46. Virilio, P. (1986b) Pure War. New York: Semiotext(e).
47. Virilio, P. (1989) War and Cinema: Logistics of Perception. London: Verso.
48. Virilio, P. (1990) Popular Defence and Ecological Struggles. New York: Semiotext(e).
49. Virilio, P. (1991a) The Aesthetics of Disappearance. New York: Semiotext(e).
50. Virilio, P. (1991b) The Lost Dimension. New York: Semiotext(e).
51. Virilio, P. (1994a) The Vision Machine. Indianapolis: Indiana University Press/British Film Institute.
52. Virilio, P. (1994b) ‘Cyberwar, God and Television–. Interview with Louise Wilson, CTheory.
53. Virilio, P. (1995a) ‘Speed and Information: Cyberspace Alarm!’, CTheory.
54. Virilio, P. (1995b) The Art of the Motor. Minneapolis: University of Minnesota Press.
55. P., Virilio, Global Algorithm 1.7: The Silence of the Lambs: Paul Virilio in Conversation, Interview with Carlos Oliveira, CTheory, (1995)
56. Virilio, P. (1997a) ‘Interview with James Der Derian’, Speed.
57. Virilio, P. (1997b) Open Sky. London: Verso.
58. Virilio, P. (1999a) ‘The Kosovo War Took Place in Orbital Space–. Interview with John Armitage, CTheory.
59. Virilio, P. (1999b) Polar Inertia. London: Sage.
60. Virilio, P. (2000a) Strategy of Deception. London: Sage.
61. Virilio, P. (2000b) Information Bomb. London: Sage.
62. Virilio, P. and Lotringer, S. (1997) Pure War. New York. Semiotext(e).
63. G., Waite, Nietzsche's Corpse: Aesthetics, Politics, Prophecy, or, the Spectacular Technoculture of Everyday Life, London: Duke University Press, (1996)
64. Walker, J. A. and Chaplin, S. (1997) Visual Culture. Manchester: Manchester University Press.
65. Wark, M. (1994) Virtual Geography. Bloomington: Indiana University Press.