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However, honour is not an outmoded concept in the modern world when applied to people in their institutional role. The soldiers portrayed in media photographs showing indignities heaped upon their Iraqi prisoners are guilty of dishonourable conduct. It is not shame (following the loss of dignity) that attaches to them and their regiment, but disgrace consequent upon a loss of honour.
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Yet the display of these particular photographs, as with all images relating to illness, is context sensitive and continues, with each revelation, to risk the dignity of the women pictured. To sustain that dignity requires the observer to look with a caring eye, to complete the arc of understanding that Spence's and Wilke's pictures invite but cannot demand. This underlines the fact that the appearance of dignity is relational, contested, and multifaceted. Spence and Wilke do not just ask that we be indignant or that we care, but that we assume a "prototypical responsibility." See: Radley A. Portrayals of suffering: on looking away, looking at, and the comprehension of illness experience. Body & Society 2002; 8: 1-23.
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