The assembling of Stria by John Chowning: A philological investigation

Computer Music Journal

Volumn 31, Issue 3, 2007, Pages 38-64

  Zattra, Laura ^a  

^a UNIVERSITY OF PADOVA   (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

COMMUNICATION; COMPUTER GENERATED HOLOGRAPHY; COMPUTER NETWORKS; SPEECH; TECHNOLOGY;

(E ,3E) PROCESS; ASSEMBLING PROCESS; AUDIO SOURCES; CREATIVE (CO); FOUR-CHANNEL; MASSACHUSETTS INSTITUTE OF TECHNOLOGY (MIT); SYNTHESIS (OF CHIRAL IONIC LIQUIDS);

COMPUTER MUSIC;

EID: 45749094630     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/comj.2007.31.3.38     Document Type: Article

References (52)

1. Barrière, J.-B. 1990. Pour une esthétique de la musique avec ordinateur. Thèse de doctorat. Univ. de Paris I - Sorbonne.
2. Baudouin, O. 2006. Problème de l'analyse des musiques conçues pour supports enregistrés. Comparaison de deux oeuvres : Artikulation (1958) de György Ligeti et Stria (1977) de John Chowning. Université de Rouen, Faculté des Lettres et Sciences Humaines, Département de musicologie. Mémoire pour l'obtention du Master II.
3. Baudouin, O. 2007. "A Reconstruction of Stria. "Computer Music Journal 31(3):75-81.
4. Borghesan, M. 2005. Porting di Stria di John Chowning in ambiente PC. Unpublished thesis, Università di Padova, Facoltà di ingegneria.
5. Bossis, B. 2005. "Stria de John Chowning ou l'oxymoron musical: du nombre d'or comme poétique." In P. A. Castanet et al., eds. John Chowning: Portraits polychromes. Paris: INA/GRM and Michel de Maule, pp. 87-115.
6. Boulez, P. 1980. Pierre Boulez présente: Stria (1976); extraits /John Chowning. Kontakte (1960); extraits / Karlheinz Stockhausen. Arcus (1978); extraits / York Höller. Audio cassette, IRCAM-Radio France Serié II/ Cassette 3 (Matériau et invention musicale, Vol. 3.). (Audio recording of concerts presented at IRCAM and the Ensemble InterContemporain, 22-28 April 1980, recorded at the Théâtre d'Orsay, Paris).
7. Caraci Vela, M. 2005. La filologia musicale. Istituzioni, storia, strumenti critici (I - Fondamenti storici e metodologici della filologia musicale). Lucca: Libreria Musicale Italiana.
8. Castanet, P. A., et al., eds. 2005. John Chowning: Portraits polychromes. Paris: INA/GRM and Michel de Maule.
9. Chowning, J. 1973. "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation." Journal of the Audio Engineering Society 21:526-534.
10. Chowning, J. 1977a. TO.MEM, T286.MEM, T466.MEM, T610. MEM, T754G. MEM, and END. mm. Computer file printouts. John Chowning Papers, Stanford University Archives.
11. Chowning, J. 1977b. CPC4. INS. Computer file printout dated 8 September. John Chowning Papers, Stanford University Archives.
12. Chowning, J. 1977c. TO. SCR. Computer file printout dated 26 September. John Chowning Papers, Stanford University Archives.
13. Chowning, J. 1977d. COMP. SAI. Computer file printout dated 3 October. John Chowning Papers, Stanford University Archives.
14. Chowning, J. 1977e. Notes1977. Computer file printout dated 5 October. John Chowning Papers, Stanford University Archives.
15. Chowning, J. 1977(?)a. StriaSecsSR. pdf. Computer scan of undated (most likely 1977) handwritten note indicating various sampling rates for sections. John Chowning Papers, Stanford University Archives.
16. Chowning, J. 1977(?)b. PlanLarge (version with 7 sections). Undated (most likely 1977) handwritten note indicating various sampling rates for sections. John Chowning Papers, Stanford University Archives.
17. Chowning, J. 1978a. COMP. SAI. Computer file printout dated 7 January. John Chowning Papers, Stanford University Archives.
18. Chowning, J. 1978b. CPC4. INS. Computer file printout dated 5 January. John Chowning Papers, Stanford University Archives.
19. Chowning, J. 1988. John Chowning: Turenas, Stria, Phoné, Sabelithe. Audio compact disc, with booklet containing an interview recorded on 8 May 1987, transcribed and edited by J. Goebel. Mainz: Schott/Wergo Music Media, WER 2012-50.
20. Chowning, J. 2004. Personal communication, May, June, and August.
21. Chowning, J. 2005a. "Composer le son lui-même." In P. A. Castanet, et al., eds. John Chowning: Portraits polychromes. Paris: INA/GRM and Michel de Maule, pp. 25-30.
22. Chowning, J. 2005b. Liner notes accompanying audio recording entitled OHM+: the early gurus of Electronic Music 1948-1980. Audio compact discs and DVD. Ellipsis Arts CD 3693/DVD 3694.
23. Chowning, J. 2005c. Personal communication, March, April, June, and September.
24. Chowning, J. 2006. Personal communication, June, July, and September.
25. Chowning, J. 2007. Personal communication, February-March.
26. Chowning, J., and D. Keislar. 2007. Personal communication.
27. Dahan, K. 2001. Systèmes dynamiques dans la création musicale assistée par ordinateur. MPhil thesis, Université de Paris VIII, Département de Musicologie.
28. Dahan, K. 2007. "Surface Tensions: Dynamics of Stria." Computer Music Journal 31(3):65-74.
29. De Benedictis, A. I. 2004. "Scrittura e supporti nel Novecento: alcune riflessioni e un esempio (Ausstrahlung di Bruno Madernal)." La scrittura come rappresentazione del pensiero musicale (G. Borio ed.). Pisa: ETS, pp. 237-29 1.
30. Doati, R. 1988. "Analysis of Siria by John Chowning." Unpublished article.
31. Doati, R. 2005. Personal communication, April.
32. Dodge, C., and T. A. Jerse. 1985. Computer Music: Synthesis, Composition, and Performance. New York: Schirmer.
33. Gayou, É. 2005. "Entretien entre John Chowning et Évelyne Gayou." In P. A. Castanet et al., eds. John Chowning: Portraits polychromes. Paris: INA/GRM and Michel de Maule, pp. 7-24.
34. Goebel, J. 2005. Personal communication, April.
35. IRCAM. 2005. "John Chowning: Stria." brahms.ircam.fr/textes /cOO000018/nOO000402/index.html (accessed 28 February 2007).
36. Koblyakov, L. 2005. Personal communication, September.
37. Lorrain, D. 1980. "Analyse de la bande magnétique de l'u̧vre de Jean-Claude Risset" Inharmonique. Rapports IRCAM 26/80.
38. Machover, T. 1984. "The Realization of Stria: The Development of Human Singing Voice Synthesis Using Frequency Modulation." IRCAM Archives, A collection of Musical documentation (Internal documentation of research], pp. 17-19. Unpublished document.
39. Mathews, M. 1969. The Technology of Computer Music. Cambridge, Massachusetts: MIT Press.
40. Means, L. 2005. "Interview with John Chowning by Loren Means." YLEM Journal: Artists Using Science and Technology 25(6-8). Available on-line at http://www.ylem.org/Journal /2005Iss06&08vol25.pdf (accessed 28 February 2007).
41. Meneghini, M. 2003. "Stria by John Chowning: Analysis of the Compositional Process." Proceedings of the XIV Colloquium on Musical Informatics. Florence: AIMI, pp. 45-50.
42. Mountain, T. 1980. "Sketches for the Analysis of Stria." Unpublished manuscript. John Chowning Papers, Stanford University Archives.
43. Mountain, T. 1981. "A Notational Representation of John Chowning's Stria. " Unpublished manuscript. John Chowning Papers, Stanford University Archives.
44. Mountain, T. 2005. Personal communication, April and August.
45. Risset, J.-C. 1988. "Perception, environnement, musiques." Musique et Perception March: 10-42.
46. Risset, J.-C. 2001. "Problèmes posés par l'analyse d'œuvres musicales dont la réalisation fait appel à l'informatique. Analyse et création musicales." Actes du Troisième Congres Européen d' Analyse Musicale de Montpellier. Paris: L'Harmattan/SFAM, pp. 131-160.
47. Risset, J.-C. 2005. "Sur l'impact de l'u̧vre scientifique, technique et musicale de John Chowning." In P. A. Castanet et al., eds. John Chowning: Portraits polychromes. Paris: INA/GRM. and Michel de Maule, pp. 31-59.
48. Rivière, Y., and C. Pouillon. 1976. Passage du XXe siècle. Paris: IRCAM.
49. Roads, C. 1985. "John Chowning on Composition." In C. Roads, ed. Composers and the Computer. Los Altos, California: William Kaufman, pp. 16-25. Also available on-line at www.o-art.org/history /LongDur/Chowning.html (accessed 28 February 2007).
50. Roads, C. 1996. The Computer Music Tutorial. Cambridge, Massachusetts: MIT Press.
51. Schœller, P. 1986. "Mutation de 1'écriture : Éclat, Stria, Désintégrations Inharmoniques." In Inharmoniques. Le temps de mutations, n. 1. ed. Christian Bourgois. Paris: IRCAM, pp. 197-208.
52. Zattra, L. 2003. "Science et technologie comme sources d'inspiration au CSC de Padoue et à ITRCAM de Paris." PhD thesis, Sorbonne-Paris IV University and Trento University.