Reading ourselves: Imagining the reader in the writing process

Writing Cures: An Introductory Handbook of Writing in Counselling and Psychotherapy

Volumn , Issue , 2004, Pages 35-43

  Hunt, Celia ^a  

^a UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 45149121379     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203448182     Document Type: Chapter

References (14)

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2. Bellas, C. (1987) The Shadow of the Object. London: Free Association Books.
3. Bellas, C. (1995) Cracking Up. London: Routledge.
4. Booth, W. (1991) The Rhetoric of Fiction, 2nd edn. London: Penguin.
5. Duncker, P. (1997) Hallucinating Foucault. London: Picador.
6. Hunt, C. (2000) Therapeutic Dimensions of Autobiography in Creative Writing. London:Jessica Kingsley.
7. Iser, W. (1980) The Implied Reader. London: Johns Hopkins University Press.
8. Milner, M. (1952) The framed gap, in The Suppressed Madness of Sane Men, pp. 79-82. London: Tavistock, 1987.
9. Milner, M. (1971) On Not Being Able to Paint. London: Heinemann.
10. Palmieri, G. (1998) 'The author' according to Bakhtin, and Bakhtin the author, in D.Shepherd (ed.) The Contexts of Bakhtin, pp. 45-56. Amsterdam: Harwood.
11. Rabinowitz, P.J. (1989) Whirl without end: audience-oriented criticism, in G.D.Atkins and L.Morrow (eds) Contemporary Literary Theory, pp. 81-100. London:Macmillan.
12. Voloshinov, V.N. (1973) Marxism and the Philosophy of Language, trans L.Matejka and I.R.Titunik. New York: Seminar.
13. Winnicott, D.W. (1965) The capacity to be alone, in The Maturational Processes and the Facilitating Environment, pp. 29-36. New York: International Universities Press.
14. Winnicott, D.W. (1991) Playing and Reality. London: Routledge.