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Volumn 55, Issue 3, 1997, Pages 293-303

Narrative, drama, and emotion in instrumental music

Author keywords

[No Author keywords available]

Indexed keywords


EID: 4444317492     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/431799     Document Type: Review
Times cited : (26)

References (22)
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    • Cone, E.T.1
  • 2
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    • Newcomb, A.1
  • 3
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    • Newcomb, A.1
  • 4
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    • Mozart and the Idea of Absolute Music
    • Treitler, Harvard University Press
    • Leo Treitler, "Mozart and the Idea of Absolute Music" in Treitler, Music and the Historical Imagination (Harvard University Press, 1989)
    • (1989) Music and the Historical Imagination
    • Treitler, L.1
  • 5
    • 84919865993 scopus 로고
    • Music as Drama
    • "Music as Drama," Music Theory Spectrum 10 (1988): 56-73
    • (1988) Music Theory Spectrum , vol.10 , pp. 56-73
  • 6
    • 80054579280 scopus 로고
    • Brahms's Tragic Overture: The Form of Tragedy
    • ed. Robert Pascall Cambridge: Cambridge University Press
    • James Webster, "Brahms's Tragic Overture: the Form of Tragedy," in Brahms: Historical, Documentary, and Analytical Studies, ed. Robert Pascall (Cambridge: Cambridge University Press, 1983)
    • (1983) Brahms: Historical, Documentary, and Analytical Studies
    • Webster, J.1
  • 7
    • 84968182867 scopus 로고
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    • (1982) 19th-century Music , vol.5 , pp. 233-241
    • Cone, E.T.1
  • 8
  • 9
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    • Music as Narrative
    • "Music as Narrative," Indiana Theory Review 11 (1991): 1-34
    • (1991) Indiana Theory Review , vol.11 , pp. 1-34
  • 10
    • 35048890409 scopus 로고
    • Princeton University Press
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    • (1991) Unsung Voices
    • Abbate, C.1
  • 11
    • 2442663548 scopus 로고
    • trans. Geoffrey Payzant Indianapolis: Hackett
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    • (1986) On the Musically Beautiful
    • Hanslick, E.1
  • 12
    • 84968137701 scopus 로고
    • Hanslick's Animism
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    • (1992) The Journal of Musicology , vol.9 , pp. 273-292
  • 13
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  • 14
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    • Temple University Press
    • Sound Sentiment (Temple University Press, 1989)
    • (1989) Sound Sentiment
  • 15
    • 4444336271 scopus 로고
    • Hope in The Hebrides
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    • Jerrold Levinson, "Hope in The Hebrides," in Music, Art, and Metaphysics (Cornell University Press, 1990)
    • (1990) Music, Art, and Metaphysics
    • Levinson, J.1
  • 16
    • 40349099858 scopus 로고
    • Listening with Imagination: Is Music Representational?
    • Kendall Walton, "Listening with Imagination: Is Music Representational?" The Journal of Aesthetics and Art Criticism 52 (1994): 47-61
    • (1994) The Journal of Aesthetics and Art Criticism , vol.52 , pp. 47-61
    • Walton, K.1
  • 17
    • 0040087370 scopus 로고
    • Cornell University Press
    • Peter Kivy, Music Alone (Cornell University Press, 1990), p. 145
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  • 18
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    • Harvard University Press
    • Kendall Walton, Mimesis as Make-Believe (Harvard University Press, 1990), pp. 259-271
    • (1990) Mimesis as Make-Believe , pp. 259-271
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  • 20
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    • A New Music Criticism?
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    • (1990) The Monist , vol.73 , pp. 247-268
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  • 21
    • 0039079432 scopus 로고
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    • (1993) The Fine Art of Repetition
  • 22
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    • Ashbery and the Condition of Music
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    • (1990) World, Self, Poem


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.