The dynamics of ensemble: The case for flamenco

Psychology of Music

Volumn 35, Issue 4, 2007, Pages 591-627

  Maduell, Mariana ^a   Wing, Alan M ^a,b  

^a UNIVERSITY OF BIRMINGHAM   (United Kingdom)

^b Sensory Motor Neuroscience Group Behavioural Brain Sciences Centre University of Birmingham ^*

Author keywords

Coordination; Rhythm; Synchronization; Timing

Indexed keywords

EID: 44149118462     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/0305735607076446     Document Type: Article

References (41)

1. Bakeman, R. and Gnisci, A. (2005) ' Sequential Observational Methods ', in M. Eid and E. Diener (eds) Handbook of Multimethod Measurement in Psychology, pp. 127 - 40. Washington, DC: American Psychological Association.
2. Bernstein, N. (1967) The Co-ordination and Regulation of Movements. New York: Pergamon.
3. Clavería, C. (1951) Estudios sobre los gitanismos del español [Studies of 'gypsy-isms' in Spanish]. Madrid: Revista de Filología Española, Anejo LIII.
4. Escudero, V. (1947) Mi baile por Vicente Escudero [My dance, by Vicente Escudero]. Barcelona: Montaner y Simon, S.A.
5. de Falla, M. (1950) Escritos sobre música y músicos: Debussy, Wágner, el 'cante jondo' [Writings on music and musicians: Debussy, Wagner, the 'deep song'] Buenos Aires: Espasa-Calpe Argentina.
6. Friberg, A. and Sundström, A. (2002) ' Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a Common Rhythmic Pattern ', Music Perception 19 (3). 333 - 49.
7. Goodman, E. (2002) ' Ensemble Performance ', in J. Rink (ed.) Musical Performance: A Guide to Understanding, pp. 153 - 67. Cambridge: Cambridge University Press.
8. Hughes, R.M. (1967) Spanish Dancing Pittsfield, MA: The Eagle Printing and Binding Co.
9. Larrea Palacín, A. (1974) El flamenco en su raíz [Flamenco at its roots] Madrid: Editora Nacional.
10. Lashley, K.S. (1951) ' The Problem of Serial Order in Behavior ', in L.A. Jeffress (ed.) Cerebral Mechanisms in Behavior. New York: Wiley.
11. Lewin, K. (1952) Field Theory in Social Science. London: Tavistock Publications.
12. Maduell, M. (1987) ' "Cues" in Flamenco Performance: Exposing a Hidden Speech Genre ', Working Papers in Linguistics 19 (2). 33 - 44.
13. Maduell, M. (1994) On-stage Calls: An Ethnolinguistic Analysis of Spoken Language in Professional Flamenco Performance. Ann Arbor, MI: UMI Dissertation Services.
14. Martin, N., Oliver, C. and Hall, S. (1999) ' ObsWin: Observational Data Collection and Analysis for Windows ', CTI Psychology Software News 9: 14 - 16.
15. Matteo [ Vittucci, M.M. ] (1990) The Language of Spanish Dance, with C. Goya. Norman, OK: University of Oklahoma Press.
16. Mitchell, T. (1994) Flamenco Deep Song. New Haven, CT: Yale University Press.
17. Murnighan, J.K. and Conlon, D.E. (1991) ' The Dynamics of Intense Work Groups: A Study of British String Quartets ', Administrative Science Quarterly 36 (2). 165 - 86.
18. Phillips, M.S. (1991) ' Both Sides of the Veil: A Comparative Analysis of Kathak and Flamenco Dance', unpublished masters thesis, UCLA.
19. Preston-Dunlop, V. (1995) Dance Words. Amsterdam: Harwood Academic Publishers.
20. Price, H.E. and Byo, J.L. (2002) ' Rehearsing and Conducting ', in R. Parncutt and G.E. McPherson (eds) The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning, pp. 335 - 51. Oxford: Oxford University Press.
21. Quintana, B.B. and Floyd, L.G. (1972) ¡Qué Gitano!: Gypsies of Southern Spain [What a gypsy! Gypsies of southern Spain]. New York: Holt, Rinehart and Winston.
22. Rasch, R.A. (1979) ' Synchronization in Performed Ensemble Music ', Acustica 43: 121 - 31.
23. Rasch, R.A. (1988) ' Timing and Synchronization in Ensemble Performance ', in J.A. Sloboda (ed.) Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition, pp. 70 - 90. Oxford: Oxford University Press.
24. Reguera, R. (1985) Historia y técnica de la guitarra flamenco [History and technique of the flamenco guitar]. Madrid: Editorial Alpuerto.
25. Repp, B.H. (1987) ' The Sound of Two Hands Clapping: An Exploratory Study', Journal of the Acoustical Society of America 81 (4). 1100 - 09.
26. Repp, B.H. (2001) ' Phase Correction, Phase Resetting, and Phase Shifts after Subliminal Timing Perturbations in Sensorimotor Synchronization ', Journal of Experimental Psychology - Human Perception and Performance 27 (3). 600 - 21.
27. Ropero Núñez, M. (1978) El léxico caló en el lenguaje del cante flamenco [Caló vocabulary in the language of flamenco song]. Sevilla: Publicaciones de la Universidad de Sevilla.
28. Ropero Núñez, M. (1984) El léxico andaluz de las coplas flamencas [Analusian vocabulary in flamenco verses] Sevilla: Ediciones Alfar.
29. Rosenbaum, D.A. (1991) Human Motor Control. San Diego, CA: Academic Press.
30. Schreiner, C. (ed.) (1990) Flamenco: Gypsy Dance and Music from Andalusia, trans. M. Comerford Peters (German edition 1985). Portland, OR: Amadeus Press.
31. Scollon, R. (1981) ' The Rhythmic Integration of Ordinary Talk ', in D. Tannen (ed.) Georgetown University Round Table on Languages and Linguistics 1981, pp. 335 - 49. Washington, DC: Georgetown University Press.
32. Steingress, G. (1993) Sociología del cante flamenco [Sociology of flamenco song]. Jerez: Centro Andaluz de Flamenco.
33. Stevens, L.T. (1886) ' On the Time-sense ', Mind 11: 393 - 404.
34. Turvey, M.T., Shaw, R.E. and Mace, W. (1978) ' Issues in the Theory of Action: Degrees of Freedom, Coordinative Structures and Coalitions ', in J. Requin and N.J. Hillsdale (eds) Attention and Performance VII, pp. 557 - 95. London: Erlbaum.
35. Vorberg, D. and Wing, A.M. (1996) ' Modeling Variability and Dependence in Timing ', in H. Heuer and S.W. Keele (eds) Handbook of Perception and Action, Vol. 2, pp. 181 - 262. London: Academic Press.
36. Vukadinovic, M., Sakotic, J., Popovic, B. and Filipovic, D. (2002 a) ' Evaluation of Basic Emotions in Flamenco Music ', International Journal of Psychophysiology 45: 159.
37. Washabaugh, W. (1996) Flamenco: Passion, Politics, and Popular Culture. Oxford: Berg.
38. Williamon, A. and Davidson, J.W. (2002) ' Exploring Co-performer Communication ', Musicae Scientiae 1 (1). 53 - 72.
39. Wing, A.M. (2002) ' Voluntary Timing and Brain Function: An Information Processing Approach', Brain and Cognition 48: 7 - 30.
40. Wing, A.M. and Kristofferson, A.B. (1973) ' The Timing of Interresponse Intervals ', Perception & Psychophysics 13: 455 - 60.
41. Wing, A. and Woodburn, C. (1995) ' The Coordination and Consistency of Rowers in a Racing Eight ', Journal of Sports Sciences 13: 187 - 97.