Making art accessible: Opening up a whole new world

Visual Communication

Volumn 6, Issue 2, 2007, Pages 202-213

  Stenglin, Maree ^a  

^a UNIVERSITY OF SYDNEY   (Australia)

Author keywords

accessibility; binding; bonding; community; public art

Indexed keywords

EID: 43249144108     PISSN: 14703572     EISSN: None     Source Type: Journal    
DOI: 10.1177/1470357207077182     Document Type: Article

References (8)

1. Bachelard, G. (1964) The Poetics of Space, trans. M. Jolas. New York: Orion Press.
2. Jaivin, L. (2005) &Art Is for All, No Buts about It,' Sydney Morning Herald, 1-2 October: 31.
3. Mandela, N. (1994) Long Walk to Freedom. London : Abacus.
4. Martin, J.R. and Stenglin, M. (2006) &Materialising Reconciliation: Negotiating Difference in a Post-colonial Exhibition', In T. Royce, and W. Bowcher, (eds) New Directions in the Analysis of Multimodal Discourse, pp. 215-238. Mahwah, NJ: Erlbaum.
5. Stenglin, M. (2002) &Comfort and Security: A Challenge for Exhibition Design', In L. Kelly, and J. Barrett, (eds) UNCOVER 1: 23-30. Sydney: Australian Museum.
6. Stenglin, M. (2004) Packaging Curiosities: Towards a Grammar of Three-Dimensional Space. PhD thesis, University of Sydney. Available at: http://setis.library.usyd.edu.au/adt/public_html/adt-NU/public/adt-NU20050909.161343/
7. Stenglin, M. (in press a) &Space Odyssey: Towards a Semiotic Model of 3D Space', Visual Communication.
8. Stenglin, M. (in press b) &Binding: A Resource for Exploring Interpersonal Meaning in 3D Space', submitted to Social Semiotics (under revision).