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Volumn 26, Issue 5-6, 2007, Pages 569-584

Calligraphy and musical gestures in the late works of Chou Wen-chung

(1)  Everett, Yayoi Uno a  

a NONE

Author keywords

Chinese calligraphy; I Ching; Musical gesture; Topography; Variable modes

Indexed keywords


EID: 43249139048     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494460701652988     Document Type: Article
Times cited : (10)

References (15)
  • 1
    • 79954938456 scopus 로고    scopus 로고
    • The cultural origins of the theoretical structures of Chou Wen-chung's
    • Arlin, Mary. (forthcoming). The cultural origins of the theoretical structures of Chou Wen-chung's Windswept Peaks. MusikTexte, forthcoming
    • Windswept Peaks. MusikTexte
    • Arlin, M.1
  • 3
    • 79954741262 scopus 로고    scopus 로고
    • An introduction to Chou Wen-chung's concept of water-image symmetry
    • April
    • Chen, Janet Jie-ru & Pan-Chew, Shyhji. (2006). An introduction to Chou Wen-chung's concept of water-image symmetry. Mitteilungen der Paul Sacher Stiflung, 19(April), 40-45
    • (2006) Mitteilungen der Paul Sacher Stiflung , vol.19 , pp. 40-45
    • Chen, J.1    Pan-Chew, S.J.-R.2
  • 4
    • 79954711881 scopus 로고
    • Towards a re-merger in music
    • E. Schwartz & B. Childs Eds, New York: Holt, Rinehart & Winston
    • Chou, Wen-chung. (1967). Towards a re-merger in music. In E. Schwartz & B. Childs (Eds.), Contemporary composers on contemporary music (pp. 308-315). New York: Holt, Rinehart & Winston
    • (1967) Contemporary Composers on Contemporary Music , pp. 308-315
    • Chou, W.-C.1
  • 5
    • 61149283420 scopus 로고
    • Asian concepts and twentieth-century Western composers
    • Chou, Wen-chung. (1971). Asian concepts and twentieth-century Western composers. Musical Quarterly, 57, 211-229
    • (1971) Musical Quarterly , vol.57 , pp. 211-229
    • Chou1    Wen-Chung2
  • 8
    • 84875745593 scopus 로고    scopus 로고
    • A theory of musical gesture and its application to Beethoven and Schubert
    • A. Gritten & E. King Eds, Aldershot: Ashgate
    • Flatten, Robert S. (2006). A theory of musical gesture and its application to Beethoven and Schubert. In A. Gritten & E. King (Eds.), Music and gesture (pp. 1-23). Aldershot: Ashgate
    • (2006) Music and Gesture , pp. 1-23
    • Flatten, R.S.1
  • 11
    • 79954715865 scopus 로고    scopus 로고
    • The evolution of Chou Wen-chung's variable modes
    • Y. U. Everett & F. Lau Eds, Middletown, CT: Wesleyan University Press
    • Lai, Eric. (2004). The evolution of Chou Wen-chung's variable modes. In Y. U. Everett & F. Lau (Eds.), Locating East Asia in Western art music (pp. 146-167). Middletown, CT: Wesleyan University Press
    • (2004) Locating East Asia in Western Art Music , pp. 146-167
    • Lai, E.1
  • 14
    • 61149600748 scopus 로고    scopus 로고
    • Henry Cowell and his Chinese music heritage: Theory of sliding tone and his orchestral works of 1953-1965
    • Y. U. Everett & F. Lau Eds, Middletown, CT: Wesleyan University Press
    • Rao, Nancy R. (2004). Henry Cowell and his Chinese music heritage: Theory of sliding tone and his orchestral works of 1953-1965. In Y. U. Everett & F. Lau (Eds.), Locating East Asia in Western art music (pp. 119-145). Middletown, CT: Wesleyan University Press
    • (2004) Locating East Asia in Western Art Music , pp. 119-145
    • Rao, N.R.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.