-
1
-
-
79954938456
-
The cultural origins of the theoretical structures of Chou Wen-chung's
-
Arlin, Mary. (forthcoming). The cultural origins of the theoretical structures of Chou Wen-chung's Windswept Peaks. MusikTexte, forthcoming
-
Windswept Peaks. MusikTexte
-
-
Arlin, M.1
-
3
-
-
79954741262
-
An introduction to Chou Wen-chung's concept of water-image symmetry
-
April
-
Chen, Janet Jie-ru & Pan-Chew, Shyhji. (2006). An introduction to Chou Wen-chung's concept of water-image symmetry. Mitteilungen der Paul Sacher Stiflung, 19(April), 40-45
-
(2006)
Mitteilungen der Paul Sacher Stiflung
, vol.19
, pp. 40-45
-
-
Chen, J.1
Pan-Chew, S.J.-R.2
-
4
-
-
79954711881
-
Towards a re-merger in music
-
E. Schwartz & B. Childs Eds, New York: Holt, Rinehart & Winston
-
Chou, Wen-chung. (1967). Towards a re-merger in music. In E. Schwartz & B. Childs (Eds.), Contemporary composers on contemporary music (pp. 308-315). New York: Holt, Rinehart & Winston
-
(1967)
Contemporary Composers on Contemporary Music
, pp. 308-315
-
-
Chou, W.-C.1
-
5
-
-
61149283420
-
Asian concepts and twentieth-century Western composers
-
Chou, Wen-chung. (1971). Asian concepts and twentieth-century Western composers. Musical Quarterly, 57, 211-229
-
(1971)
Musical Quarterly
, vol.57
, pp. 211-229
-
-
Chou1
Wen-Chung2
-
8
-
-
84875745593
-
A theory of musical gesture and its application to Beethoven and Schubert
-
A. Gritten & E. King Eds, Aldershot: Ashgate
-
Flatten, Robert S. (2006). A theory of musical gesture and its application to Beethoven and Schubert. In A. Gritten & E. King (Eds.), Music and gesture (pp. 1-23). Aldershot: Ashgate
-
(2006)
Music and Gesture
, pp. 1-23
-
-
Flatten, R.S.1
-
11
-
-
79954715865
-
The evolution of Chou Wen-chung's variable modes
-
Y. U. Everett & F. Lau Eds, Middletown, CT: Wesleyan University Press
-
Lai, Eric. (2004). The evolution of Chou Wen-chung's variable modes. In Y. U. Everett & F. Lau (Eds.), Locating East Asia in Western art music (pp. 146-167). Middletown, CT: Wesleyan University Press
-
(2004)
Locating East Asia in Western Art Music
, pp. 146-167
-
-
Lai, E.1
-
14
-
-
61149600748
-
Henry Cowell and his Chinese music heritage: Theory of sliding tone and his orchestral works of 1953-1965
-
Y. U. Everett & F. Lau Eds, Middletown, CT: Wesleyan University Press
-
Rao, Nancy R. (2004). Henry Cowell and his Chinese music heritage: Theory of sliding tone and his orchestral works of 1953-1965. In Y. U. Everett & F. Lau (Eds.), Locating East Asia in Western art music (pp. 119-145). Middletown, CT: Wesleyan University Press
-
(2004)
Locating East Asia in Western Art Music
, pp. 119-145
-
-
Rao, N.R.1
|