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Volumn 34, Issue SUPPL. 1, 2008, Pages 137-153

Popular visual language as global communication: The remediation of United Airlines Flight 93

(1)  Weber, Cynthia a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords


EID: 43149097831     PISSN: 02602105     EISSN: 14699044     Source Type: Journal    
DOI: 10.1017/S0260210508007833     Document Type: Article
Times cited : (55)

References (58)
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    • This is not to say that there mainstream IR does not occasionally publish work on the visual, but it is to say that this work is not seen by mainstream IR theorists and practitioners as having the same value as their own work
    • This is not to say that there mainstream IR does not occasionally publish work on the visual, but it is to say that this work is not seen by mainstream IR theorists and practitioners as having the same value as their own work.
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    • Bolter and Grusin, Remediation, p. 5.
    • Bolter and Grusin, Remediation, p. 5.
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    • While their focus is on digital visual technologies, Bolter and Grusin point out that there is nothing new about remediation and trace the desire for immediacy through visual representations in Western culture back to 'medieval illuminated manuscripts, Renaissance altarpieces, Dutch painting, baroque cabinets, and modernist collage and photomontage, Bolter and Grusin, Remediation, p. 34
    • While their focus is on digital visual technologies, Bolter and Grusin point out that there is nothing new about remediation and trace the desire for immediacy through visual representations in Western culture back to 'medieval illuminated manuscripts, Renaissance altarpieces, Dutch painting, baroque cabinets, and modernist collage and photomontage': Bolter and Grusin, Remediation, p. 34.
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    • This is a big if, as Lucy Suchman's work generally shows. See, for example, Lucy Suchman, Human-Machine Reconfigurations: Plans and Situated Actions, 2nd edn, Cambridge: Cambridge University Press, 2007
    • This is a big if, as Lucy Suchman's work generally shows. See, for example, Lucy Suchman, Human-Machine Reconfigurations: Plans and Situated Actions, 2nd edn. (Cambridge: Cambridge University Press, 2007).
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    • Bolter and Grusin are not claiming that remediation is always successful and that this sense of virtual immediacy is usually achieved. Rather, they specifically point to the ongoing tension between media that draw attention to themselves and the desire for these media to be experienced as if they were unmediated. Indeed, remediation is very much about the need to refine not-quite immediate mediations as more immediate through repeated mediations in the future. As such, it is a process that is very much ongoing because it fails to achieve its desire of immediacy through mediation rather than a process that achieves its goal and comes to a successful end. See Bolter and Grusin, Remediation
    • Bolter and Grusin are not claiming that remediation is always successful and that this sense of virtual immediacy is usually achieved. Rather, they specifically point to the ongoing tension between media that draw attention to themselves and the desire for these media to be experienced as if they were unmediated. Indeed, remediation is very much about the need to refine not-quite immediate mediations as more immediate through repeated mediations in the future. As such, it is a process that is very much ongoing because it fails to achieve its desire of immediacy through mediation rather than a process that achieves its goal and comes to a successful end. See Bolter and Grusin, Remediation.
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    • Ibid., p. 12.
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    • Ibid., p. 13.
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    • Ibid., p. 14.
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    • Ibid., p. 14.
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    • Ibid., p. 14.
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    • Greengrass supplements The Report with background interviews with UAF93 family members to create character profiles to be used by actors portraying passengers and crew, a move which further blurs the boundary between factual history and hoped-for remembrances. Greengrass, 'Feature Commentary'.
    • Greengrass supplements The Report with background interviews with UAF93 family members to create character profiles to be used by actors portraying passengers and crew, a move which further blurs the boundary between factual history and hoped-for remembrances. Greengrass, 'Feature Commentary'.
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    • Ibid., emphasis in original.
    • Ibid., emphasis in original.
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    • Ibid., my emphasis.
    • Ibid., my emphasis.
  • 51
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    • Ibid., my emphasis.
    • Ibid., my emphasis.
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    • downloaded 6 November 2006
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    • 9/11 Commission, The Report, p. 14
    • 9/11 Commission, The Report, p. 14.


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.