Alien presence in the home: The design of Tableau Machine

Personal and Ubiquitous Computing

Volumn 12, Issue 5, 2008, Pages 373-382

  Romero, Mario ^a   Pousman, Zachary ^a   Mateas, Michael ^a  

^a GEORGIA INSTITUTE OF TECHNOLOGY   (United States)

Author keywords

Ambient information systems; Computer vision; Design for enchantment; Formative evaluation; Generative art

Indexed keywords

ARTIFICIAL INTELLIGENCE; COMPUTER VISION; HUMAN COMPUTER INTERACTION; INFORMATION SYSTEMS;

AMBIENT INFORMATION SYSTEMS; FORMATIVE EVALUATION; GENERATIVE ART; MEDIA ART; TABLEAU MACHINE;

COMPUTER AIDED DESIGN;

EID: 43049149431     PISSN: 16174909     EISSN: None     Source Type: Journal    
DOI: 10.1007/s00779-007-0190-z     Document Type: Article

References (27)

1. Mateas M, Romero M (2005) A preliminary investigation of alien presence. In: Proceedings of human-computer interaction international
2. Dourish P (2001) Where the action is: The foundations of embodied interaction. The MIT Press, Cambridge
3. Crabtree A, Hemmings T, Rodden T (2002) Pattern-based support for interactive design in domestic settings. In: Proceedings of the conference on designing interactive systems: Processes, practices, methods, and techniques. ACM, London
4. McCarthy J, Wright P, Wallace J, Dearden A (2005) The experience of enchantment in human-computer interaction. Personal Ubiquitous Comput. doi: 10.1007/s00779-005-0055-2
5. Blythe MA et al (2003) Funology: From usability to enjoyment Human computer interaction series, vol 3. Kluwer, Boston
6. Höök K, Sengers P, Andersson G (2003) Sense and sensibility: evaluation and interactive art. In: Proceedings of the SIGCHI conference on human factors in computing systems. ACM, Ft. Lauderdale
7. Bolter J, Gromala D (2003) Windows and mirrors: Interaction design, digital art, and the myth of transparency. The MIT Press, Cambridge
8. Mateas M. (2001) Expressive AI: A hybrid art and science practice. Leonardo J Int Soc Arts Sci Technol 34(2):147-153
9. Boehlen M, Mateas M (1998) Office Plant# 1: Intimate space and contemplative entertainment. Leonardo J Int Soc Arts Sci Technol 31(5):345-348
10. Penny S (1997) Embodied cultural agents at the intersection of robotics, cognitive science and interactive art. In: Working notes of the socially intelligent agents symposium. AAAI, Menlo Park
11. Huhtamo, E. (1998) Silicon remembers ideology, or David Rokeby's meta-interactive art. Catalog essay for The Giver of Names exhibit at McDonald-Stewart Art Center
12. Mateas M, Stern A (2003) Facade: An experiment in building a fully-realized interactGve drama. In: Game developer's conference: game design track, San Jose
13. McCorduck P (1991) Aaron's code: Meta-art, artificial intelligence, and the work of Harold Cohen. W.H. Freeman and Company, New York
14. Lioret A (2005) Being paintings in proceedings of the ACM SIGGRAPH 05 electronic art and animation catalog. ACM, Los Angeles
15. Huang J (2005) Interactive wallpaper in proceedings of the ACM SIGGRAPH 05 electronic art and animation catalog. ACM, Los Angeles
16. Utterback C (2004) Untitled 5. SIGGRAPH 2005 Art show, Los Angeles
17. Viegas FB et al (2004) Artifacts of the presence era: Using information visualization to create an evocative Souvenir. In: Proceedings of IEEE information visualization, Austin, pp 105-111
18. Redstrom J, Skog T, Hallanas L (2000) Informative art: Using amplified artworks as information displays. In: Proceedings of DARE. ACM, New York
19. Ishii H, Wisenski C, Brave S, Dahley A, Gorbet M, Ullmer B, Yarin P (1998) AmbientROOM: Integrating ambient media with architectural space, CHI 98 conference summary on human factors in computing systems, April 18-23, Los Angeles, pp 173-174
20. Kidd C et al (1999) The aware home: A living laboratory for ubiquitous computing research. In: Proceedings of the second international workshop on cooperative buildings - CoBuild'99
21. Fitzpatrick G, Tolone WJ, Kaplan SM (1995) Work, locales and distributed social worlds. In: Proceedings of the fourth European conference on computer-supported cooperative work, pp 1-16
22. Sonka M, Hlavec V, Boyle R (1999) Image processing analysis, and machine vision. PWS Publishing, Boston
23. Glasser B, Strauss A (1967) The discovery of grounded theory. Aldine, Chicago
24. Victor Shklovsky (1965) Art as technique. In: Lemon LT, Reis MJ (eds) Russian formalist criticism: Four essays. University of Nebraska Press, Lincoln, pp 3-24
25. Bell G, Blythe M, Sengers P (2005) Making by making strange: defamiliarization and the design of domestic technologies. ACM Trans Comput Hum Interact 12(2):149-173
26. Krause J (2002) Color index. In: Warmke C (ed) Complete index. F&W Publications, Cincinnati
27. Newell A (1993) Reflections on the knowledge level. Artif Intell 59(1-2):31-38