Information culture and the archival record

American Archivist

Volumn 62, Issue 1, 1999, Pages 10-22

  Lubar, Steven ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 42649104889     PISSN: 03609081     EISSN: None     Source Type: Journal    
DOI: 10.17723/aarc.62.1.30x5657gu1w44630     Document Type: Article

References (28)

1. Mark Poster, The Mode of Information: Poststructuralism and Social Context (Chicago: University of Chicago Press, 1990), 81.
2. George P. Landow, Hypertext: The Convergence of Contemporary Critical Theory and Technology (Baltimore and London: Johns Hopkins University Press, 1992), especially 27-30.
3. For an analysis of Derrida's position on the relationship of computer technology and poststructuralism, see Poster, Mode of Information, 100-101.
4. Jacques Derrida, Archive Fever: A Freudian Impression, trans. Eric Prenowitz (Chicago: University of Chicago Press, 1996), 91.
5. Derrida, Archive Fever, 16-18. Emphasis in original.
6. Lewis Carroll, Alice Through the Looking Glass, in Martin Gardner, The Annotated Alice (New York: Bramhall House, 1960), 247-48.
7. Mary Douglas, How Institutions Think (Syracuse: Syracuse University Press, 1986), 71-72.
8. Douglas, How Institutions Think, 80.
9. Michel Foucault, Discipline and Punish (New York: Vintage, 1995).
10. Derrida, Archive Fever, 4.
11. Bruno Latour, "Drawing Things Together," in Representation in Scientific Practice, edited by Michael Lynch and Steve Woolgar (Cambridge, Mass.: MIT Press, 1990), 54-55.
12. Latour, "Drawing Things Together," 50, 56 and 44-46. Emphasis in original.
13. Johannes Fabian, Time and the Other: How Anthropology Makes Its Object (New York: Columbia University Press, 1983)
14. quoted in Latour, Drawing Things Together," 38.
15. Raymond Williams, Television: Technology and CulturalForm (New York: Schocken Books, 1975), 19.
16. Carolyn Marvin, When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century (New York: Oxford University Press, 1988), 4 and 190.
17. Denise Schmandt-Besserat, Before Writing, Vol. I: From Counting to Cuneiform (Austin: University of Texas Press, 1992), chapters 7-9.
18. Claude Levi-Strauss, in Georges Charbonnier, Conversations with Claude Levi-Strauss (London: Jonathan Cape, 1961), 29-30.
19. Interview of Mark C. Taylor in Seulemunde, Issue 3 (available at ) http://www.cas.usf.edu/journal/taylor/ taylor.html
20. Mark Taylor and Esa Saarinen, Imagologies: Media Philosophy (London and New York: Routledge, 1994), Telewriting 6.
21. Michael Joyce, "A Feel for Prose," in Of Two Minds: Hypertext pedagogy and poetics (Ann Arbor: University of Michigan Press, 1995)
22. quoted in Stuart Moultrop, "No War Machine," in Joseph Tabbi and Michael Wutz, Reading Matters: Narrative in the New Media Ecology (Ithaca, N.Y.: Cornell University Press, 1997). Reproduced at . http://raven.ubalt.edu/ staff/ moulthrop/essays/war-machine.html
23. Jean-Francois Lyotard, The Postmodern Condition: A Report on Knowledge, translated by Geoff Bennington and Brian Massumi, Theory and History of Literature, Vol. 10 (Minneapolis: University of Minnesota Press, 1984), 47.
24. Luciana Duranti, "Reliability and Authenticity: The Concepts and Their Implications," Archivaria 39 (Spring 1995): 5-10.
25. Ian Hodder, "Introduction," in The Archaeology of Contextual Meanings, edited by Ian Hodder (Cambridge University Press, 1987)
26. quoted in Reading Material Culture: Structuralism, Hermeneutics and Post-Structuralism, edited by Christopher Tilley (Oxford: Blackwell, 1990)
27. Marvin, When Old Technologies Were New, 8.
28. Lynch and Woolgar, Representation in Scientific Practice, vii-viii.