Fictional spaces

Philosophical Forum

Volumn 35, Issue 4, 2004, Pages 439-455

  Worth, Sarah E ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 42549100517     PISSN: 0031806X     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.0031-806X.2004.00184.x     Document Type: Article

References (19)

1. Christopher Gill, "Plato on Falsehood - Not Fiction," in Lies and Fiction in the Ancient World, eds. Christopher Gill and T. P. Wiseman (Austin, TX: UT Press, 1993) 40
2. Plato, Republic, 377d5. The Greek here is Pseudeis, which means "false."
3. H. G. Liddell and R. Scott, "Rhetoric 1406b9-10," A Greek-English Lexicon (abridged) (Oxford: Oxford UP, 1982)
4. Liddell and Scott, "Rhetoric 1406b14": 82
5. Jerrold Levinson does an excellent job of explaining the competing theories in "Emotion in Response to Art: A Survey of the Terrain" in Emotion and the Arts (Oxford: Oxford UP, 1997) 20-34
6. See Kendall Walton, Mimesis as Make-Believe (Oxford: Oxford UP, 1990)
7. See Noel Carroll, The Philosophy of Horror or Paradoxes of the Heart (New York: Routledge, 1990)
8. and Peter Lamarque, "How Can We Pity and Fear Fictions?" British Journal of Aesthetics 21 (1981): 291-304
9. See the following for more on the cognitive theory of emotions: Robert Gordon, The Structure of Emotions: Investigations in Cognitive Philosophy (Cambridge: Cambridge UP, 1987)
10. Ronald de Sousa, The Rationality of Emotion (Cambridge: The MIT Press, 1987)
11. Patricia Greenspan, Emotions and Reasons An Inquiry into Emotional Justification (New York: Routledge, 1988)
12. C. S. Lewis, The Chronicles of Narnia
13. For a thorough discussion of Mental Simulation, as opposed to Folk Psychology, see Martin Davies and Tony Stone, eds., Mental Simulation (Oxford: Blackwell Publishers, 1995)
14. C. S. Lewis, The Lion, the Witch and the Wardrobe (New York: Harper Collins, 1978)
15. In Everest and To Fly
16. For more on the automatic engagement of the emotional responses, see Jenefer Robinson, "Startle," Journal of Philosophy Vol. XCII, No. 2, 53-74. She argues that the startle response is an early form of fear or surprise but is entirely physiologically based and thus, serves as an argument against an entirely cognitively based theory of emotions
17. For more on the challenges to the cognitive theory of emotions, see also Paul Griffiths, What Emotions Really Are (Chicago: Chicago UP, 1997)
18. Janet Murray, Hamlet on the Holodeck (New York: The Free Press, 1997) 15
19. Roger Schank, Tell Me a Story: Narrative and Intelligence (Evanston, IL: Northwestern UP, 1990) 115