Marian Chace Foundation Annual Lecture: Dancing with the movement of the river

American Journal of Dance Therapy

Volumn 25, Issue 1, 2003, Pages 17-37

  Lewis, Penny ^a  

^a National Association for Drama Therapy

Author keywords

[No Author keywords available]

Indexed keywords

EID: 42249103273     PISSN: 01463721     EISSN: 15733262     Source Type: Journal    
DOI: 10.1023/A:1025565115545     Document Type: Conference Paper

References (19)

1. Amighi, J., Lewis, P., Loman, S., & Sossin, M.. (Eds.). (1999). The meaning of movement: developmental, multicultural, and clinical perspectives as seen through the Kestenberg Movement Profile. Newark: NJ: Gordon & Breach.
2. Caldwell, C. (2000). The moving cycle: A model for healing. In P. Lewis, Integrative holistic health, healing and transformation: A guide for practitioners, consultants, and administrators. Springfield, IL: Charles C. Thomas.
3. Gerber, R. (1988). Vibrational medicine. Santa Fe: Bear & Co.
4. LeDoux, J. (1996). The emotional brain: The mysterious underpinnings of emotional life. New York: Simon & Schuster.
5. Lewis, P. (1986). Theoretical approaches in dance-movement therapy, Volume I. Dubuque, IA: W.C. Brown-Kendall/Hunt Publishing Co.
6. Lewis, P. (1987). Theoretical approaches in dance-movement therapy, Volume II. Dubuque, IA: W.C. Brown-Kendall/Hunt Publishing Co.
7. Lewis, P. (1993). Creative transformation: The healing power of the expressive arts. Willmette, IL: Chiron Publishing.
8. Lewis, P. (1994). The clinical interpretation of the Kestenberg Movement Profile. Keene, NH: Antioch New England Provost Fund.
9. Lewis, P. (1996a). Authentic sound, movement and drama: An interview with Penny Lewis. (Annie Geissinger, Interviewer.) A Moving Journal, 3(1).
10. Lewis, P. (1996b). Authentic sound, movement, and drama: An interactional approach. In M. Robbins (Ed.), Body oriented psychotherapy, Volume 1. Somerville, MA: International Scientific Community for Psycho-Corporal Therapies.
11. Lewis, P. & Loman, S. (Eds.). (1990). The Kestenberg Movement Profile: Its past, present and future applications. Keene, NH: Antioch University.
12. Lewis Bernstein, P. (1973). Theory and methods in dance-movement therapy: A manual for therapists, students and educators. Dubuque, IA: W.C. Brown-Kendall/Hunt Publishing Co.
13. Lewis Bernstein, P. (1975). Tension flow rhythms: As a developmental diagnostic tool within the theory of the recapitulation of ontogeny. Dance therapy-depth and dimension. Columbia, MD: American Dance Therapy Association.
14. Lewis Bernstein, P. (1982). Authentic movement as active imagination. In J. Hariman, (Ed.), The compendium of psychotherapeutic techniques. New York: Charles C. Thomas.
15. Lewis Bernstein, P. & Caferelli, E. (1972). An electromyographical validation of the effort system of notation. Writings on body movement and communication, Volume 11. Columbia, MD: American Dance Therapy Association.
16. Lewis Bernstein, P., Rubin, J. & Irwin, E. (1975). Play, parenting, and the arts. In P. Lewis Bernstein (Ed.), Therapeutic process movement as integration. Columbia, MD: American Dance Therapy Association.
17. Lewis Bernstein, P. & Singer, D. (Eds.) (1982). The choreograpy of object relations. Keene, NH: Antioch University.
18. Ogden, P. & Minton, K. (2001). Sensorimotor processing: The role of the body in trauma. Somatics Forum, Winter, 5(1), (pp. 10-12).
19. Pert, C. (1999). Molecules of emotion.