Emotion in musical meaning: A Peircean solution to Langer's Dualism

Transactions of the Charles S Peirce Society

Volumn 41, Issue 4, 2005, Pages 762-778

  Kruse, Felicia E ^a  

^a XAVIER UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 42049086798     PISSN: 00091774     EISSN: None     Source Type: Journal    
DOI: 10.2979/TRA.2005.41.4.762     Document Type: Review

References (27)

1. Bullough, Edward. 1912. "A Psychical Distance as a Factor in Art and as an Aesthetic Principle. " British Journal of Psychology (5) 2, 87-118.
2. Budd, Malcolm. 1985. Music and the Emotions: The Philosophical Theories. London: Routledge.
3. Cumming, Naomi. 1999. "Musical Signs and Subjectivity: Peircean Reflections. " Transactions of the Charles S. Peirce Society (35) 3, 437-474.
4. -. 2000. The Sonic Self: Musical Subjectivity and Signification. Bloomington and Indianapolis: Indiana University Press.
5. Dewey, John. 1934. Art as Experience. The Later Works, 1925-1953. Vol. 10. Ed. Jo Ann Boydston. Carbondale and Edwardsville: Southern Illinois University Press, 1987. All references to this work are according to the standard form for this scholarly edition (LW 10 followed by page number).
6. Frogley, Alain. 2001. Vaughan Williams's Ninth Symphony, Oxford: Oxford University Press.
7. Goehr, Lydia. 1992. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press.
8. nd ed. Ed. Stanley Sadie and John Tyrell. London: Macmillan.
9. th German edition trans. Geoffrey Payzant. Indianapolis: Hackett, 1986.
10. Hattsman, Carl R. 1993. Charles S. Peirce's Evolutionary Philosophy. Cambridge: Cambridge University Press.
11. -. 1999. '"Evolutionary Realism and Charles Peirce's Pragmatism. " In Classical American Pragmatism: Its Contemporary Vitality. Ed. Sandra B. Rosenthal, Carl R. Hausman, and Douglas R. Anderson. Urbana and Chicago: University of Illinois Press.
12. Houser, Nathan. 1998. Introduction to Peirce, Charles S. The Essential Peirce: Selected Philosophical Writings. Vol. 2 (1893-1913). Bloomington and Indianapolis: Indiana University Press.
13. Kivy, Peter. 1980. The Corded Shell. Princeton: Princeton University Press, 1980.
14. -. 1991. Sound and Semblance: Reflections on Musical Representation. With a new Afterword by the author. Ithaca: Cornell University Press.
15. Kruse, Felicia E. 1991. "Is Cosmic Evolution Semiosis?" In From Time and Chance to Consciousness: Studies in the Metaphysics of Charles S. Peirce. Ed. Edward C. Moore and Richard S. Robin. Oxford and Providence: Berg.
16. rd ed. Cambridge and London: Harvard University Press.
17. Levinson, Jerrold. 1982. "Music and Negative Emotions. " Pacific Philosophical Quarterly 63, 327-46.
18. Reprinted in Robinson 1997: 215-241.
19. Meyer, Leonard. 1956. Emotion and Meaning in Music. Chicago and London: The University of Chicago Press.
20. Peirce, Charles S. All references to Peirce's works are incorporated into the text of this essay and follow the standard scholarly conventions for citing them. CP references are by volume and paragraph to The Collected Papers of Charles Sanders Peirce, Vols. 1-6 ed. Charles Hartshorne and Paul Weiss. Cambridge: Harvard University Press, 1931-35. Vols. 7-8 ed. Arthur W. Burks. Cambridge: Harvard University Press, 1958.
21. MS references are to Peirce's unpublished manuscripts as listed in Robin 1967.
22. W references are to Writings of Charles S. Peirce: A Chronological Edition. Ed. by the Peirce Edition Project. Bloomington and Indianapolis: Indiana University Press: 1982-.
23. PW references are to Semiotic and Significs: The Correspondence Between Charles S. Peirce and Victoria Lady Welby. Ed. Charles S. Hardwick. Bloomington: Indiana University Press, 1977.
24. Robin, Richard S. 1967. Annotated Catalogue of the Papers of Charles S. Peirce. Amherst: The University of Massachusetts Press, 1967.
25. Robinson, Jenefer. 1994. "The Expression and Arousal of Emotion in Music. " In Alperson, Philip. Musical Worlds: New Directions in the Philosophy of Music. University Park: The Pennsylvania University Press.
26. Robinson, Jenefer, ed. 1997. Music and Meaning. Ithaca and London: Cornell University Press.
27. Schelling, Friedrich Wilhelm Josef von. 1803. Philosophic der Kunst, Lectures delivered at Jena, 1802-03. Schellings Werke, Ergänzungsband vol. 3. Ed. Manfred Schrötzer. Munich: Beck, 1959.