Composing for laptop orchestra

Computer Music Journal

Volumn 32, Issue 1, 2008, Pages 9-24

  Smallwood, Scott ^a   Trueman, Dan ^a   Cook, Perry R ^a,b   Wang, Ge ^b  

^a PRINCETON UNIVERSITY   (United States)

^b Princeton University   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AMPLIFICATION; AUDIO EQUIPMENT; LAPTOP COMPUTERS; LOUDSPEAKERS; SOFTWARE ENGINEERING;

PRINCETON LAPTOP ORCHESTRA; SONIC SPACE;

COMPUTER MUSIC;

EID: 41649092684     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/comj.2008.32.1.9     Document Type: Article

References (13)

1. Dunne, B. J., and R. G. Jahn. 2005. "Consciousness, Information, and Living Systems." Cellular and Molecular Biology 51:703-714.
2. Fiebrink, R., G. Wang, and P. Cook. 2007. "Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control." Proceedings of the 2007 Conference on New Interfaces for Musical Expression. New York: NIME, pp. 164-167.
3. Hansen, G. P., J. Utts, and B. Markwick. 1991. "Statistical and Methodological Problems of the PEAR Remote Viewing Experiments." Proceedings of Presented Papers: The Parapsychological Association 34th Annual Convention. Petaluma, California: Parapsychological Association, pp. 189-204.
4. Lansky, P. 1989. "Compositional Applications of Linear Predictive Coding." In M. V. Mathews and J. Pierce, eds. Current Directions in Computer Music Research. Cambridge, Massachusetts: MIT Press, pp. 5-8.
5. McCartney, J. 2002. "Rethinking the Computer Music Language: SuperCollider." Computer Music Journal 26(4):61-68.
6. Puckette, M. 1991. "Combining Event and Signal Processing in the MAX Graphical Programming Environment." Computer Music Journal 15(3):41-49.
7. Risset, J. C. 1985. "Computer Music Experiments, 1964-." Computer Music Journal 9(1):11-18.
8. Sommerich, C. M., et al. 2002. "Effects of Notebook Computer Configuration and Task on User Biomechanics, Productivity, and Comfort." International Journal of Industrial Ergonomics 30(1):7-31.
9. Trueman, D. 2007. "Why a Laptop Orchestra?" Organised Sound 12(2):171-179.
10. Wang, G., and P. Cook. 2003. "ChucK: A Concurrent, On-the-Fly, Audio Programming Language." Proceedings. of the 2003 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 219-226.
11. Wang, G. and P. Cook. 2004. "The Audicle: A Context-Sensitive, On-the-Fly Audio Programming Environ/Mentality." Proceedings of the 2004 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 256-263.
12. Wang, G., et al. 2008. "The Laptop Orchestra as Classroom." Computer Music Journal 32(1):26-37.
13. Weinberg, G. 2005. "Interconnected Musical Networks: Toward a Theoretical Framework." Computer Music Journal 29(2):23-39.