Losing the local: Sydney and the Oz Rock tradition

Popular Music

Volumn 19, Issue 1, 2000, Pages 31-49

  Homan, Shane ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 41449087482     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0261143000000040     Document Type: Review

References (35)

1. AHA Review. 1984. 'Promote Yourself' in December, p. 23
2. Anderson, B. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism (London)
3. Appadurai, A. 1990. 'Disjuncture and difference in the global cultural economy', Theory, Culture and Society, 7, pp. 295-310
4. Australian Recording Industry Association. 1992. ARIA Yearbook (Sydney)
5. Baker, G.A. 1992. 'The Wizards of Oz', ARIA Yearbook (Sydney)
6. Bhabha, H. (ed.) 1990. Nation and Narration (London)
7. Chevigny, P. 1991. Gigs: Jazz and the Cabaret Laws in New York City (New York and London)
8. Cohen, S. 1991. Rock Culture in Liverpool: Popular Music in the Making (Oxford)
9. Cross, W. 1991. 'An end to ARIA's position of power in the music industry', Video & Music Business, 16 September, pp. 5-7
10. Cunningham, S. 1992. Framing Culture: Criticism and Policy in Australia (Sydney)
11. Daily Telegraph. 1996. 'Billy Thorpe goes crazy over sounds of silence', 17 December, p. 3
12. Finnegan, R. 1989. The Hidden Musicians: Music Making in an English Town (Cambridge)
13. Fiske, J., Hodge, B. and Turner, G. 1987. Myths of Oz: Reading Australian Popular Culture (Sydney)
14. Foucault, M. 1979. Discipline & Punish: The Birth of The Prison (New York)
15. Frith, S. 1983. Sound Effects: Youth, Leisure and the Politics of Rock 'n' Roll (London)
16. Hayden, D. 1995. The Power of Place: Urban Landscapes as Public History (London and Massachusetts)
17. Hayward, P. (ed.) 1992. From Pop To Punk To Postmodernism: Popular Music and Australian Culture from the 1960s to the 1990s (Sydney)
18. Homan, S. 1998. The mayor's a square: a regulatory history of Sydney rock venues 1957-97, Ph.D. thesis, Macquarie University, Sydney
19. Homel, R. 1983. The Impact of Random Breath Testing, NSW Drug and Alcohol Authority Research Grant Report Series (Sydney)
20. Independent Commission Against Corruption. 1991. Report on Investigation into Sutherland Licensing Police, February
21. Johnson, V. 1990. Radio Birdman (Sydney)
22. Kingsmill, R. 1985. 'End City', On The Street, 21 August, p.15
23. Kirsch, S. 1995. 'The incredible shrinking world? Technology and the production of space', Society and Space, 13, pp. 529-55
24. McLeay, C. 1994. 'The Dunedin Sound: New Zealand rock and cultural geography', Perfect Beat, 2, 1, July, pp. 38-51
25. Middleton, R. 1990. Studying Popular Music (Milton Keynes)
26. Miller, T. 1993. The Well Tempered Self: Citizenship, Culture, and the Postmodern Subject (Baltimore and London)
27. Mitchell, T. 1996. Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (London and New York)
28. Nimmervoll, E. 1972. 'Billy Thorpe attacks volume critics and gutless bands', Go-Set, 29 January, p. 5
29. NSW Liquor Administration Board. 1983. Annual Report
30. Smith, P. 1983. 'Liquor Regs', On The Street, 14 December, p. 16
31. Stafford, P. 1984. 'LARG Revisited', On The Street, 1 January, p. 4
32. Straw, W. 1991. 'Systems of articulation, logics of change: communities and scenes in popular music', Cultural Studies, 5, 3, October, pp. 369-88
33. Tomlinson, J. 1997. 'Cultural globalization and cultural imperialism', in International Communication and Globalization, ed. A. Mohammadi (London and New Delhi), pp. 170-90
34. Wilmoth, P. 1993. Glad All Over: The Countdown Years 1974-1987 (Ringwood)
35. TISM, 'Last Australian Guitar Hero', YOB. Shock Records, G009. 1998