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Volumn 80, Issue 5, 2008, Pages 1482-1492

Characterization of Pousão pigments and extenders by micro-X-ray diffractometry and infrared and Raman microspectroscopy

Author keywords

[No Author keywords available]

Indexed keywords

INFRARED SPECTROSCOPY; PIGMENTS; RAMAN SPECTROSCOPY; X RAY DIFFRACTION;

EID: 41149159718     PISSN: 00032700     EISSN: None     Source Type: Journal    
DOI: 10.1021/ac701887p     Document Type: Article
Times cited : (54)

References (71)
  • 26
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    • Feller, R. L. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; 1, pp 47-64.
    • Feller, R. L. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; Vol. 1, pp 47-64.
  • 27
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    • Gettens, R. J.; Fitzhugh, E. W.; Feller, R. L. In Artists' Pigments. A Handbook of Their History and Characteristics; Roy, A., Ed. National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1993; 2, pp 203-226.
    • Gettens, R. J.; Fitzhugh, E. W.; Feller, R. L. In Artists' Pigments. A Handbook of Their History and Characteristics; Roy, A., Ed. National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1993; Vol. 2, pp 203-226.
  • 29
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    • Kühn, H. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; 1, pp 169-186.
    • Kühn, H. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; Vol. 1, pp 169-186.
  • 38
    • 41149140763 scopus 로고    scopus 로고
    • Kühn, H.; Curran, M. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; 1, pp 187-217.
    • Kühn, H.; Curran, M. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; Vol. 1, pp 187-217.
  • 39
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    • Newman, R. JAIC 1980, 19, 42-62.
    • (1980) JAIC , vol.19 , pp. 42-62
    • Newman, R.1
  • 44
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    • Wainwright, I. N. M.; Taylor, J. M.; Harley, R. D. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; 1, pp 219-254.
    • Wainwright, I. N. M.; Taylor, J. M.; Harley, R. D. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L., Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; Vol. 1, pp 219-254.
  • 58
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    • Berrie, B. H. In Artists' Pigments. A Handbook of Their History and Characteristics; FitzHugh, E. W., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1997; 3, pp 191-217.
    • Berrie, B. H. In Artists' Pigments. A Handbook of Their History and Characteristics; FitzHugh, E. W., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1997; Vol. 3, pp 191-217.
  • 59
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    • Plesters, J. In Artists' Pigments. A Handbook of Their History and Characteristics; Roy, A., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1993; 2, pp 37-65.
    • Plesters, J. In Artists' Pigments. A Handbook of Their History and Characteristics; Roy, A., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1993; Vol. 2, pp 37-65.
  • 62
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    • Newman, R. In Artists' Pigments. A Handbook of Their History and Characteristics; FitzHugh, E. W., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1997; 3, pp 273-293.
    • Newman, R. In Artists' Pigments. A Handbook of Their History and Characteristics; FitzHugh, E. W., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1997; Vol. 3, pp 273-293.
  • 63
    • 41149103322 scopus 로고    scopus 로고
    • Grissom, C. A. In ICOM Committee for Conservation 4th Triennial Meeting Venice 13-18 October 1975; International Council of Museums: Paris, 1975; pp 75/21/5-1-75/21/5-7.
    • Grissom, C. A. In ICOM Committee for Conservation 4th Triennial Meeting Venice 13-18 October 1975; International Council of Museums: Paris, 1975; pp 75/21/5-1-75/21/5-7.
  • 65
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    • Grisson, C. A. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L, Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; 1, pp 141-167.
    • Grisson, C. A. In Artists' Pigments. A Handbook of Their History and Characteristics; Feller, R. L, Ed.; National Gallery of Art; Washington and Cambridge University Press: Cambridge, UK, 1986; Vol. 1, pp 141-167.
  • 66
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    • Fiedler, I.; Bayard, M. A. In Artists' Pigments. A Handbook of their History and Characteristics; FitzHugh, E. W., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1997; 3, pp 219-271.
    • Fiedler, I.; Bayard, M. A. In Artists' Pigments. A Handbook of their History and Characteristics; FitzHugh, E. W., Ed.; National Gallery of Art; Washington and Oxford University Press: Oxford, UK, 1997; Vol. 3, pp 219-271.
  • 70
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    • Gas chromatography combined with mass spectrometry analysis, carried out at Laboratório de Conservação e Restauro José de Figueiredo (unpublished).
    • Gas chromatography combined with mass spectrometry analysis, carried out at Laboratório de Conservação e Restauro José de Figueiredo (unpublished).
  • 71
    • 41149143511 scopus 로고    scopus 로고
    • X-ray photography analysis carried out at Laboratório de Conservação e Restauro José de Figueiredo (unpublished). Twelve out of the 23 paintings (6 out of the 11 analyzed here) were analyzed and no significant alterations to the original composition were identified.
    • X-ray photography analysis carried out at Laboratório de Conservação e Restauro José de Figueiredo (unpublished). Twelve out of the 23 paintings (6 out of the 11 analyzed here) were analyzed and no significant alterations to the original composition were identified.


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.