Stray dog of anime: The films of Mamoru Oshii

Stray Dog of Anime: The Films of Mamoru Oshii

Volumn , Issue , 2004, Pages 1-230

  Ruh, Brian ^a  

^a INDIANA UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 40949102248     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1057/9781403982797     Document Type: Book

References (129)

1. "All About Patlabor WXIII." Supplemental disc. Patlabor WXIII, special ed. DVD. Directed by Fumihiko Takayama. Des Moines, IA: Pioneer Entertainment, 2003.
2. "Animation, Anime, and Spawn: Cartoons Just Grew Up."Television program. Home Box Office. May 19, 1998.
3. Aston, W.G. (translator). Nihongi. London: George Allen & Unwin, 1956.
4. Balsamo, Anne. Technologies of the Gendered Body: Reading Cyborg Women. Durham, NC: Duke University Press, 1996.
5. Batto, Bernard F. Slaying the Dragon: Mythmaking in the Biblical Tradition. Louisville, KY:Westminster/John Knox Press, 1992.
6. Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994.
7. Baudrillard, Jean. The System of Objects. Translated by James Benedict. New York: Verso, 1996.
8. Bolton, Christopher. "The Mecha's Blind Spot: Patlabor 2 and the Phenomenology of Anime." Science Fiction Studies 29, no. 88 (November 2002): 453-474.
9. Cameron, James. "Ghost in the Shell." Manga Entertainment-Official Australian Website, October 30, 2000. http://www.manga.com.au/ gits4.html (accessed June 26, 2003).
10. "Chat with the Wachowski Brothers." Official Matrix Website. November 6, 1999. http://whatisthematrix.warnerbros.com/cmp/larryandychat. html (accessed June 26, 2003).
11. Choo, Kukhee. "The Influence of Japanese Animation on U.S. Visual Communication Media." Master's thesis, University of Texas at Austin, 2001.
12. Clements, Jonathan, and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese Animation Since 1917. Berkeley, CA: Stone Bridge Press, 2001.
13. "The Consolidated Design of the Creating Process for MiniPato." Mini- Pato disc. Patlabor WXIII, special ed. DVD. Directed by Fumihiko Takayama. Des Moines, IA: Pioneer Entertainment, 2003.
14. Cooper-Chen, Anne. Mass Communication in Japan. Ames: Iowa State University Press, 1997.
15. Crump, Thomas. The Japanese Numbers Game: The Use and Understanding of Numbers in Modern Japan. New York: Routledge, 1992.
16. David, Harold. "The Elegant Enigmas of Mamoru Oshii." AnimeFantastique 1 (Spring 1999): 6-9.
17. de Weever, Jacqueline. "Morgan and the Problem of Incest." In Cinema Arthuriana: Essays on Arthurian Film, edited by Kevin J. Harty, 145-156. New York: Garland Publishing, 1991.
18. Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. New York: Routledge, 2002.
19. Ellis, Sara, and Luis Reyes. "Kenji Kamiyama on Anime: Blood Script Writer Talks about His Career." Akadot.com, August 13, 2001. http://www.akadot.com/article/article-kamiyama1.html (accessed June 25, 2003).
20. Figal, Gerald. Civilization and Monsters: Spirits of Modernity in Meiji Japan. Durham, NC: Duke University Press, 1999.
21. Fisch, Michael. "Nation, War, and Japan's Future in the Science Fiction Anime Film Patlabor II." Science Fiction Studies 27, no. 79 (March 2000): 49-68.
22. FLCL. Volume 1. DVD. Directed by Kazuya Tsurumaki. Los Angeles: Synch-Point, 2002.
23. Frazier, Scott. "Anime Production Panel." Speech presented at AnimeFest 2002. Dallas, TX,August 31, 2002.
24. Fries, Maureen. "How to Handle a Woman, or Morgan at the Movies." In King Arthur on Film: New Essays on Arthurian Cinema, edited by Kevin J. Harty, 67-80. Jefferson, NC: McFarland and Company, 1999.
25. "Gaburieru no Yuutsu: Oshii Mamoru Koshiki Saito" ("Gabriel's Melancholy: Oshii Mamoru Official Site"). http://www.oshiimamoru.com (accessed August 31, 2002).
26. "Ghost in the Shell Production Report." Ghost in the Shell. DVD. Directed by Mamoru Oshii. Chicago: Manga Entertainment, 1998.
27. Gibson, William. "My Own Private Tokyo." Wired (September 2001): 117-119.
28. Hall, Justin. "Galaxies Auctions-It Has Already Begun." Game Girl Advance, July 14, 2003. http://www.gamegirladvance.com/archives/ 2003/07/14/galaxies_auctions_it_has_already_begun.html (accessed August 6, 2003).
29. Haraway, Donna. "A Cyborg Manifesto: Science, Technology and Socialist- Feminism in the Late Twentieth Century." In Simians, Cyborgs and Women: The Reinvention of Nature, 149-181. London: Free Association Books, 1991.
30. Hicks, Heather. "Striking Cyborgs: Reworking the 'Human' in Marge Piercy's He She and It." In reload: rethinking women + cyberculture, edited by Mary Flanagan and Austin Booth, 85-106. Cambridge, MA:The MIT Press, 2002.
31. Hori, Ichiro. "Shamanism in Japan." Japanese Journal of Religious Studies 2, no. 4 (December 1975): 231-287.
32. Horibuchi, Seiji. "Rumiko Takahashi." In Anime Interviews: The First Five Years of Animerica Anime & Manga Monthly (1992-1997), edited by Trish Ledoux, 16-25. San Francisco: Cadence Books, 1997.
33. Horn, Carl Gustav. "Anime." In Japan Edge: The Insider's Guide to Japanese Pop Subculture, edited by Annette Roman, 13-41. San Francisco: Cadence Books, 1999.
34. Horn, Carl Gustav."At the Carpenter Center: The PULP Mamoru Oshii Interview." PULP 5 (September 2001): 10-17.
35. Horn, Carl Gustav."Mamoru Oshii." In Anime Interviews: The First Five Years of Animerica Anime & Manga Monthly (1992-1997), edited by Trish Ledoux, 134-41. San Francisco: Cadence Books, 1997.
36. Horn, Carl Gustav. "Streaks of Red and White: The Short Long Time of the Blood Anime." Forthcoming.
37. "Ichiban: Ten Reasons Why the Sun Still Rises in the East." Wired (September 2001): 120-125.
38. "Interviewing Mamoru Oshii." Official Production I.G. website, http:// www2.production-ig.co.jp/eng2/oshii1.htm (accessed September 19, 2002; site now discontinued).
39. "Interviewing Tetsuya Nishio." Official Production I.G. website, http:// www2.production-ig.co.jp/eng2/nishio.htm (accessed September 19, 2002; site now discontinued).
40. Ishikawa, Shinishi. "Avalon." Translated by Mayumi Kaneko. Shift Japan 51 (February 2001). http://www.shift.jp.org/051/avalon/ (accessed June 30, 2003).
41. Ivy, Marilyn. Discourses of the Vanishing. Chicago: University of Chicago Press, 1995.
42. Izawa, Eri. "The Romantic, Passionate Japanese in Anime: A Look at the Hidden Japanese Soul." In Japan Pop!: Inside the World of Japanese Popular Culture, edited by Timothy J. Craig, 138-153. Armonk, NY: M. E. Sharpe, 2000.
43. James, Lucien, and Oliver DeDoncker. "Just a Chat Before I Go: Kenji Kawai on the Run." Akadot.com, December 19, 2001. http://www. akadot.com/article/article-kawai1.html (accessed June 26 2003).
44. "Japanese Government Policies in Education, Science, Sports and Culture." Year 2000 White Paper. Japanese Ministry of Education Website, http://wwwwp.mext.go.jp/eky2000/ (accessed April 30, 2002).
45. Kanamoto, Taro. "The Creators' Chat Room: Oshii Mamoru." Raijin Game & Anime 3 (January 1, 2003): 8-11.
46. Kanamoto, Taro. "Special Anniversary Interview: Oshii Mamoru." Raijin Game & Anime 1 (December 18, 2002): 6-7.
47. Karahashi, Takayuki. "Leiji Matsumoto." In Anime Interviews: The First Five Years of Animerica Anime & Manga Monthly (1992-1997), edited by Trish Ledoux, 150-163. San Francisco: Cadence Books, 1997.
48. Karahashi, Takayuki. "Masami Yuki." Animerica 5, no. 12 (December 1997): 8-9, 26-29.
49. "Kido Keisatsu Patoreiba 2 wo Megutte: Jidai ni Keri wo Tsukeru Tameni." Oshii Mamoru Zenshigoto: Urusei Yatsura Kara Avaron Made. Tokyo: Kinema Junpo, 2001. English translation from: "Around the Movie Patlabor 2: To Put an End to the Era," translated by Ryoko Toyama. Nausicaa.net, http://www.nausicaa.net/ miyazaki/interviews/m_oshii_patlabor2.html (accessed June 26, 2003).
50. "Killers Official Homepage." http://www.killers.jp/intro/intro.html (accessed May 27, 2003).
51. Kinsella, Sharon. "What's Behind the Fetishism of Japanese School Uniforms?" Fashion Theory 6, no. 2 (June 2002): 215-238.
52. Kerr, Alex. Dogs and Demons: Tales from the Dark Side of Japan. New York: Hill and Wang, 2001.
53. Knowles, Harry. "Mamoru Oshii's Avalon Review." Ain't It Cool News, May 7, 2001. http://www.aintitcool.com/display.cgi?id=8928 (accessed June 26, 2003).
54. Krauss, Ellis S. Japanese Radicals Revisited. Berkeley: University of California Press, 1974.
55. Lee, Kenneth, Edward Kwon, Charles McCarter, and the EX Staff. "Anime Expo 2000:Takada Akemi Guest of Honor Panel." EX:The Online World of Anime & Manga 5, no. 5 (2000). http://www.ex.org/ 5.5/16-feature_axp_takada.html (accessed June 27, 2003).
56. Ledoux, Trish. "Masamune Shirow." In Anime Interviews: The First Five Years of Animerica Anime & Manga Monthly (1992-1997), edited by Trish Ledoux, 38-45. San Francisco: Cadence Books, 1997.
57. Levi, Antonia. Samurai from Outer Space: Understanding Japanese Animation. Chicago: Open Court, 1996.
58. Lock, Margaret M. East Asian Medicine in Urban Japan:Varieties of Medical Experience. Berkeley: University of California Press, 1980.
59. MacDonald, Christopher. "Interview: Production I.G." AnimeNewsNetwork. com, August 1, 2000. http://www.animenewsnetwork.com/feature. php?id=24 (accessed April 28 2003).
60. Macias, Patrick. TokyoScope: The Japanese Cult Film Companion. San Francisco: Cadence Books, 2001.
61. Mackay, Daniel. The Fantasy Role-Playing Game: A New Performing Art. Jefferson, NC: McFarland & Company, 2001.
62. "Mamoru Oshii and Production I.G." AnimeJump.com, March 1999. http://www.animejump.com/cgi-bin/go.cgi?go=features/mamoruoshii/ oshii (accessed August 19, 2002).
63. Mansfield, Stephen. "Tokyo, the Organic Labyrinth." Japan Quarterly (July-September 1998): 31-41.
64. Marx, Karl. Early Writings. Translated by Rodney Livingstone and Gregor Benton. New York: Penguin Books, 1992.
65. McCarter, Charles. "Flights of Fantasy." EX: The Online World of Anime & Manga 4, no. 7 (1999). http://www.ex.org/4.7/04-feature_amano1. html (accessed June 26, 2003).
66. McCarter, Charles. "Peering into the Mists of Avalon: An Interview with Oshii Mamoru." EX:The Online World of Anime & Manga, June 16, 2001. http://www.ex.org/articles/2001/2001.6.16-exclusive-peering_into_ the_mists_of_avalon-pg1.html (accessed June 26, 2003).
67. McCarter, Charles. "Record of an Illustrator: Interview with Izubuchi Yutaka." EX: The Online World of Anime & Manga 4, no. 6 (1999). http://www. ex.org/4.6/04-feature_izubuchi.html (accessed June 27, 2003).
68. McCarthy, Helen. Hayao Miyazaki: Master of Japanese Animation. Berkeley, CA: Stone Bridge Press, 1999.
69. McCarthy, Helen and Jonathan Clements. The Erotic Anime Movie Guide. Woodstock, NY: Overlook Press, 1999.
70. "Meet the Director." Patlabor The Mobile Police: The TV Series. Volume 1. DVD. Directed by Naoyuki Yoshinaga. New York: U.S. Manga Corps, 2001.
71. Moeran, Brian. "Reading Japanese in Katei Gaho: The Art of Being an Upperclass Woman." In Women, Media and Consumption in Japan, edited by Lise Skov and Brian Moeran, 111-142. Honolulu: University of Hawai'i Press, 1995.
72. Monnet, Livia. "Towards the Feminine Sublime, or the Story of 'A Twinkling Monad, Shape-Shifting Across Dimension': Intermediality, Fantasy and Special Effects in Cyberpunk Film and Animation." Japan Forum 14, no. 2 (September 2002): 225-268.
73. Moriyama, Yuji. Commentary audio track. Project A-ko. DVD. Directed by Katsuhiko Nishijima. New York: U.S. Manga Corps, 2002.
74. Morley, David, and Kevin Robins."Techno-Orientalism: Futures, Foreigners and Phobias." New Formations 16 (Spring 1992): 136-156.
75. "Multimedia Grand Prix '96." Digital Content Association of Japan Homepage, July 31, 2001. http://www.dcaj.or.jp/d-con/con/mmgp/96awards/ souhyo_e/ji_so.htm (accessed August 22, 2002; site now discontinued).
76. Nakano, Yuko. "Women and Buddhism-Blood Impurity and Motherhood." Translated by Alison Watts. In Women and Religion in Japan, edited by Akiko Okuda and Haruko Okano, 65-85. Weisbaden: Harrassowitz Verlag, 1998.
77. Napier, Susan J. Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation. New York: Palgrave, 2000.
78. Napier, Susan J. "Confronting Master Narratives: History as Vision in Miyazaki Hayao's Cinema of De-assurance." Positions: East Asia Cultures Critique 9, no. 2 (2001): 467-493.
79. Napier, Susan J."Hybrid Identities-Oe, Japan, and the West." In Return to Japan: From "Pilgrimage" to the West, edited by Yoichi Nagashima, 320-328. Oakville, CT: Aarhus University Press, 2001.
80. Napier, Susan J. "Liminal Worlds and Liminal Girls: Femininity and Fantasy in Japanese Animation." Paper presented at Schoolgirls and Mobilesuits, Minneapolis College of Art and Design, Minneapolis, September 28, 2002.
81. Nerlich, David. "'Irresponsible Pictures':The Art of Anime." IF Magazine 27 (September 2000): 58-61.
82. Newall, Venetia. An Egg at Easter: A Folklore Study. Bloomington: Indiana University Press, 1971.
83. Oe, Kenzaburo. Japan, the Ambiguous, and Myself: The Nobel Prize Speech and Other Lectures. New York: Kodansha International, 1995.
84. Oniki, Yuji. "Tokyo Diary No. 5." In Japan Edge: The Insider's Guide to Japanese Pop Subculture, edited by Annette Roman, 158-159. San Francisco: Cadence Books, 1999.
85. Ortabasi, Melek. "Fictional Fantasy or Historical Fact? The Search for Japanese Identity in Miyazaki Hayao's Mononokehime." In A Century of Popular Culture in Japan, edited by Douglas Slaymaker, 199-228. Lewiston, NY: Edwin Mellen Press, 2000.
86. Oshiguchi, Takashi. "From the Forest: On Jin-Roh and the Popularity of Anime Movies." Animerica 9, no. 5 (June 2001): 66.
87. Oshiguchi, Takashi."Yutaka Izubuchi,Toiler in the Vineyards of Anime." Animerica 2, no. 6 (June 1994): 4-9.
88. Oshii, Mamoru. Hellhounds: Panzer Cops. Vol. 1. Milwaukie, OR: Dark Horse Comics, 1994.
89. Oshii, Mamoru."A Stray Dog Goes to Cannes." Artists Liason Ltd. Homepage, February 11, 2002. http://www.artistsliaisonltd.com/flash/english/special/ 6th/oshii1-1.html (accessed August 22, 2002; site now discontinued).
90. Pocorobba, Janet. "Freedom within Bounds: A Conversation with Donald Richie." Kyoto Journal 41 (Summer 1999): 8-20.
91. Ranney, Doug. "The Masters of Animation: An Unprecedented Opportunity." Animation World Magazine, September 1, 1997. http://mag. awn.com/index.php3?ltype=all&sort=date&article_no=702&page= 3 (accessed June 26, 2003).
92. Rayns,Tony. "Game Master." Sight & Sound 12 (November 2002): 28-31.
93. Reyes, Luis. "Chatting with Ishikawa: The 'I' of Production I.G. Spends a Few Minutes with Akadot." Akadot.com, August 15, 2001. http:// www.akadot.com/article/article-ishikawa1.html (accessed June 27, 2003).
94. Reymond, Laurence. "Entretien Avec Mamoru Oshii." Fluctuat.net, March 15, 2002. http://www.fluctuat.net/cinema/interview/oshii2. htm (accessed June 23, 2003).
95. Robertson, Jennifer. Tazarazuka: Sexual Politics and Popular Culture in Modern Japan. Berkeley: University of California Press, 1998.
96. Rhys, John. Studies in the Arthurian Legend. Oxford: Clarendon Press, 1891.
97. Savage, Lorraine. "Anime Symposium Part 3: Anime Creation and Production: The Making of Ghost in the Shell (with Mamoru Oshii)." The Rose, no. 60 (October 1999). http://home.comcast.net/~hasshin/ symp3.html (accessed June 27, 2003).
98. Schilling, Mark. Contemporary Japanese Film. New York: Weatherhill, 1999.
99. Schilling, Mark. "Shoot 'Em Up, in Bits." Japan Times, June 25, 2003. http://www. japantimes.com/cgi-bin/getarticle.pl5?ff20030625a2.htm (accessed June 25, 2003).
100. Schodt, Frederik L. Dreamland Japan:Writings on Modern Manga. Berkeley, CA: Stone Bridge Press, 1996.
101. Schodt, Frederik L. Inside the Robot Kingdom: Japan, Mechatronics, and the Coming Robotopia. Tokyo: Kodansha International, 1988.
102. "SciFi.com Chat Transcript: Anime Director Hiroyuki Kitakubo." SciFi. com,August 1, 2000. http://www.scifi.com/transcripts/2000/kitakubo. html (accessed June 30, 2003).
103. "Scrolls to Screen: The History and Culture of Anime." The Animatrix. DVD. Burbank, CA:Warner Brothers, 2003.
104. Shirow, Masamune. Ghost in the Shell. Milwaukie, OR: Dark Horse Comics, 1995.
105. Siegel, Mark. "Foreigner as Alien in Japanese Science Fantasy." Science Fiction Studies 12, no. 37 (November 1985): 252-263.
106. Silvio, Carl. "Reconfiguring the Radical Cyborg in Mamoru Oshii's Ghost in the Shell." Science Fiction Studies 26, no. 77 (March 1999): 54-72.
107. "Speculate about Jin-Roh." Jin-Roh: The Wolf Brigade, special ed. DVD. Directed by Hiroyuki Kitakubo. Cypress, CA: Bandai Entertainment, 2001.
108. Steinberg, Scott, and Brian Lam. "Soldiers of Fortune." Wired 11, no. 7 (July 2003): 60.
109. Steinhoff, Patricia G. "Student Conflict." In Conflict in Japan, edited by Ellis S. Krauss, Thomas P. Rohlen, and Patricia G. Steinhoff, 174- 213. Honolulu: University of Hawai'i Press, 1984.
110. Sterling, Bruce. "Preface." In Mirrorshades: The Cyberpunk Anthology, edited by Bruce Sterling, ix-xvi. New York: Ace Books. 1986.
111. Suzuki, Daisetz T. Zen and Japanese Culture. Princeton, NJ: Princeton University Press, 1959.
112. Tatsumi, Takayuki. "The Japanese Reflection of Mirrorshades." In Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Fiction, edited by Larry McCaffery, 366-373. Durham, NC: Duke University Press, 1991.
113. "Tatsunoko Wins 'Author's Right' to Macross." AnimeNewsNetwork.com, January 20, 2003. http://www.animenewsnetwork.com/article.php? id=3072 (accessed January 20, 2003).
114. Telotte, J. P. Science Fiction Film. Cambridge: Cambridge University Press, 2001.
115. Thomas, Owen. "Amusing Himself to Death: Kazuya Tsurumaki Speaks about the Logic and Illogic That Went into Creating FLCL." Akadot.com, October 17, 2001. http://www.akadot.com/article/article- tsurumaki1.html (accessed June 26, 2003).
116. Thompson, Raymond H. The Return from Avalon: A Study of the Arthurian Legend in Modern Fiction. Westport, CT: Greenwood Press, 1985.
117. Tom, Avery M. "Never Forget Your Protective Headgear!" Animerica 2, no. 6 (June 1994): 6.
118. Townsend, Emru. "Marvin Gleicher." The Critical Eye (Summer 1996). http://purpleplanetmedia.com/eye/inte/mgleicher-2.shtml (accessed June 12, 2003).
119. Tryforos, Laurel Anderson. "Questing by Computer: Arthurian Themes in Computer Games." Avalon to Camelot 2, no. 2 (1986): 15-16.
120. Ueno, Toshiya. "Japanimation and Techno-Orientalism: Japan as the Sub- Empire of Signs." Documentary Box 9 (December 31, 1996): 1-5.
121. Ueno, Toshiya. "Techno-Orientalism and Media-Tribalism: On Japanese Animation and Rave Culture." Third Text 47 (Summer 1999): 95-106.
122. Watanabe, Shigeru. "Part 2: Dallos, the World's First OVA (Original Video Animation)." Artists Liason Ltd. Homepage, December 14, 2000. http://www.artistsliaisonltd.com/flash/english/special/4th/watanabe2- 1.html (accessed August 22, 2002; site now discontinued).
123. Wong, Amos. "Inside Production I.G." Newtype USA 2, no. 4 (April 2003): 26-33.
124. "The World's Most Popular Female Comic Artist . . . Rumiko Takahashi." Viz.com. http://viz.com/products/series/takahashi/interview_02. html (accessed August 22, 2002; site now discontinued).
125. Yamaga, Hiroyuki. Commentary audio track. Royal Space Force: The Wings of Honneamise. DVD. Directed by Hiroyuki Yamaga. Chicago: Manga Entertainment, 2000.
126. Yoshida, Teigo. "The Feminine in Japanese Folk Religion: Polluted or Divine?" In Unwrapping Japan: Society and Culture in Anthropological Perspective, edited by Eyal Ben-Ari, Brian Moeran, and James Valentine, 58-77. Honolulu: University of Hawai'i Press, 1990.
127. Yoshida, Toshifumi. "Mamoru Oshii." Translated by Andy Nakatani. Animerica 9, no. 5 (June 2001): 13-15, 36-40.
128. "Yoshitaka Amano." AnimeJump.com (March 1999). http://www.animejump. com/cgi-bin/go.cgi?go=features/yoshitaka-amano/amano (accessed June 26, 2003).
129. Zipes, Jack. The Trials and Tribulations of Little Red Riding Hood: Versions of the Tale in Sociocultural Context. South Hadley,MA:Bergin & Garvey Publishers, 1983.