메뉴 건너뛰기




Volumn 32, Issue 3-4, 2004, Pages 211-221

Historical perspectives in music sociology

Author keywords

[No Author keywords available]

Indexed keywords


EID: 4043143588     PISSN: 0304422X     EISSN: None     Source Type: Journal    
DOI: 10.1016/j.poetic.2004.05.003     Document Type: Article
Times cited : (23)

References (39)
  • 1
    • 0004164804 scopus 로고
    • University of California Press, Berkeley, Los Angeles, London
    • Becker, Howard, S. 1982, Art Worlds. University of California Press, Berkeley, Los Angeles, London
    • (1982) Art Worlds
    • Becker, H.S.1
  • 2
    • 0004308630 scopus 로고
    • University of California Press, Berkeley, Los Angeles, London
    • Biernacki, Richard, 1995. The Fabrication of Labor. University of California Press, Berkeley, Los Angeles, London
    • (1995) The Fabrication of Labor
    • Biernacki, R.1
  • 3
    • 4043104278 scopus 로고
    • Beethoven Hero Princeton University Press, Princeton
    • Burnham, Scott, 1995, Beethoven Hero. Princeton University Press, Princeton.
    • (1995)
    • Burnham, A.1    Scott, A.2
  • 5
    • 84927455723 scopus 로고
    • Social Disruption and its effects on music - An empirical analysis
    • Cerulo Karen Social Disruption and its effects on music - An empirical analysis Social Forces 624 1984 880-894
    • (1984) Social Forces , vol.62 , Issue.4 , pp. 880-894
    • Cerulo, K.1
  • 7
    • 84928443558 scopus 로고
    • How is extra-musical meaning possible? Music as a space and place for work
    • DeNora Tia How is extra-musical meaning possible? Music as a space and place for work Sociological Theory 4 1986 84-94
    • (1986) Sociological Theory , vol.4 , pp. 84-94
    • DeNora, T.1
  • 9
    • 4043155074 scopus 로고    scopus 로고
    • The Biology Lessons of Opera Buffa
    • Hunter, Mary, Webster, James (Eds.) Cambridge University Press, Cambridge
    • DeNora, Tia, 1997. The Biology Lessons of Opera Buffa. In: Hunter, Mary, Webster, James (Eds.), Opera Buffa in Mozart's Vienna. Cambridge University Press, Cambridge, pp. 146-164
    • (1997) Opera Buffa in Mozart's Vienna , pp. 146-164
    • DeNora, T.1
  • 10
    • 0004180209 scopus 로고    scopus 로고
    • Cambridge University Press, Cambridge
    • DeNora, Tia, 2000. Music in Everyday Life. Cambridge University Press, Cambridge
    • (2000) Music in Everyday Life
    • DeNora, T.1
  • 11
    • 4043152239 scopus 로고    scopus 로고
    • Music into action: Performing gender on the Viennese concert stage, 1790-1810
    • DeNora Tia Music into action: Performing gender on the Viennese concert stage, 1790-1810 Poetics 30 2002 19-33
    • (2002) Poetics , vol.30 , pp. 19-33
    • DeNora, T.1
  • 12
    • 4043159329 scopus 로고    scopus 로고
    • Embodiment and opportunity: Bodily capital, gender and reputation in Beethoven's Vienna
    • Weber, E. (Ed.), Indiana University Press, Bloomington, (forthcoming)
    • DeNora, Tia, Embodiment and opportunity: bodily capital, gender and reputation in Beethoven's Vienna. In: Weber, E. (Ed.), The Musician as Entrepreneur. Indiana University Press, Bloomington, (forthcoming)
    • The Musician As Entrepreneur
    • DeNora, T.1
  • 13
    • 0002679809 scopus 로고
    • Cultural entrepreneurship in nineteenth-century Boston: The creation of an organizational base for high culture in America, Parts 1 and 2
    • DiMaggio Paul Cultural entrepreneurship in nineteenth-century Boston: The creation of an organizational base for high culture in America, Parts 1 and 2 Media, Culture and Society 4 35-50 1982 303-322
    • (1982) Media, Culture and Society , vol.4 , Issue.35-50 , pp. 303-322
    • DiMaggio, P.1
  • 15
    • 4043085721 scopus 로고    scopus 로고
    • Female pianists and their male critics in nineteenth-century Paris
    • Ellis Katherine Female pianists and their male critics in nineteenth-century Paris Journal of the American Musicological Society 50 2/3 1997 353-385
    • (1997) Journal of the American Musicological Society , vol.50 , Issue.2-3 , pp. 353-385
    • Ellis, K.1
  • 17
    • 0040969381 scopus 로고    scopus 로고
    • La grandeur de Bach
    • Fayard, Paris
    • Fauquet, Joel Marie, Hennion, Antoine, 2000. La grandeur de Bach. Fayard, Paris
    • (2000)
    • Fauquet, J.M.1    Hennion, A.2
  • 18
    • 4043104277 scopus 로고
    • Afterthoughts
    • Frith, S., Goodwin, A. (Eds.), London Routledge
    • Frith, Simon, 1990, Afterthoughts. In: Frith, S., Goodwin, A. (Eds.), On Record: Pop, Rock and the Written Word. Routledge, London, pp. 418-424
    • (1990) On Record: Pop, Rock and the Written Word , pp. 418-424
    • Frith, S.1
  • 20
    • 0001131841 scopus 로고    scopus 로고
    • A sociology of attachment: Music amateurs, drug users
    • Law, J., Hazzard, J. (Eds.) Blackwells, Oxford
    • Gomart, Emilie, Antoine Hennion, 1999. A sociology of attachment: music amateurs, drug users. In: Law, J., Hazzard, J. (Eds.), Actor Network Theory and After. Blackwells, Oxford, pp. 220-247
    • (1999) Actor Network Theory and After , pp. 220-247
    • Gomart, E.1    Hennion, A.2
  • 21
    • 0038395251 scopus 로고    scopus 로고
    • Cambridge University Press, Cambridge
    • Green, Lucy, 1997. Music, Gender, Education. Cambridge University Press, Cambridge
    • (1997) Music, Gender, Education
    • Green, L.1
  • 23
    • 4043101283 scopus 로고    scopus 로고
    • Authority as performance: The love of Bach in nineteenth-century France
    • Hennion Antoine Fauquet J.M. Authority as performance: The love of Bach in nineteenth-century France Poetics 292 2001 75-88
    • (2001) Poetics , vol.29 , Issue.2 , pp. 75-88
    • Hennion, A.1    Fauquet, J.M.2
  • 24
    • 0039158939 scopus 로고
    • University of California Press, Berkeley, Los Angeles, London
    • Johnson, James, 1995. Listening in Paris. University of California Press, Berkeley, Los Angeles, London
    • (1995) Listening in Paris
    • Johnson, J.1
  • 25
    • 84920564612 scopus 로고    scopus 로고
    • Subjectivity rampant! music, hermeneutics, and history
    • Clayton, M., Herbert, T., Middleton, R. (Eds.), Routledge, London
    • Kramer, Lawrence, 2003. Subjectivity rampant! music, hermeneutics, and history. In: Clayton, M., Herbert, T., Middleton, R. (Eds.), The Cultural Study of Music: A Critical Introduction. Routledge, London, pp. 124-135
    • (2003) The Cultural Study of Music: A Critical Introduction , pp. 124-135
    • Kramer, L.1
  • 26
    • 0004005686 scopus 로고
    • Harvard University Press, Cambridge, MA
    • Latour, Bruno, 1987. Science in Action. Harvard University Press, Cambridge, MA
    • (1987) Science in Action
    • Latour, B.1
  • 27
    • 66449108518 scopus 로고    scopus 로고
    • Cultural Contradiction, idolatry, and the piano virtuoso: Franz Liszt
    • Parakilas, J. (Ed.), Yale University Press, New Haven
    • Leppert, R., 1999. Cultural Contradiction, idolatry, and the piano virtuoso: Franz Liszt. In: Parakilas, J. (Ed.), Piano Roles: Three Hundred Years of Life with the Piano. Yale University Press, New Haven
    • (1999) Piano Roles: Three Hundred Years of Life With the Piano
    • Leppert, R.1
  • 28
    • 4043138136 scopus 로고
    • (Eds.), Cambridge University Press, Cambridge
    • Leppert, Richard, McClary, Susan (Eds.), 1987. Music and Society. Cambridge University Press, Cambridge
    • (1987) Music and Society
    • Leppert, R.1    McClary, S.2
  • 30
    • 84938049525 scopus 로고
    • Revitalizing the culture concept
    • Peterson Richard, A. Revitalizing the culture concept Annual Review of Sociology 8 1979 137-166
    • (1979) Annual Review of Sociology , vol.8 , pp. 137-166
    • Peterson, R.A.1
  • 31
    • 0011556522 scopus 로고
    • Cycles in symbol production: The case of popular music
    • [1975] Frith, S., Goodwin, A. (Eds.), Routledge, London
    • Peterson, Richard, A., Berger, David, 1990 [1975]. Cycles in symbol production: the case of popular music. In: Frith, S., Goodwin, A. (Eds.), On Record: Rock, Pop and the Written Word. Routledge, London
    • (1990) On Record: Rock, Pop and the Written Word
    • Peterson, R.A.1    Berger, D.2
  • 33
    • 4043132580 scopus 로고
    • The canon in the musicological toolbox
    • Bergeson, K., Bohlman, P. (Eds.), University of Chicago Press, Chicago
    • Randel, Donald. 1992. The canon in the musicological toolbox. In: Bergeson, K., Bohlman, P. (Eds.), Disciplining Music: Musicology and its Canons. University of Chicago Press, Chicago, pp. 10-23
    • (1992) Disciplining Music: Musicology and Its Canons , pp. 10-23
    • Randel, D.1
  • 34
    • 4043081453 scopus 로고    scopus 로고
    • Who shall not be moved? Folk music, community and race in the American Communist Party and the Highlander School
    • (August) American Sociological Association Meetings, Atlanta
    • Roy, William, 2003. Who shall not be moved?. Folk music, community and race in the American Communist Party and the Highlander School. In: Proceedings of the Sociology of Culture Session on Politics, Strategy and Culture, American Sociological Association Meetings, Atlanta, (August)
    • (2003) Proceedings of the Sociology of Culture Session on Politics, Strategy and Culture
    • Roy, W.1
  • 37
    • 0036623995 scopus 로고    scopus 로고
    • Interpretive activism and the political uses of Verdi's Opera in the 1840s
    • (June)
    • Stomatov Peter Interpretive activism and the political uses of Verdi's Opera in the 1840s American Sociological Review 67 (June) 2002 345-366
    • (2002) American Sociological Review , vol.67 , pp. 345-366
    • Stomatov, P.1
  • 39
    • 85180039410 scopus 로고
    • Schwarze Gredel and the engendered minor mode in Mozart's operas
    • Solie R. (Ed.), University of California Press, Berkeley
    • Wheelock, G. 1993. Schwarze Gredel and the engendered minor mode in Mozart's operas. In: Solie, R. (Ed.), Musicology and Difference: Gender and Sexuality in Music Scholarship. University of California Press, Berkeley, pp. 201-224.
    • (1993) Musicology and Difference: Gender and Sexuality in Music Scholarship , pp. 201-224
    • Wheelock, G.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.