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Volumn 25, Issue 3, 1996, Pages 231-251

A general pitch interval representation: Theory and applications

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EID: 4043095777     PISSN: 09298215     EISSN: 17445027     Source Type: Journal    
DOI: 10.1080/09298219608570706     Document Type: Article
Times cited : (29)

References (24)
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  • 2
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  • 3
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    • Event hierarchies, tonal hierarchies, and assimilation: A reply to Deutsch and Dowling
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  • 5
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    • Tonal implication of the diatonic set
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    • Browne, R.1
  • 6
    • 60949145040 scopus 로고
    • Aspects of diatonic sets
    • Clough, J., 1979. Aspects of diatonic sets. Journal of Music Theory, 23(1): 45–60.
    • (1979) Journal of Music Theory , vol.23 , Issue.1 , pp. 45-60
    • Clough, J.1
  • 7
    • 60949262008 scopus 로고
    • Diatonic interval sets and transformational structures
    • Clough, J., 1980. Diatonic interval sets and transformational structures. Perspectives of New Music, 18(2): 461–482.
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  • 8
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    • Clough, J., and Myerson, G., 1985. Variety and multiplicity in diatonic systems. Journal of Music Theory, 29(2): 249–270.
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  • 9
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    • The processing of pitch combinations
    • Deutsch D., (ed), New York: Academic Press,. Edited by
    • Deutsch, D., 1982b. “ The processing of pitch combinations ”. In The Psychology of Music, Edited by: Deutsch, D., New York: Academic Press.
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  • 10
    • 0021490092 scopus 로고
    • Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha and Krumhansl
    • Deutsch, D., 1984. Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha and Krumhansl. Journal of Experimental Psychology: General, 113: 413–416.
    • (1984) Journal of Experimental Psychology: General , vol.113 , pp. 413-416
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  • 13
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    • Pitch notations and tonality: Bartók
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    • Gillies, M., 1993. “ Pitch notations and tonality: Bartók ”. In Early Twentieth-Century Music, Edited by: Dunsby, J., Oxford: Basil Blackwell Ltd.
    • (1993) Early Twentieth-Century Music
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  • 16
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    • Psychological constraints on form-bearing dimensions in music
    • McAdams, S., 1989. Psychological constraints on form-bearing dimensions in music. Contemporary Music Review, 4: 181–198.
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  • 18
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    • On Allen Forte's theory of chords
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  • 19
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    • Some aspects of perception, Part I: Sizes of harmonic intervals in performance
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    • West, R.1    Howell, P.2    Cross, I.3


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.