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Volumn 19, Issue 1, 2000, Pages 13-30

'Roots'?: The relationship between the global and the local within the Extreme Metal scene

(1)  Harris, Keith a  

a NONE

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Indexed keywords


EID: 39749133097     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0261143000000052     Document Type: Review
Times cited : (126)

References (36)
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    • Subcultural identity in alternative music culture
    • Kruse, H. 1993. 'Subcultural identity in alternative music culture', Popular Music, 12, pp. 33-43
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    • Kruse, H.1
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    • Reflexivity and its doubles: Structures, aesthetics, community
    • eds U. Beck, A. Giddens and S. Lash Cambridge, pp
    • Lash, S. 1994. 'Reflexivity and its doubles: structures, aesthetics, community', in Reflexive Modernisation, eds U. Beck, A. Giddens and S. Lash (Cambridge), pp. 110-73
    • (1994) Reflexive Modernisation , pp. 110-173
    • Lash, S.1
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    • Everybody loves our town: Scenes, spatiality, migrancy
    • eds T. Swiss et al, Oxford, pp
    • Olson, M. 1998. 'Everybody loves our town: scenes, spatiality, migrancy', in Mapping the Beat: Contemporary Music and Contemporary Theory, eds T. Swiss et al. (Oxford), pp. 269-90
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    • Systems of articulation, logics of change: Communities and scenes in popular music
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    • Roadrunner Records, RR-9055-4
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    • NB: The above two are re-releases originally put out by Cogumelo Producoes in
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.