Culture as (And After) production

Cultural Sociology

Volumn 2, Issue 1, 2008, Pages 7-31

  Santoro, Marco ^a  

^a UNIVERSITY OF BOLOGNA   (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 39749128491     PISSN: 17499755     EISSN: None     Source Type: Journal    
DOI: 10.1177/1749975507086273     Document Type: Article

References (135)

1. Abbott, A. (1999) Department and Discipline. Chicago: University of Chicago Press.
2. Abbott, A. (2001) Chaos of Disciplines. Chicago: University of Chicago Press.
3. Abbott, A. (2004) Methods of Discovery: Heuristics for the Social Sciences. New York: Norton.
4. Abbott, A. (2007) 'For Humanist Sociology', in D. Clawson et al. (eds) (2007) Public Sociology. Fifteen Eminent Sociologists Debate Politics and the Profession in the Twenty-first Century, pp. 195-209. Berkeley: University of California Press.
5. Abell, P. (2004) 'Narrative Explanation: An Alternative to Variable-Centered Explanation?', Annual Review of Sociology 30: 287-310.
6. Adorno, T.W. (2006) Current of Music. Elements of a Radio Theory. Frankfurt: Suhrkamp.
7. Alexander, J.C. (2003) The Meanings of Social Life: A Cultural Sociology. Oxford: Oxford University Press.
8. Alexander, J.C. and Smith, P. (2001) 'The Strong Program in Cultural Theory: Elements of a Structural Hermeneutics', in J. Turner (ed.) The Handbook of Sociological Theory, pp. 135-50. New York: Kluwer.
9. Barrett, M., Corrigan, P., Kuhn, A. and Wolff, J. (eds) (1979) Ideology and Cultural Production. London: Crom Helm.
10. Becker, H.S. (1982) Art Worlds. Berkeley: University of California Press.
11. Becker, H.S. and Pessin, A. (2006) 'A Dialogue on the Ideas of "World" and "Field"', Sociological Forum 21 (2): 275-86.
12. Bennett, A. and Peterson, R.A. (eds) (2004) Music Scenes: Local, Translocal and Virtual. Nashville: Vanderbilt University Press.
13. Bourdieu, P. (1971) 'Le marché des biens symboliques ' L'Année Sociologique 22: 49-126.
14. Bourdieu, P. (1980) 'The Production of Belief: Contribution to an Economy of Symbolic Goods', Media, Culture and Society 2 (3): 261-93.
15. Bourdieu, P. (1984) Distinction. Cambridge, MA: Harvard University Press.
16. Brint, S. (1991) 'Hidden Meanings: Cultural Content and Context in Harrison White's Structural Sociology ' Sociological Theory 10 (2): 194-208.
17. Burawoy, M. (2005) 'For Public Sociology ' American Sociological Review 70 (1): 4-28.
18. Caves, R.E. (2000) Creative Industries. Cambridge, MA: Harvard University Press.
19. Chan, T.W. and Goldthorpe, J.H. (2007) 'Social Stratification and Cultural Consumption: Music in England', European Sociological Review 23 (1) 1-19.
20. Chriss, J.J. (1999) Alvin W. Gouldner: Sociologist and Outlaw Marxist. Alderhsot: Ashgate.
21. Convert, B. and Heilbron, J. (2007) 'Where Did the New Economic Sociology Come from ? ' Theory and Society 36 (2): 31-54.
22. Coser, L. (1965) Men of Ideas: A Sociologist's View. New York: Free Press.
23. Coser, L., Kadushin, C. and Powell, W.W. (1982) Books: The Culture and Commerce of Publishing. Chicago: University of Chicago Press.
24. Coulangeon, P. (2003) 'La stratification sociale des gouts musicaux: Le modèle de la légitimité culturelle en question', Revue française de sociologie 44 (1): 3-33.
25. Crane, D. (1972) Invisible Colleges. Chicago: University of Chicago Press.
26. Crane, D. (1992) The Production of Culture: Media and Urban Arts. London: Sage.
27. Crane, D. (ed.) (1994) The Sociology of Culture. Oxford: Blackwell.
28. DeNora, T. (2000) Music in Everyday Life. Cambridge: Cambridge University Press.
29. Denzin, N. (1990) 'Reading Cultural Text', American Journal of Sociology 95 (6): 1577-80.
30. Denzin, N. (1991) 'Empiricist Cultural Studies in America: A Deconstructive Reading', Current Perspectives in Social Theory, 11: 17- 39.
31. DiMaggio, P. (1979) 'On Pierre Bourdieu', American Journal of Sociology 84 (6): 1460-74.
32. DiMaggio, P. (1982) 'Cultural Entrepreneurship in Nineteenth Century Boston, I: The Creation of an Organizational Basis for High Culture in America', Media, Culture and Society 4 (1) 33-50.
33. DiMaggio, P. (2000) 'The Production of Scientific Change: Richard Peterson and the Institutional Turn in Cultural Sociology', Poetics 28 (2/3): 107-36.
34. Dowd, T. (2007) 'Innovation and Diversity in Cultural Sociology: Notes on Peterson and Berger's Classic Article', Sociologica: Italian Journal of Sociology Online 1 (1), URL: http://www.sociologica.mulino.it/doi/ 10.2383/24213
35. Eagleton, T. (1976) The Idea of Culture. Oxford: Blackwell.
36. Edles, L.D. (2002) Cultural Sociology in Practice. Oxford: Blackwell.
37. Eyerman, R. and McCormick, L. (2006) 'Introduction', in R. Eyerman and L. McCormick (eds) Myth, Meaning, and Performance, pp. 1-11. Boulder: Paradigm.
38. Eyerman, R. and Jamison, A. (1998) Music and Social Movements. Cambridge: Cambridge University Press.
39. Fine, G.A. (1992) 'The Culture of Production: Aesthetic Choices and Constraints in Culinary Work', American Journal of Sociology 97 (5): 1268-94.
40. Frickel, S. and Gross, N. (2005) 'A General Theory of Scientific/ Intellectual Movements', American Sociological Review 70 (2): 204-32.
41. Frith, S. and Goodwin, A. (eds) (1990) On Record. London: Routledge.
42. Gilroy, P. (1993) The Black Atlantic. Cambridge, MA: Harvard University Press.
43. Gottdiener, M. (1985) 'Hegemony and Mass Culture: A Semiotic Approach', American Journal of Sociology 90 (5): 979-1001.
44. Gouldner, A. (1954 a) Patterns of Industrial Bureaucracy. New York: Free Press.
45. Gouldner, A. (1954 b) Wildcat Strike. New York: Antioch Press.
46. Gouldner, A. (1970) The Coming Crisis of Western Sociology. New York: Basic Books.
47. Griswold, W. (1990) 'Provisional, Provincial Positivism: Reply to Denzin', American Journal of Sociology 95 (6): 1580-83.
48. Griswold, W. (1994) Cultures and Societies in a Changing World. Thousand Oaks: Pine Forge Press.
49. Halas, E. (2006) 'Classical Cultural Sociology: Florian Znaniecki Impact in a New Light', Journal of Classical Sociology 6 (3): 256-82.
50. Hebdige, D. (1979) Subculture: The Meaning of Style. London: Methuen.
51. Hedstrom, P. (2005) Dissecting the Social: On the Principles of Analytical Sociology. Cambridge: Cambridge University Press.
52. Hennion, A. (1981) Les professionnels du disque. Paris: Métailié.
53. Hennion, A. (1993) La mediation musicale. Paris: Métailié.
54. Hesmondhalgh, D. (2002) The Cultural Industries. London: Sage.
55. Hirsch, P.M. and Fiss, P.C. (2000) 'Doing Sociology and Culture: Richard Peterson's Quest and Contribution', Poetics 28 (2/3): 97-105.
56. Hughes, M. (2000) Country Music as Impression Management: A Meditation on Fabricating Authenticity', Poetics 28 (2/3): 185-205.
57. Hughes M. and Peterson, R.A. (1983) 'Isolating Cultural Choice Patterns in the US Population', American Behavioral Scientist 26 (4): 459-78.
58. Inglis, D. and Hughson, J. (eds) (2005) The Sociology of Art: Ways of Seeing. Basingstoke: Palgrave.
59. Jensen, J. (1984) 'An Interpretative Approach to Cultural Production', in W. Rowland and B. Watkins (eds) Interpreting Television, pp. 98-118. London: Sage.
60. Jones, P. (2004) Raymond Williams' Sociology of Culture: A Critical Reconstruction. Basingstoke: Palgrave.
61. Karpik, L. (2007) L'économie des singularités. Paris: Gallimard.
62. Kim, S.J. (2004) 'Rereading David Morley's The "Nationwide" Audience', Cultural Studies 18 (1): 84-108.
63. Lahire, B. (2004) La culture des individus. Paris: La Découverte.
64. Lash, S. and Urry, J. (1994) Economies of Signs and Spaces. London: Sage.
65. Lewis, J. (1997) 'What Counts in Cultural Studies', Media, Culture & Society 19 (1): 83-97.
66. Lounsbury, M. and Ventresca, M. (2003) 'The New Structuralism in Organizational Theory '', in Organization 10 (3): 457-80.
67. Lury, C. (1993) Copyright Cultures. London: Routledge.
68. McLennan, G. (2006) Sociological Cultural Studies. Basingstoke: Palgrave.
69. Merton, R.K. (1975) 'Structural Analysis in Sociology', in P. Blau (ed.) Approaches to the Study of Social Structure, pp. 21-52. New York: The Free Press.
70. Mohr, J.W. (1998) 'Measuring Meaning Structures', Annual Review of Sociology 24: 345-70.
71. Mucchielli, L. (2004) Mythes et histoire des sciences humaines. Paris: La Découverte.
72. Negus, K. (1992) Producing Pop. London: Arnold.
73. Negus, K. (1997) 'The Production of Culture', in P. DuGay (ed.) Production of Culture/Cultures of Production, pp. 67-118. London: Sage.
74. Negus, K. (1999) Corporate Culture and Musical Genres. London: Sage.
75. Peterson, R.A. (1962) 'The Intellectual Career of C. Wright Mills: A Case of Sociological Imagination', Wisconsin Sociologist 1 (Fall): 17-29.
76. Peterson, R.A. (1964) 'Dimensions of Social Character: An Empirical Exploration of the Riesman Typology', Sociometry 27 (2): 194-207.
77. Peterson, R.A. (1965) 'Artistic Creativity and Alienation: The Jazz Musician Versus His Audience', Arts in Society 3: 244-48.
78. Peterson, R.A. (1967) 'Market and Moralist Censors of a Rising Art Form: Jazz', Arts in Society 4: 253-64.
79. Peterson, R.A. (1971) 'Review' [of Gouldner (1970)], American Sociological Review 36 (2) 326-28.
80. Peterson, R.A. (1972) 'A Process Model of the Folk, Pop, and Fine Art Phase of Jazz', in C. Nanry (ed.) American Music: From Storyville to Woodstock, pp. 135-51. New Brunswick: Transaction.
81. Peterson, R.A. (ed.) (1976) The Production of Culture. London: Sage.
82. Peterson, R.A. (1978) 'The Production of Cultural Change: The Case of Contemporary Country Music', Social Research 45 (5): 292-314.
83. Peterson, R.A. (1979) 'Revitalizing the Culture Concept', Annual Review of Sociology 5: 137-66.
84. Peterson, R.A. (1983) 'Patterns of Cultural Choice: A Prolegomenon', American Behavioral Scientist 26 (4): 422-38.
85. Peterson, R.A. (1989) 'La sociologie de l'art et de la culture aux Etats-Unis', L'Année sociologique 39: 153-79.
86. Peterson, R.A. (1990) 'Why 1955? Explaining the Advent of Rock Music', Popular Music 9 (1): 97-116.
87. Peterson, R.A. (1992 a) 'Understanding Audience Segmentation: From Elite and Mass to Omnivore and Univore', Poetics 21 (4), 243-58.
88. Peterson, R.A. (1992 b) 'Class unconsciousness in country music', in M.A. McLaurin and R.A. Peterson (eds) You Wrote My Life: Lyrical Themes in Country Music, pp. 35-62. Philadelphia: Gordon and Breach.
89. Peterson, R.A. (1994) 'Culture Studies Through the Production Perspective: Progress and Prospects', in D. Crane (ed.) The Sociology of Culture, pp. 163-90. Cambridge, MA: Blackwell.
90. Peterson, R.A. (1997) Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press.
91. Peterson, R.A. (2000) 'Two Ways Culture is Produced', Poetics 28 (2/3): 225-33.
92. Peterson, R.A. (2005 a) 'In Search of Authenticity', Journal of Management Studies 42 (5): 1083- 98.
93. Peterson, R.A. (2005 b) 'Problems in Comparative Research: The Example of Omnivorousness', Poetics 33 (5/6): 257-82.
94. Peterson, R.A. and Anand, N. (2004) 'The Production of Culture Perspective', Annual Review of Sociology 30: 311-34.
95. Peterson, R.A. and Berger, D.G. (1971) 'Entrepreneurship in Organizations: Evidence From the Popular Music Industry', Administrative Science Quarterly 16 (1): 97-106.
96. Peterson, R.A. and Berger, D.G. (1972) 'Three Eras in the Manufacture of Popular Music Lyrics', in R.S. Denisoff and R.A. Peterson (eds) The Sounds of Social Change: Studies in Popular Culture, pp. 282-303. Chicago: Rand McNally.
97. Peterson, R.A. and Berger, D.G. (1975) 'Cycles in Symbol Production: The Case of Popular Music', American Sociological Review 40 (2): 158-73.
98. Peterson, R.A. and DiMaggio, P. (1975) 'From Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis', Social Forces 53 (3) 497-506.
99. Peterson, R.A. and Kern, R.M. (1996) 'Changing Highbrow Taste: From Snob to Univore', American Sociological Review 61 (5): 900-907.
100. Peterson, R.A. and Ryan, J. (1983) 'Success, Failure, and Anomie in Arts and Crafts Work', Research in Sociology of Work 2: 301-23.
101. Peterson, R.A. and Simkus, A. (1992) 'How Musical Taste Groups Mark Occupational Status Groups', in M. Lamont and M. Fournier (eds) Cultivating Differences: Symbolic Boundaries and the Making of Inequality, pp. 125-68. Chicago: University of Chicago Press.
102. Peterson, R.A. and White, H.G. (1979) 'The Simplex Located in Art Worlds', Urban Life 7 (4): 411-39.
103. Peterson, R.A. and White, H.G. (1981) 'Elements of Simplex Structures', Urban Life 10 (1): 3-24.
104. Powell, W.W. and DiMaggio, P. (eds) (1991) The New Institutionalism in Organizational Analysis. Chicago: University of Chicago Press.
105. Riesman, D. (1988) 'On Discovering and Teaching Sociology: A Memoir', Annual Review of Sociology 14: 1-24.
106. Rojek, C. and Turner, B. (2000) 'Decorative Sociology: Towards a Critique of the Cultural Turn', The Sociological Review, 3 (4): 629-48.
107. Ryan, J.W. (2000) 'The Production and Consumption of Culture. Essays on Richard A. Peterson's Contributions to Cultural Sociology: A Prolegomenon', Poetics 28 (2/3): 91-6.
108. Ryan, J.W. and Peterson, R.A. (1982) 'The Product Image: The Fate of Creativity in Country Music Songwriting', in J. Ettema and D.C. Whitney (eds) Individuals in Mass Media Organizations: Creativity and Constraint, pp. 11-32. London: Sage.
109. Ryan, J.W. and Peterson, R.A. (2001) 'The Guitar as Artifact and Icon: Identity Formation in the Babyboom Generation', in A. Bennett and K. Dawe (eds) Guitar Cultures, pp. 89-116. Oxford: Berg.
110. Sallaz, J.J. and Zavisca, J. (2007) 'Bourdieu in America, 1980-2004', Annual Review of Sociology 33: 21-41.
111. Sanders, C.R. (1982) 'Structural and Interactional Features of Popular Culture Production: An Introduction to the Production of Culture Perspective', Journal of Popular Culture 16 (2) 66-74.
112. Santoro, M. (ed.) (1995) Fare cultura. La produzione culturale nel Mezzogiorno. Bologna: Il Mulino.
113. Sassatelli, R. (2007) Consumer Culture: History, Theory and Politics. London: Sage.
114. Scheinberg, M. and Clemens, E.S. (2006) 'The Typical Tools for the Job: Research Strategies in Institutional Analysis', Sociological Theory 24 (3) 195-227.
115. Schudson, M. (1989) 'The Sociology of News Production', Media, Culture & Society 11 (3) 263-82.
116. Sewell, W.H. Jr (1999) 'The Concept(s) of Culture', in W.H. Sewell Jr (2005) Logics of History, pp. 152 - 74. Chicago: University of Chicago Press.
117. Smith, P. (ed.) (1998) The New American Cultural Sociology. Cambridge: Cambridge University Press.
118. Sullivan, O. and Katz-Gerro, T. (2007) 'The Omnivore Thesis Revisited: Voracious Cultural Consumers', European Sociological Review 23 (2): 123-37.
119. Swedberg, R. (1997) 'New Economic Sociology: What Has Been Accomplished, What Is Ahead?' Acta Sociologica 40 (2), 161-82.
120. Swidler, A. (1986) 'Culture in Action: Symbols and Strategies', American Sociological Review 51 (2) 273- 286.
121. Throsby, D. (2000) Economics and Culture. Cambridge: Cambridge University Press.
122. Tuchman, G. (1983) 'Consciousness Industries and the Production of Culture', Journal of Communication 33 (3): 330-41.
123. Van Rees, C.J. (1983) 'Introduction. Advances in the Empirical Sociology of Literature and the Arts: The Institutional Approach', Poetics 12 (4/ 5): 285-310.
124. Warde, A., Wright, D. and Gayo-Cal, M. (2007) 'Understanding Cultural Omnivorousness: Or, the Myth of the Omnivore', Cultural Sociology 1 (2): 143-64.
125. White, H.C. (1993) Careers and Creativity: Social Forces in the Arts. Boulder: Westview Press.
126. White, H.C. and White, C. (1965) Canvases and Careers: Institutional Change in the French Painting World. Chicago: University of Chicago Press.
127. Williams, R. (1981) Culture. London, Fontana.
128. Williams, R. (1983) Keywords: A Vocabulary of Culture and Society. London: Flamingo.
129. Willis, P. (1978) Profane Culture. London: Hutchinson.
130. Willis, P. (2000) The Ethnographic Imagination. Cambridge: Polity.
131. Wolff, J. (1981) The Social Production of Art. Basingstoke: Macmillan.
132. Wolff, J. (1999) 'Cultural Studies and the Sociology of Culture', Contemporary Sociology 28 (5) 499 - 507.
133. Zaret, D. (1992) 'Critical Theory and the Sociology of Culture', Current Perspectives in Social Theory 12: 1-28.
134. Zelizer, V. (2005) 'Culture and Consumption', in N. Smelser and R. Swedberg (eds) Handbook of Economic Sociology, 2 nd Edition, pp. 331-54. Princeton: Princeton University Press.
135. Znaniecki, F. (1940) The Social Role of the Man of Knowledge. New York: Columbia University Press.