Case studies on absolute pitch

Archives of Acoustics

Volumn 32, Issue 4 SUPPL., 2007, Pages 193-196

  Makomaska, Sylwia ^a,b  

^a UNIVERSITY OF WARSAW   (Poland)

^b Akademia Muzyczna im Fryderyka Chopina w Warszawie   (Poland)

Author keywords

Absolute pitch; Effect of timbre; Effects of speed; Various kinds of AP

Indexed keywords

ACOUSTIC SIGNAL PROCESSING; EDUCATION; FEATURE EXTRACTION; MUSICAL INSTRUMENTS;

ABSOLUTE PITCH; LONG-TERM AUDITORY MEMORY; SPEED EFFECTS; TIMBRE EFFECTS;

ACOUSTIC VARIABLES MEASUREMENT;

EID: 39649089151     PISSN: 01375075     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Conference Paper

References (4)

1. BACHEM A., Various types of absolute pitch, J. Acoust. Soc. Am., 9, 146-151 (1937).
2. TIEPLOV B. M., Psychologia muzykalnych sposobnostej. Izdat. Nauka, Moskwa-Leningrad 1948.
3. RAKOWSKI A.. MIYAZAKI K., Absolute Pitch: Common traits in music and language. Archives of Acoustics, 32. 1. 5-16 (2007).
4. MILLER G., The magical number seven, plus or minus two: some limits on our capacity for processing information, Psychological Review, 63, 81-96 (1956).