Music as representation

Journal of Musicological Research

Volumn 24, Issue 3-4, 2005, Pages 205-226

  Bohlman, Philip V ^a  

^a UNIVERSITY OF CHICAGO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 37549010810     PISSN: 01411896     EISSN: None     Source Type: Journal    
DOI: 10.1080/01411890500233924     Document Type: Article

References (34)

1. See, for example, Margaret J. Kartomi, "Music and Trance in Central Java," Ethnomusicology 17/2 (1973), 163-208
2. "Lovely When Heard from Afar: Mandailing Ideas of Musical Beauty," in Five Essays on the Indonesian Arts, ed. Margaret Kartomi (Clayton, Australia: Centre of Southeast Asian Studies, Monash University, 1981), 1-14
3. On Concepts and Classifications of Musical Instruments (Chicago: University of Chicago Press, 1990)
4. "Indonesian-Chinese Oppression and the Musical Outcomes in the Netherlands East Indies," in Music and the Racial Imagination, ed. Ronald Radano and Philip V. Bohlman (Chicago: University of Chicago Press, 2000), 271-317
5. See Jean de Léry, History of a Voyage to the Land of Brazil, Otherwise Called America [1578], trans. by Janet Whatley (Berkeley: University of California Press, 1999)
6. Margaret Kartomi, "Tabut: A Shi'a Ritual Transplanted from India to Sumatra," in Nineteenth and Twentieth Century Indonesia: Essays in Honour of Professor J. D. Legge, ed. David P. Chandler and M. C. Ricklefs (Clayton, Australia: Centre of Southeast Asian Studies, Monash University, 1986), 141-162
7. See Pi-yen Chen, The Chant of Purity: The Liturgical Chants of the Chinese Buddhism (Middleton, Wisc.: A-R Editions, forthcoming)
8. Note, however, the somewhat different metaphysical property of "noise" in Jacques Attali, Noise: The Political Economy of Music, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1985). In Attali's largely historical argument, the ways in which societies transform noise into music affords social agency and political power to different social and economic groups. Music, therefore, serves as an index for - and hence, a means of representing - the transformation of one era to the next, in which the political economy is more complex, but also more fragmented and socially skewed
9. See, for example, Steven Feld, Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression, 2nd ed. (Philadelphia: University of Pennsylvania Press, 1990)
10. See, for example, John Cage, Silence: Lectures and Writings (Middletown, Conn.: Wesleyan University Press, 1961)
11. See William P. Malm, Six Hidden Views of Japanese Music (Berkeley: University of California Press, 1986)
12. See Kofi Agawu, "The Challenge of Semiotics," in Rethinking Music, ed. Nicholas Cook and Mark Everist (Oxford: Oxford University Press, 1999), 138-160
13. Ferdinand de Saussure, Cours de linguistique générale [1916], critical edition, ed. by Tullio de Mauro (Paris: Payot, 1972)
14. Charles Sanders Peirce, Collected Papers of Charles Sandres Peirce, 8 vol., ed. C. Harsshorne, P. Weiss, and A. W. Burks (Cambridge, Mass.: Harvard University Press, 1931-1966)
15. See, for example, Harold Powers, "Language Models and Musical Analysis," Ethnomusicology 25/1 (1980), 1-60
16. and Jean-Jacques Nattiez, Music and Discourse: Toward a Semiology of Music, trans. Carolyn Abbate (Princeton, N.J.: Princeton University Press, 1990)
17. See Thomas Turino, "Structure, Context, and Strategy in Musical Ethnography," Ethnomusicology 34/3 (1990), 399-412
18. Oskár Elschek, Musikforschung der Gegenwart, 2 vols. (Vienna: E. Stieglemayer, 1992)
19. Albrecht Schneider, Psychological Theory and Comparative Musicology, in Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, ed. Bruno Nettl and Philip V. Bohlman (Chicago: University of Chicago Press, 1991), 293-317
20. Gilbert Rouget, Music and Trance: A Theory of the Relations between Music and Possession, trans. Brunhilde Biebuyck (Chicago: University of Chicago Press, 1985)
21. Marina Roseman, Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine (Berkeley: University of California Press, 1991)
22. Feld, Sound and Sentiment
23. See especially Johann Gottfried Herder, Stimmen der Völker in Liedern (Leipzig: Weygandsche Buchhandlung, 1778)
24. Victor Turner, The Ritual Process: Structure and Anti-Structure (Chicago: Aldine, 1969)
25. Pierre Bourdieu, Outline of a Theory of Practice, trans. Richard Nice (Cambridge: Cambridge University Press, 1977)
26. John Blacking, How Musical Is Man? (Seattle: University of Washington Press, 1973)
27. See, for example, Kartomi, "Tabut," 141-162
28. Anthony Seeger, Why Suyá Sing: A Musical Anthropology of an Amazonian People [1987] (Urbana: University of Illinois Press, 2004)
29. Kristina Nelson, The Art of Reciting the Qur'an (Austin: University of Texas Press, 1985)
30. See, for example, Martin Stokes, ed., Ethnicity, Identity and Music: The Musical Construction of Place (Oxford: Berg Publishers, 1994)
31. See Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project, My Music (Hanover: University Press of New England, 1993)
32. See Philip V. Bohlman, World Music: A Very Short Introduction (Oxford: Oxford University Press, 2002), 88-110
33. See, for example, Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford: Oxford University Press, 1992)
34. For a discussion of the distinction of classes of meaning within classification, see Kartomi, On Concepts and Classification, 16-24